The Middle Western Farm Novel in the Twentieth Century by Roy W. Meyer, and: A Literary History of Iowa by Clarence A. Andrews

1975 ◽  
Vol 3 (1) ◽  
pp. 113-116
Author(s):  
Clarence Glasrud
Keyword(s):  
Twentieth Century ◽  
Literary History ◽  
History Of

For an Eco-Archive

2019 ◽  
pp. 29-68
Author(s):  
John Patrick Walsh
Keyword(s):  
Twentieth Century ◽  
Literary History ◽  
Literary Representations ◽  
The Novel ◽  
Haitian Literature ◽  
Boat People ◽  
History Of ◽  
Selection Of

This chapter continues to build the conceptual and historical frame of the eco-archive. It argues that contemporary Haitian literature records the transformation of the environment and accumulates and inscribes overlapping temporalities of past and present, like an archive. The first part reviews a range of Caribbean and Haitian thought on the environment, broadly understood, and considers key moments of Haitian literary history of the twentieth century. Earlier forms and paths of migration and refuge, from the sugar migration up to the journeys of “boat people,” inform and historicize literary representations of the earthquake and its aftermath. The chapter then carries out close readings of a selection of René Philoctète’s poetry and his novel, Le peuple des terres mêlées, a text that depicts the “Parsley Massacre” of 1937. It draws out Philoctète’s eco-archival writing and contends that the novel foregrounds the environmental ethos of the border in opposition to Trujillo’s genocidal nationalism.

Avant-gardes in the First Half of the Twentieth Century: New Perspectives

2005 ◽  
Vol 14 (3) ◽  
pp. 391-402
Author(s):  
NORBERT BANDIER
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Literary History ◽  
Cultural Policy ◽  
Modern Art ◽  
Theoretical Models ◽  
Avant Garde ◽  
Art And Literature ◽  
History Of ◽  
History Of Culture

The time has come for researchers into innovative movements in art and literature in the first half of the twentieth century to break free from traditional investigative frameworks. The works reviewed here belong to different disciplines – art history, literary history, literary criticism, history – but all show a shift of perspectives in the history of culture. They point to a reassessment of the theoretical models we use to understand modern art and literature. Those models are – in this case as they relate to the avant-garde – nuanced, refined, developed and sometimes even invalidated. Though some of these works are not wholly devoted to the European avant-gardes, they do deal with the international circulation of modern art in, to or from Europe, studied here in its lesser-known aspects. Moreover, they all to some extent examine the artist’s responsibility to the community, or the state’s responsibility to art. This theme of responsibility runs through all these works, either in its ethical dimension or as an aspect of the social function of art, especially when art has to confront an entertainment culture or is roped in as part of cultural policy.

scholarly journals In a Melting Pot of Autobiography: Pickthall’s With the Turk in Wartime and the Cause of Islam

2021 ◽  
Vol 5 (4) ◽  
pp. 2-16
Author(s):  
Ebtisam Ali Sadiq
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Literary History ◽  
English Literature ◽  
Literature Analysis ◽  
Melting Pot ◽  
Near Eastern ◽  
The Past ◽  
History Of ◽  
To Receive

Marmaduke Pickthall, a half-forgotten British novelist of the early twentieth century, has come back to the spotlight over the past few years. His Near Eastern novels and short stories have started to receive attention in contemporary scholarship but not his two autobiographies. This essay aims at tackling the more neglected piece of the two, With the Turk in Wartime, that deserves attention because of its intricate amalgamation of several features of the genre of autobiography as manifested across its history within the tradition of English literature. Analysis finds that Pickthall’s autobiography has some Romantic, Victorian, and Modern elements as well as some old characteristics of the genre elaborately interwoven into its structure. The study also traces the use that Pickthall makes of this unique autobiography and how the commingling of diverse elements allows him to turn a usually subjective genre into a public cause and dedicate it to the service of Islam. This essay highlights both the diversity that the literary history of the genre lends to Pickthall’s autobiography and the socio-political service it renders to the faith that the author has long esteemed and will ultimately convert to not long after writing this autobiography.

