scholarly journals Notes of Exchange: Scribal Practices and Vernacular Religious Scholarship in Early Modern North India

Author(s):  
Tyler Williams
2020 ◽  
Vol 57 (4) ◽  
pp. 583-604
Author(s):  
Richard David Williams

Early modern poets conventionally began their compositions by praising and invoking the blessings of their higher authorities, be they their gods, gurus or courtly patrons. In the eighteenth century, North Indian society was particularly unstable, and the relationships between these different power brokers proved volatile. This article considers how intellectuals attached to religious households navigated the challenges of the period, particularly invading armies, religious reforms and forced migration. I examine the works of Vrindavandas (c. 1700–87), a Brajbhasha poet and lay devotee of the Radhavallabh Sampraday, and provide contextualised readings of two of his poems, concerned with recent history and the contemporary political climate. Vrindavandas was not a scribe or chronicler in a conventional sense; however, closer examination of his works reveals the porous boundaries between scribes-cum-recorders and other kinds of intellectuals. Here, I consider how Vrindavandas’ literary activity included copying archival sources, recording recent history, documenting dreams and emotions, and folding different senses of temporality into a single work. This article asks how far his poetic works gesture to a distinctively eighteenth-century mode of literary expression and reflexivity, and how performing these poetic archives through reading, singing, and musical accompaniment provided the sect with tools to navigate a turbulent political landscape.


Paragrana ◽  
2009 ◽  
Vol 18 (1) ◽  
pp. 243-266
Author(s):  
Monica Juneja

AbstractThis article investigates the ways in which visual representations reconfigured the body in North Indian political culture of the sixteenth and seventeenth centuries. While images were meant to transmit and translate ethical conceptions of the polity, communicative modes of the visual medium followed a dynamic that was not a rehearsal of the path taken by texts. As images cut across distinctions formulated elsewhere and drew up new boundaries, they worked to refine and pluralise the understandings of political culture beyond the normative. Pictorial experiments at the North Indian courts involved negotiating multiple regimes of visuality and arriving at pictorial choices that ended up creating a new field of sensibilities, especially the corporeal. An argument is therefore made for the agency of the visual in defining new ideas of the political body that were constitutive of politico-ethical ideals in early modern North India.


2004 ◽  
Vol 47 (3) ◽  
pp. 390-400 ◽  
Author(s):  
John Richards

AbstractThis essay argues for reconsideration and greater scholarly attention to the insights of Prof. Dirk Kolff as expressed in his 1989 book, Naukar, Rajput and Sepoy and in later writings. Kolff described a fluid, pervasive military labor market in late Mughal and early colonial North India that made vast numbers of armed, largely peasant soldiers available to military contractors, rulers, and rebels alike. His formulation permits us to see that armed Indian peasants in this period had considerable agency and independence within a society that was riven with con flict. Such a reconsideration underscores the magnitude of the changes wrought in Indian society by violent British conquest, pacification and disarmament in rural society — especially after the failed 1857 revolt. L'article plaide pour une reconsidération et une réévaluation des idées du professeur Dirk Kolff, telles qu'elles sont présentées dans son ouvrage paru en 1989, Naukar, Rajput et Sepoy, et dans ses publications ultérieures. Kolff décrit un marché du travail militaire flexible et omniprésent en Inde Mogole et en Inde Septentrionale au début de l'ère coloniale, et qui a rendu disponible aux courtiers militaires, aux dirigeants et aux rebelles un grand nombre de soldats d'origine paysanne. Son exposé nous permet de voir comment, pendant cette période, les paysans indiens armés avaient une importance et une indépendance considérables dans une société fendue par les con flits armés. Une telle reconsidération souligne l'importance des changements dans la société indienne, déclenchés par la soumission violente, la paci fication et le désarmement par les Anglais — surtout après l'échec de la révolte de 1857.


2018 ◽  
Vol 52 (5) ◽  
pp. 1457-1485 ◽  
Author(s):  
JOHN STRATTON HAWLEY

AbstractThe purpose of this article is to examine what was involved when the great linguist George Grierson framed the history of Indianbhaktiin terms of ‘the four churches of the reformation’ in one of his most widely read publications, ‘Bhakti-Mārga’, an entry in theEncyclopaedia of Religion and Ethics(1910). This was his translation of the concept ofcatuḥ(orcār)sampradāy, which plays a significant role in Nābhādās's HindiBhaktamāl(circa1600). The weight of the target language and its enveloping culture (‘church’, ‘reformation’) raise obvious red flags. Grierson did not submit them to the sort of self-critical scrutiny we might today, nor did he examine the adequacy of Nābhādās's historiography. But did he get it all wrong? I will suggest that there are in fact some intriguing, if distant, analogies between the early modern world out of which Nābhādās wrote and its contemporary Protestant European counterpart, and I will ask whether Nābhādās may have been encouraged to adopt the framework he did because of precedents established in contemporary Muslim historiographical practice. In outlining his foursampradāys, Nābhādas played a role in creating a set of assumptions that long survived his own time in North India—and not just because Grierson would later be listening.


2012 ◽  
Vol 49 (2) ◽  
pp. 225-246 ◽  
Author(s):  
Francesca Orsini

How can we conceptualise multilingual literary culture, and how can we research it? Using the turbulent ‘long fifteenth century’ in north India as a site, this article questions research models based on single languages (Hindi, Urdu) and engages critically with early modern taxonomies and archives. The article focuses on the materiality of the archive—the language, script and format in which texts were written down and copied—on the spaces and locations in which literature was produced and performed, and on the oral-performative practices and agents that made texts circulate to audiences in ways not bound by the script in which the texts appear to us. Not only are the models of composite culture and language-specificity questioned as a result, but the sites of literary production move from the court to a series of intersections, and areas that were peripheral move into view and connect with others.


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