That the Past May Yet Have Another Future: Gesture in the Times of Hands Up

2018 ◽  
Vol 70 (3) ◽  
pp. 285-306 ◽  
Author(s):  
Rebecca Schneider
Keyword(s):  
The Past ◽  
Author(s):  
Michael Germana

Chapter 5 treats Ellison’s music criticism as an expression of his commitment to durational time and a critique of cultural forms like bebop that, in Ellison’s estimation, lend form to a discontinuous present. Rather than suggest, as many critics have, that Ellison was simply nostalgic for danceable swing music or hostile toward emerging musical forms, this chapter shows that Ellison’s primary criticism of bebop is that it formalizes a discontinuous sense of time and thereby affirms an historical view of the past structured by an analogous, sequentially static sense of time. Ellison’s problem with bebop, in other words, is neither musicological nor sociological, but temporal. Folk jazz and the blues, by contrast, affirm a durational view of time in the form of a “pocket” or groove entirely unlike the spatialized groove of history described in Invisible Man. In short, Ellison finds in musical grooves antidotes to the groove of history.


2015 ◽  
Vol 1 ◽  
Author(s):  
Francesco Spampinato

During the past few years, New York has seen the restaging of two groundbreaking underground art exhibitions, originally organized in 1980 by Lower East Side-based collective Colab: The Real Estate Show and The Times Square Show. The former, which took place illegally on New Year’s Eve in a vacant, city-owned building at 125 Delancey Street—and was shut down by the police after few hours—was restaged in Spring 2014 at four Downtown venues: James Fuentes Gallery, Cuchifritos, The Lodge Gallery, and ABC No Rio. The latter was organized in a disused Times Square massage parlor and restaged in Fall 2012 at Hunter College’s Bertha and Karl Leubsdorf Art Gallery.


2006 ◽  
Vol 1 (1) ◽  
pp. 3-39 ◽  
Author(s):  
Patrick O’Brien

This essay has been written to serve as a prolegomenon for a new journal in Global History. It opens with a brief depiction of the two major approaches to the field (through connexions and comparisons) and moves on to survey first European and then other historiographical traditions in writing ‘centric’ histories up to the times of the Imperial Meridian 1783–1825, when Europe’s geopolitical power over all other parts of the world became hegemonic. Thereafter, and for the past two centuries, all historiographical traditions converged either to celebrate or react to the rise of the ‘West’. The case for the restoration of Global History rests upon its potential to construct negotiable meta-narratives, based upon serious scholarship that will become cosmopolitan in outlook and meet the needs of our globalizing world.


Author(s):  
Michaela Sibylová

The author has divided her article into two parts. The first part describes the status and research of aristocratic libraries in Slovakia. For a certain period of time, these libraries occupied an underappreciated place in the history of book culture in Slovakia. The socialist ideology of the ruling regime allowed their collections (with a few exceptions) to be merged with those of public libraries and archives. The author describes the events that affected these libraries during and particularly after the end of World War II and which had an adverse impact on the current disarrayed state and level of research. Over the past decades, there has been increased interest in the history of aristocratic libraries, as evidenced by multiple scientific conferences, exhibitions and publications. The second part of the article is devoted to a brief history of the best-known aristocratic libraries that were founded and operated in the territory of today’s Slovakia. From the times of humanism, there are the book collections of the Thurzó family and the Zay family, leading Austro-Hungarian noble families and the library of the bishop of Nitra, Zakariás Mossóczy. An example of a Baroque library is the Pálffy Library at Červený Kameň Castle. The Enlightenment period is represented by the Andrássy family libraries in the Betliar manor and the Apponyi family in Oponice. 


2021 ◽  
pp. 185-192
Author(s):  
Ekaterina Karavaeva

The article explores the motif of love in a totalitarian society in Anchee Min’s novel “Wild Ginger”. Though an American citizen, Anchee Min belongs to a group of modern Chinese-American writers whose interests focus around the past of her home country China. Childhood and teenage years which Min spent in Communist China provided her with a lot of material for her later novels. In Wild Ginger through a classic plot of love triangle the writer approaches the motif of love in the times of Cultural Revolution. The author examines love as a relationship between a man and a woman, and as a religious feeling and communist ideology. Grotesque becomes the main literary device. Over-exaggeration bordering on incredibility expresses the author’s rejection of the surrounding reality. Intertwining comical and tragical situations, the novels brings the reader to a conclusion that love is the only means of attainting personal freedom and maturity in a totalitarian society.  