Conclusion

2018 ◽  
Author(s):  
Alys Moody
Keyword(s):  
South Africa ◽  
Twentieth Century ◽  
Literary History ◽  
Postcolonial Literature ◽  
The Political ◽  
Literary Field ◽  
The Us ◽  
History Of ◽  
Late Twentieth ◽  
Late Twentieth Century

This book has traced a history of modernism’s decline and of its doubters. In post-Vichy France, the US circa 1968, and late apartheid South Africa, modernism’s fate was precarious, its reputation tarnished, and its politics reviled. The inescapability of the political in these contexts compromised the structural conditions of the autonomous literary field on which modernism had been built. In turn, it threw into crisis the philosophical defense of autonomy and the literary legacies of modernism, which grew out of and were guaranteed by this autonomous literary field. The stories we tell about late twentieth-century literary history reflect this dilemma. According to received wisdom, the period between 1945 and 1990 saw postmodernism replace modernism in both literature and scholarship, and new waves of postcolonial literature and theory discredited the Eurocentric specter of modernism. ...

“It Is Difficult to Disengage a Single Thread from the Living Web of a Nation’s Literature”

2018 ◽  
pp. 27-55
Author(s):  
Karin L. Hooks
Keyword(s):  
Twentieth Century ◽  
American Literature ◽  
Literary History ◽  
Late Nineteenth Century ◽  
American Women Writers ◽  
Literary Politics ◽  
History Of ◽  
Literary Anthologies ◽  
Literary Histories

Arguing that the changing and more consolidated literary politics of the century’s turn helped make possible the canon wars of the twentieth century, this paper investigates the history of literary histories. Twentieth-century constructs of the field overlook an awareness that late-nineteenth century female literary historians envisioned in terms of a more inclusive and democratic American literary canon. Recovering a literary history largely erased by the turn into the twentieth century through a case study of Sarah Piatt’s career, this chapter focuses on two female literary historians of the 1890s: Ellen Mackay Hutchinson and Jeanette Gilder, whose literary anthologies include Piatt’s writing, unlike those of the following century. Hutchinson, who (with Edmund Clarence Stedman) edited a sizeable collection of American texts, the eleven-volume Library of American Literature, and Jeanette Gilder, co-editor of The Critic, who hosted a popular election to identify the top 125 American women writers of 1890, made arguments for the inclusion of Piatt in the canon that are worth revisiting in light of turn-of-the-century mechanisms for erasing the literary history of which Piatt was a part.

scholarly journals La historia de la historiografía literaria española. La "Historia Literaria" de Gerardo Diego

2011 ◽  
pp. 448 ◽  
Author(s):  
Antonio Martín Ezpeleta
Keyword(s):  
Twentieth Century ◽  
Literary History ◽  
Literary Historiography ◽  
Modest Contribution ◽  
Literary Thought ◽  
History Of ◽  
Literary Histories ◽  
Gerardo Diego ◽  
Siglo Xx

Dentro de la reflexión sobre el pensamiento literario español del siglo XX, el estudio de las Historias literarias españolas ocupa un lugar muy relevante. De ahí que propongamos a continuación una reflexión sobre la importancia de la disciplina de la Historiografía literaria española e insistamos en la necesidad de activar la redacción de una Historia de la historiografía literaria española. En este caso, nuestra modesta contribución a esta deseable obra nos lleva a contextualizar y caracterizar brevemente la poco conocida Historia literaria de Gerardo Diego1. Inside the reflection about Spanish literary thought in the twentieth century, the analysis of the Spanish Literary Histories plays a very important role. For this reason, we suggest a reflection about the importance of the discipline of the Spanish Literary Historiography and we propose the necessity of activating the writing of a History of the Spanish Literary Historiography. In this case, our modest contribution to this desirable work takes us to introduce and to characterize Gerardo Diego’s not very well- known Literary History.

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