scholarly journals Fourteen Poems by C. P. Cavafy, chosen and illustrated by David Hockney, translated by Nikos Stangos and Stephen Spender (1966–67)

Book 2 0 ◽  
2020 ◽  
Vol 10 (2) ◽  
pp. 263-267
Author(s):  
Jim Butler

Review of: Fourteen Poems by C. P. Cavafy, chosen and illustrated by David Hockney, translated by Nikos Stangos and Stephen Spender (1966–67) London: Editions Alecto, Edition A, Folio, illustrated with 12 etchings bound and 1 loose etching, cotton silk boards and silk slipcase, limited edition item

1973 ◽  
Vol 18 (7) ◽  
pp. 329-330
Author(s):  
HANS DOERR
Keyword(s):  

Author(s):  
Andrew Thacker

This innovative book examines the development of modernism in four European cities: London, Paris, Berlin, and Vienna. Focusing upon how literary and cultural outsiders represented various spaces in these cities, it draws upon contemporary theories of affect, mood, and literary geography to offer an original account of the geographical emotions of modernism. It considers three broad features of urban modernism: the built environment of the particular cities, such as cafés or transport systems; the cultural institutions of publishing that underpinned the development of modernism in these locations; and the complex perceptions of writers and artists who were outsiders to the four cities. Particular attention is thus given to the transnational qualities of modernism by examining figures whose view of the cities considered is that of migrants, exiles, or strangers. The writers and artists discussed include Mulk Raj Anand, Gwendolyn Bennett, Bryher, Blaise Cendrars, Joseph Conrad, T. S. Eliot, Christopher Isherwood, Hope Mirlees, Noami Mitchison, Jean Rhys, Sam Selon, and Stephen Spender.


Arts ◽  
2018 ◽  
Vol 8 (1) ◽  
pp. 4
Author(s):  
Marinella Ferrara

During the last decade, smart materials and systems have increasingly impacted several niches, including ‘one-off/limited edition experimental fashion’. As the traditional boundaries between what is art and what was not supposed to be art are now turning into osmotic membranes, we will speculatively focus on how ‘smart material systems’ are highly contributing to outline a new creative landscape full of interesting and compelling issues. Introducing three different sub-niches of experimental fashion—multi-sensory dresses, empathic dresses, and bio-smart dresses—this article outlines the emergence of a new smart design scenario. Then, we critically discuss some of the implications of the developing research in terms of design thinking and design aesthetics. This paper aims to contribute to the topic of next design scenario, demonstrating how design research is increasingly affecting the extension of human perception, emotions, and the concept of ‘almost-living’ entities, projecting towards the redefinition of relationships with materials and objects.


1953 ◽  
Vol 6 (4) ◽  
pp. 333-357
Author(s):  
E. W. Anderson ◽  
D. H. Sadler

During 1943 there was produced, for trial purposes, a limited edition of the so-called Experimental Astronomical Navigation Tables (E.A.N.T.s). For various reasons these tables were not adopted for general service use in the Royal Air Force, and copies are no longer available. The tables possess some points of interest, which are described below for the first time.


2019 ◽  
Vol 3 (1) ◽  
pp. 38
Author(s):  
Rini Kartika Sari ◽  
Ida Subaida

Kegiatan belanja online merupakan salah satu cara baru untuk berbelanja yang sedang trend digunakan dalam transaksi jual beli. Di kehidupan sehari-hari, penggunaan media sosial di internet sudah semakin berkembang pesat, bukan hanya pada kalangan dewasa saja tetapi juga pada kalangan anak muda (remaja). Adanya Online Shopping dapat memudahkan para remaja berbelanja sesuai keinginan mereka, seperti ingin memiliki barang yang unik atau lebih menarik, barang yang masih jarang digunakan oleh orang banyak dengan edisi terbatas (limited edition), atau juga mengikuti trend masa kini agar kelihatan lebih kekinian.  Tujuan dalam penelitian ini pertama, Menjabarkan pengaruh media sosial terhadap perilaku konsumtif pada mahasiswa Fakultas Ekonomi Universitas Abdurachman Saleh Situbondo. Kedua, Mengeksplorasi dampak perkembangan media sosial terhadap perilaku konsumtif pada mahasiswa Fakultas Ekonomi Universitas Abdurachman Saleh Situbondo. Penelitian dilaksanakan menggunakan  metode pendekatan deskriptif kualitatif dan deskriptif kuantitatif. Berdasarkan hasil penelitian Uji F (simultan) yang menunjukkan nilai signifikan 0,002 yakni di bawah 5%. Hal ini berarti bahwa Selective Attention, Motivasi, Kepercayaan, Pendapat dan Pembujukan, serta Kepribadian dan Penyesuaian Diri mempengaruhi mahasiswa untuk berperilaku konsumtif . Pengujian Uji t (parsial), Pendapat dan Pembujukan, serta Kepribadian dan Penyesuaian Diri berpengaruh secara positif dan signifikan terhadap Perilaku Konsumtif pada Mahasiswa Fakultas Ekonomi Universitas Abdurachman Saleh Situbondo.