2015 ◽  
Vol 5 ◽  
pp. 155-230 ◽  
Author(s):  
Andrzej Kompa

In a nutshell: 1. I believe that Ekloge Chronographias of George Syncellus and Chronographia of Theophanes the Confessor should be treated as a single project, undertaken in turn by two authors; 2. There are important stylistic differences between the two parts, noticeable in the fragments, in which the authors deliver some editorial remarks or disclose their personal opinions; from a wider selection of such phrases, references to the past or future such as ‘as I have mentioned/as I said/as have been said/as we demonstrated above, etc.’, being diverse and individual, are especially helpful. 3. This observation is of great use not only for the texts analysed here, it may be used to confirm authorship of many other texts. 4. As for George and Theophanes, the TLG search of such structures in all extant classical Greek and Byzantine output confirms the statement nr 1, with clauses like ὡς προέφην/καθὼς καὶ προέφην/ὡς προέφημεν/καθὼς προέφημεν both rare in the whole preserved corpus, and relatively often used by the author of Chronographia. The style of the proemium of Chronographia fits the rest of the work and differs from Ekloge Chronographias. 5. Precise analysis of a wider group of similar clauses shows that Ekloge Chronographias and Chronographia were written by two different authors; Chronographia was created by one author, distinctive and independent, no matter how reproductive at the same time he was. I see no convincing arguments not to call this author Theophanes. Some later and partial editiorial interventions to Chronographia, conceivable (rubrics?) and in some instances even certain, do not challenge this view. 6. Only a few entries from the initial parts of Chronographia fit more the George’s work; their style and content bear much more similarities with Ekloge (in AM 5796, 5814, 5818, 5827, 5828). These paragraphs, George’s aphormai, probably in form of loose notes, were inserted to Chronographia by its author the same way as he used his sources for the subsequent parts; they did not reach beyond the times of Constantine I. 7. I do not dismiss the message of the proemium to the Chronographia as it is much more credible than the discussion, sometimes hypercritical, on the vitae and the scraps of the Confessor’s biography. I see no reason not to believe that the idea established and developed by George was then taken over by his friend; the differences result from the independent work of the former and then of the latter, presumably with only rudimentary guidance at the beginning. 8. The ‘genuine friendship’, the crucial relation between the two authors is still the most useful key to understand the history of the tripartita – therefore, I analyse it in the final part of the paper.


2020 ◽  
Vol 3 (5) ◽  
pp. 94
Author(s):  
Pankaj Chaturvedi ◽  
Natarajan Ramalingam
Keyword(s):  
The Past ◽  

Author(s):  
Yaisna Rajkumari ◽  

The paper will establish a connection between folktales and the cultural history of a region, particularly with respect to the Indian state of Manipur. It is premised on the belief that a study of folktales can alert us not only to the various interconnections between folktales and the cultural history of a place but also help analyse the dynamics of the publication of the anthologies of folktales in relation to this cultural history. The paper will include analyses of Meitei and tribal tales pertaining to the nationalist phase and contemporary period in the history of the North Eastern Indian state of Manipur and look at how in the past few years, compilers and translators have incorporated versions of tales different from the earlier anthologies, establishing a direct link between the tales and the times of their publication.


2010 ◽  
Vol 5 (2) ◽  
pp. 259-268
Author(s):  
Staša Babić

Modern academic disciplines of anthropology, history and archaeology are founded in the cultural, social, political context of the 18th and 19th centuries, at the times of the colonial expansion of the West European countries. Although demarcated by the objects of their study ("primitive societies", the past according to written sources, or material evidence), all these disciplines are grounded in the need to distinguish and strengthen the modern identity of the Europeans as opposed to the Others in space and time.


Author(s):  
Ah. Fawaid

<p>The tradition of <em>ijtihad</em> became a rare activity conducted. This tradition on the other hand seems to be the authority of the religious elite and another hand, yet the tradition of <em>ijtihad</em> which should be further developed. It became the spirit of Islamic progressivity. Without this tradition, Islam seems to be frozen and stutter for the challenges of the times. It must be realized that the current challenge may be resolved not merely refer to the creativity of the past. Contemporary challenges must be faced and solved by the present creativity as well. Creativity is a time only in the context of time resolve the problem and not always just as drawn to the matter at different times. Any period has a different way and solution in accordance with the challenges of his time. Similarly, each community has a different solution when faced with problems, even at the same time and same problem. This is where the interpretation of reality gave birth to the diversity of interpretation of a role as well as the diversity of truth. And moving the tradition of <em>ijtihad</em> is one of the efforts to mobilize Islam.</p>


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