Colonial Revivals: The Nineteenth-Century Lives of Early American Books by Lindsay DiCuirci

2021 ◽  
Vol 110 (2) ◽  
pp. 127-128
Author(s):  
Kathryn Snyder
Author(s):  
David Guenther

American corporate law has long drawn a bright line between for-profit and non-profit corporations. In recent years, hybrid or social enterprises have increasingly put this bright-line distinction to the test. This Article asks what we can learn about the purpose of the American business corporation by examining its history and development in the United States in its formative period from roughly 1780-1860. This brief history of corporate purpose suggests that the duty to maximize profits in the for-profit corporation is a relatively recent development. Historically, the American business corporation grew out of an earlier form of corporation that was neither for-profit nor nonprofit in today’s parlance but rather, served a multitude of municipal, religious, charitable, educational, and eventually business purposes in early nineteenth-century New England. The purposes of early American business corporations—rather than maximization of profit to private shareholders— were often overtly public, involving development of local transportation, finance, and other much-needed economic infrastructure. With the rise of factory-based manufacturing, railroads, and other capital-intensive industries in the middle decades of the nineteenth century and the advent of general incorporation statutes, the purpose of the American business corporation shifted fundamentally from public to private. By 1860, the stage was set for the modern firm. This Article concludes that the corporation has no intrinsic purpose. The corporation’s defining features are separate legal personality and the ability to aggregate capital toward any otherwise lawful end, whether for-profit or nonprofit. Social enterprises today more closely resemble the early American business corporation than the profit-maximizing modern firm. Social enterprise should be seen less as a legally uncertain novelty than a return to the business corporation’s nineteenth-century American roots. Finally, this Article suggests potential limitations for social enterprise.


Author(s):  
Kevin M. Watson

This chapter argues that holiness was an essential mark of American Methodist theology from the beginnings of American Methodism through the first half of the nineteenth century. The chapter summarizes the initial commitment to holiness in John Wesley and early British Methodism. The commitment to holiness and entire sanctification of early American Methodism is then discussed. The chapter points to the importance of holiness as marking a theological tradition that was consistent across varieties of American Methodism as well as in popular Methodist experience. The chapter concludes by pointing to signs of coming tension, especially the rise of Phoebe Palmer and the Holiness Movement, the division that created the Wesleyan Methodist Connection, and the croakers, who initially complained about changes and compromise they saw in Methodism. The core argument of the chapter is that from 1784 through the 1840s there was a coherent theological tradition in American Methodism.


Author(s):  
Irene Gammel

The term "avant-garde" has a double meaning, denoting first, the historical movements that started in the late nineteenth century and ended in the 1920s and 1930s, and second, the ongoing practices of radical innovation in art, literature, and fashion in the later twentieth century (often inspired by the historical avant-garde and referred to as the neo-avant-garde). Within the context of modernism, historical avant-garde movements (such as Dada, Futurism, Vorticism, Anarchism, and Constructivism) radicalized innovations in aesthetic forms and content, while also engaging viewers and readers in deliberately shocking new ways. Locked in a dialectical relationship between the avant-garde and modernism, as Richard Murphy has written (1999: 3), the historical avant-garde accelerated the advent of modernism, which routinely appropriated and repackaged avant-garde experimentation in tamer forms. As the Latinate term "avant-garde" took root first France and Italy, and later in Germany and English-speaking countries, the trajectory of the avant-garde’s relationship with, or opposition to, modernism has been theorized in a myriad of different, even conflicting, ways across different cultures. Is the avant-garde an extension of, or a synonym for, modernism (as suggested in some early American criticism) or are the two concepts in opposition to each other (as proposed in Italian and Spanish criticism)?


2009 ◽  
Vol 11 (2) ◽  
pp. 1-19 ◽  
Author(s):  
Jeffrey Einboden

Although considerable scholarly attention has been paid to US Orientalism in the nineteenth century, there remains no targeted study of the formative influence exercised by the Qur'an upon the canon of early American literature. The present paper surveys receptions, adaptations and translations of the Qur'an during the ‘American Renaissance’, identifying the Qur'anic echoes which permeate the seminal works of literary patriarchs such as Ralph Waldo Emerson, Washington Irving and Edgar Allan Poe. Examining the literary and religious tensions raised by antebellum importations of Islamic scripture, the essay interrogates how the aesthetic contours of the Qur'an in particular serve both to attract and obstruct early US readings, mapping the diverse responses to the Muslim sacred generated by American Romantics and Transcendentalists.


Author(s):  
Daniel K. Williams

This article surveys the intersection of religion and politics in America from the colonial era to the present, with a particular focus on the controversies surrounding religiously inspired political causes during the nineteenth and twentieth centuries. The article argues that religion (and, in particular, Protestantism and Catholic Christianity) has always played a central role in American politics, and that religious ideologies have inspired both liberal and conservative political movements. In the colonial era and the early American republic, controversies over religion focused primarily on disputes about church establishment and religious liberty, but in the nineteenth and twentieth centuries, controversies over religion and politics increasingly centered on debates over religiously inspired moral regulation. Whether the issue was the abolition of slavery in the nineteenth century or regulation of abortion in recent decades, America’s culture wars were usually political contests between competing sets of religiously inspired arguments.


2020 ◽  
Vol 21 (3) ◽  
pp. 11-14
Author(s):  
Megan D. Graewingholt

The American Underworld: Flash Press Collection available from Readex is a treasure trove of early American metropolitan journalism, providing a rare glimpse into unique, short-lived, and often bawdy newspaper titles which found their glory days between the 1830s and 1850s. Akin to the tabloid presses of today, these publications often presented the seamier aspects of everyday urban society, often preaching against the very topics on which they reported. In the more than sixty papers available through the American Antiquarian Society, this collection represents some of the rarest of all American newspapers and contains unique research material for those in urban studies, women’s studies, criminal justice, Victorian society, and the literature of the nineteenth century. The latest Readex interface provides a variety of user options to view, search, and explore this array of visual ephemera and includes new and enhanced user features for scholarly research. The value of this exclusive historical newspaper content combined with the attractive initial pricing on this collection outweigh the minimal improvements necessary to improve searchability and discovery.


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