From mugshots to movie stars: Orchestrating attention and constituting visual cultures through film and photograph

2020 ◽  
Vol 12 (2-3) ◽  
pp. 107-118
Author(s):  
Corinne A. Kratz
Keyword(s):  
2011 ◽  
Vol 16 (4) ◽  
pp. 334-342 ◽  
Author(s):  
Viren Swami ◽  
Tomas Chamorro-Premuzic ◽  
Khairul Mastor ◽  
Fatin Hazwani Siran ◽  
Mohammad Mohsein Mohammad Said ◽  
...  

The present study examined conceptual issues surrounding celebrity worship in a Malay-speaking population. In total, 512 Malay and 269 Chinese participants from Malaysia indicated who their favorite celebrity was and completed the Celebrity Attitude Scale (CAS) as well as a range of demographic items. Results showed that the majority of Malay and Chinese participants selected pop stars and movie stars as their favourite celebrities, mirroring findings in Western settings. In addition, exploratory factor analysis revealed a three-factor solution of the CAS that was consistent with previous studies conducted in the West. Structural equation modeling further revealed that participant’s age was negatively associated with celebrity worship and that self-rated attractiveness was positively associated with celebrity worship. Overall, the present results suggest that celebrity worship in Malaysia may be driven by market and media forces, and future research may well be guided by use of the CAS.


2017 ◽  
Vol 7 (3) ◽  
pp. 210-223
Author(s):  
Anna Burton

In The Woodlanders (1887), Hardy uses the texture of Hintock woodlands as more than description: it is a terrain of personal association and local history, a text to be negotiated in order to comprehend the narrative trajectory. However, upon closer analysis of these arboreal environs, it is evident that these woodscapes are simultaneously self-contained and multi-layered in space and time. This essay proposes that through this complex topographical construction, Hardy invites the reader to read this text within a physical and notional stratigraphical framework. This framework shares similarities with William Gilpin's picturesque viewpoint and the geological work of Gideon Mantell: two modes of vision that changed the observation of landscape in the eighteenth and nineteenth centuries. This comparative discussion at once reviews the perception of the arboreal prospect in nineteenth-century literary and visual cultures, and also questions the impact of these modes of thought on the woodscapes of The Woodlanders.


2019 ◽  
Vol 18 ◽  
pp. 363-389
Author(s):  
Bum Soo Chon ◽  
Sung Bok Park ◽  
Ah Reum Jo
Keyword(s):  

Author(s):  
Dean Adams

Marketability is the focus of this chapter on The Producers and Hairspray, movies that were based on stage musicals that were originally based on low-budget, largely nonmusical movies. The chapter compares the two movie adaptations, noting that Susan Stroman restaged her original work for film, and many of the original creative team (including costume designer William Ivey Long) reprised their Broadway visual contributions for film, while the producers of Hairspray selected Hollywood professionals instead of the original Broadway creative team to supervise the making of the film. In another contrast, the 2005 film of The Producers is 134 minutes long to Hairspray’s 116, and The Producers used its Broadway stars rather than using the latest Hollywood names; Hairspray chose movie stars. With these contrasting strategies, and their relationship to the audience demographics for cinema today, it is unsurprising that Hairspray was a hit on the screen and that The Producers was a flop.


Photographies ◽  
2021 ◽  
Vol 14 (2) ◽  
pp. 357-378
Author(s):  
Na’ama Klorman-Eraqi

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