2021 ◽  
Author(s):  
Molly Kalkstein

Photography portfolios—published sets of loose photographs housed in a folder or box—have been produced continuously since at least the 1850s, but have rarely received serious critical attention as a distinct format. This thesis focuses on mid-twentieth-century limited edition portfolios and argues that they were informed by, and have contributed to, developments in photography more broadly. It provides a historical survey of the photography portfolio; considers its material, expressive, and commercial qualities, particularly in comparison to the photography book; and presents five case studies comprising eight portfolios produced between 1940 and 1972: Paul Strand’s Photographs of Mexico (1940) and The Mexican Portfolio (1967); Ansel Adams’s Portfolio One (1948); Berenice Abbott’s 20 Photographs by Eugène Atget 1856–1927 (1956); Lee Friedlander and Jim Dine’s Photographs & Etchings (1969); and Les Krims’s The Deerslayers, The Little People of America 1971, and The Incredible Case of the Stack O’Wheats Murders (1972).


2015 ◽  
Vol 2 (1) ◽  
Author(s):  
Sandra Makowiecky ◽  
Vanessa Bortucan de Oliveira
Keyword(s):  

Pensando na relação “leitura visual: arte, mídia e cotidiano”, entre ciência e imagem e nos processos de produção de imagens com problemas estéticos e de representação, alguns artistas nos chamam a atenção, pois utilizam a própria arte como fonte de aprendizagem, em procedimento científico, de forma mais explícita. Um deles é David Hockney, que com o livro "O Conhecimento Secreto", nos explica como tenta redescobrir as técnicas perdidas dos grandes mestres, mostrando seu fascínio pela pintura, pelo mágico universo surgido da capacidade e necessidade que tem o homem de representar a realidade e de inventá-la.
O outro é a artista plástica Jandira Lorenz, professora de história da arte, que em sua produção revela sobrevivências, sintomas de sua experiência com os estudos em arte. Este artigo visa construir um pensamento em relação à montagem de tempos históricos diversos nas obras da artista Jandira Lorenz com o livro de David Hockney que contribuiu com a possibilidade de estabelecer um ponto de convergência quanto às características de multiplicidades e particularidades na compreensão das imagens vistas por janelas múltiplas na recente pesquisa do acervo completo de desenhos de Jandira Lorenz. Ao enfocar a ligação desses dois artistas com a arte e a ciência, sobretudo, enfatizamos o valor da pesquisa artística. 


2018 ◽  
Vol 1 (2) ◽  
pp. 89-102
Author(s):  
Fachrozi Amri
Keyword(s):  

Karya fotografi dalam penciptaan ini merupakan upaya untuk memanfaatkan teknologi yang sudah ditinggalkan. Pemanfaatan media fotografi analog sebagai salah satu alternatif baru yang ditawarkan dalam riset penciptaan ini yaitu menghadirkan kembali media film negatif sebagai sarana media akhir tanpa melalui proses cetak positif. Butuh penanganan khusus dalam membuat karya ini, artinya ada usaha-usaha menembus batas atau menawarkan kemungkinan lain dari kebiasaan fotografi pada umumnya, yang tidak banyak dilakukan oleh fotografer. Karya diciptakan tidak hanya sekedar menggunakan media film negatif saja, melainkan memuat puluhan bahkan ratusan lembaran film negatif yang saling terhubung secara sintetis. Penyusunan lembar-lembar tersebut (nomor 1-36), adalah salah satu upaya untuk menghubungan antara peran kreasi, desain, konstruksi dan ketelitian. Pendekatan karya ini hadir dengan mengkonstruksi bentuk, yang juga dikerjakan oleh seniman asal Inggris yaitu David Hockney (80). Dalam karya yang dikerjakannya, Hockney mengkonstruksi ulang potong-potongan bentuk, menggunakan cetakan polaroidnya, lalu menggabungkannya kembali menjadi bentuk yang telihat distorsi. Sifat fisik film negatif terbuat dari bahan plastik celuloid transparan, maka dibutuhkan cahaya tambahan, dengan cara menyatukan antara lembaran negatif ke lembaran negatif lainnya, sehingga dapat terlihat utuh kontruksi bentuknya. Kata Kunci: film negatif, kontruksi, fotografi


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