New Year in Cuba: Mary Garner Lowell's Travel Diary, 1831-1832, and: From Beacon Hill to the Crystal Palace: The 1851 Travel Diary of a Working-class Woman, and: The Extraordinary Work of Ordinary Writing: Annie Ray's Diary (review)

Legacy ◽  
2004 ◽  
Vol 21 (2) ◽  
pp. 244-246
Author(s):  
Judy Nolte Temple
Author(s):  
George Moore

I daresay I shall get through my trouble somehow.’ Esther Waters is a young, working-class woman with strong religious beliefs who takes a position as a kitchen-maid at a horse-racing estate. She is seduced and abandoned, and forced to support herself and her illegitimate child in any way that she can. The novel depicts with extraordinary candour Esther's struggles against prejudice and injustice, and the growth of her character as she determines to protect her son. Her moving story is set against the backdrop of a world of horse racing, betting, and public houses, whose vivid depiction led James Joyce to call Esther Waters ‘the best novel of modern English life’. Controversial and influential on its first appearance in 1894, the book opened up a new direction for the English realist tradition. Unflinching in its depiction of the dark and sordid side of Victorian culture, it remains one of the great novels of London life and labour in the 1890s.


Author(s):  
Arthur M. Diamond

Process innovations mainly benefit consumers by reducing prices of services and of new and old goods, which benefits aspiring ordinary citizens more than the privileged rich. The interchangeable parts of the American system of manufacturing (famously demonstrated at Britain’s Crystal Palace in Victorian England) reduced the costs of many goods, bringing them within the reach of the working class. Process innovations are often financed by rich venturesome consumers who buy expensive early versions of new goods. Besides lowering costs, process innovations also increase the variety, convenience, and quality of goods. Important process innovations include Fritz Haber’s inventing a way to create fertilizer from air; Henry Ford’s adaptation of the assembly line to reduce the costs of manufacturing cars; Sam Walton’s logistical, information technology and managerial innovations to reduce the costs of retailing; and Jeff Bezos’s Internet process innovations to increase the variety, convenience, and speed of delivery of retail goods.


2019 ◽  
Vol 30 (4) ◽  
pp. 477-503 ◽  
Author(s):  
Lyndsey Jenkins

Abstract This article argues that an analysis of Annie Kenney’s public representation and private relationships offers a new way of evaluating how class was understood, experienced, and negotiated within the Women’s Social and Political Union (WSPU). Annie Kenney was a well-known suffrage activist from Lancashire, usually described as the only working-class woman to achieve prominence in the organization. This article analyses how the WSPU initially made much of Annie Kenney’s social origins, attracting significant press attention. However, it also demonstrates that their assumption that she could effectively speak for all working-class women was problematic, since it assumed a homogeneity of working-class experience. As the WSPU shifted its focus to recruiting more middle-class women, it sought instead to celebrate Annie Kenney’s commitment to the cause. Ironically, she was often more effective in building relationships with wealthier women, forming substitute families that provided significant support and benefits. Yet though the depth of these relationships was extraordinary in the context of contemporary class relations, they remained exceptional rather than typical. This article thus develops the work of scholars including Sandra Stanley Holton, Sue Thomas, and Laura Schwartz, who have analysed how class fragmented and shaped the women’s movement. It demonstrates that the significance of class within the WSPU was fluid and shifting rather than fixed and static and indicates both the potential for, and barriers to, meaningful and lasting cross-class collaboration.


2021 ◽  
pp. 1-24
Author(s):  
Philip Boardman

The July 1860 Crystal Palace Brass Band contest brought brass bands out of their heartlands to London in unprecedented numbers, The Times (12 July 1860, 9), lauding its success as ‘quite extraordinary’. This landmark event was repeated in three successive years, but in 1863 it was abruptly terminated, and no cogent explanation has been established for its failure. The entrepreneur organizing the contests, Enderby Jackson, later wrote in his autobiography that other business dealings prevented him from further involvement in the series. Jackson had made full use of his talents and contacts to bring these remarkable working-class musical ensembles to the emergent national attraction that was the Crystal Palace. However, Jackson's manipulation of publicity and managerial style obstruct easy analysis of the contests. Moreover, Jackson later sought to protect his legacy by conjuring a smokescreen in his memoirs to obscure the real reasons for the failure of the Crystal Palace contests after 1863. The entrepreneurial environment is never a stable one, and it should not be presumed that the accolades accorded to the opening contest would translate into its continuance on an annual basis. However, the fact that the contests were attended by many thousands of visitors each year and Jackson's assertion that they were a financial success stand in stark contrast to what is implied by their sudden end. This article demonstrates how close examination of previously unconsidered letters, surviving documentation, and other sources cast doubt on whether the contest series was ever an extraordinary success.


Author(s):  
Claudia Leeb

“Disrupting the Fantasy: Adorno and the Working-Class Woman” exposes Adorno’s identity thinking in his figurations of the “working-class woman.” The forms in which she appears in Adorno’s texts (the phallic, castrating, and castrated woman) correspond to the three dimensions (the imaginary, the symbolic, and the real) through which Lacan mapped his thought. In all of these forms she advances to object petit a (Lacan)—the unconscious fantasy object that promises to cover up the fears and desires that non-wholeness incites. That the thinker of non-identity reinforces identity thinking exposes some of the challenges to realizing the idea of a (feminist) political subject-in-outline. For such a subject to be able to transform the status quo and remain inclusive, it must deal with the (unconscious) desires and fears the remaining-with-holes incites.


Author(s):  
Jason Edwards

‘The World of Victorian Portraiture’ focuses on the 500 plaster cast busts that make up the largely ignored portrait sequence at the Crystal Palace, that ran throughout and alongside the Fine Arts Courts, treating the portrait collection as a microcosm of Sydenham as a whole. Focussing on a close reading of Samuel Phillips’s official 1854 guide to the portrait sequence, in relation to the few surviving images of portrait busts at Sydenham, the chapter seeks to counter a myopic, insular, working-class historical emphasis on Sydenham as a provincial, proletarian pleasure park. In its place, the chapter returns to centre stage the complex, cosmopolitan, high cultural experiences and ambitions of a specific subset of visitors - the ideal audience imagined by the official guides.


1990 ◽  
Vol 38 ◽  
pp. 46-62 ◽  
Author(s):  
Janet Hart

In a 1982 review article, Theda Skocpol asks the question, “What makes peasants revolutionary?” She analyzes the conclusions of authors who endeavor to explain what leads peasants—a stereotypically powerless group—to engage in collective action that challenges the economic or political status quo. The above example suggests a useful paraphrase of the question: was Stathoula's case exceptional, and if not, what made a Greek working-class woman during the 1940s revolutionary?


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