Permaculture’s YouTube moment: Learning how to smash the pieces of everyday life in the wake of ecological crises

2021 ◽  
Vol 2 (1) ◽  
pp. 147-159
Author(s):  
Brian Morris

This article examines ongoing responses to natural disasters such as bushfires, climate change and COVID-19 as articulated in various videos produced for, and distributed via, YouTube. It focuses on channels and content creators that promote ecologically mindful alternative everyday practices explicitly driven by permaculture principles and accompanying notions of resilience as well as individual and community self-reliance. While many of these videos are ostensibly concerned with instructing viewers in small-scale practical food production at a household or small business level, they also mark a renewed critical interest in everyday practices and domestic space as a site of social and cultural change through alternative ways of living. The research employs analytical approaches and frameworks drawn from the disciplines of cultural and media studies, specifically the former’s interest in the notion of ‘everyday life’ and the latter’s engagement with digital platforms such as YouTube. I argue that the permaculture movement’s success on YouTube is indicative of the ways in which the environmental concerns of pre-digital social movements might be adapted to the unique affordances and modes of address of platform media like YouTube and, in particular, its signature form of the vlog. Platform media like YouTube accordingly deserve further scholarly research and a similar level of attention as given to more traditional media forms such as print, film and television in terms of how they might positively enable conceptual and practical responses to ecological crisis at both personal and community levels.

2009 ◽  
Vol 64 (1) ◽  
pp. 11-20 ◽  
Author(s):  
D. Vaiou ◽  
A. Kalandides

Abstract. This paper deals with the concept of «public space». It works with the ambiguities embedded therein, contrasting material space/s – the streets, squares, parks, public buildings of the city – with the other spaces created through the functions and institutions of the «public sphere» as a site of public deliberation. Focussing on the ambiguities of the concept allow questions of access, interaction, participation, cultural and symbolic rights of passage to be posed. Public space is approached here as constituted through the practices of everyday life: it is produced and constantly contested, reflecting – among other things – relations of power. Differences in gender, ethnicity or sexuality often lead to binary thinking, such as inside/outside, inclusion/exclusion, local/stranger. The way that such categories intertwine in everyday life, though, unsettle easy categorisations and force a questioning of strict lines of division. It is in this context that a proposal is made to discuss the city of «others», drawing from research examples which cross over such lines.


Author(s):  
Jamie Ranger

Jamie Ranger reviews Ulrich Brand and Markus Wissen’s 2021 book The Imperial Mode of Living: Everyday Life and the Ecological Crisis of Capitalism. The book explores the extent to which everyday practices of consumption in the global North rely on the exploitation of resources and labour from ‘somewhere else’ (an intentionally vague reference to the global South) and as such hide the broader paradox at the heart of the expansion of western standards of living across the world: the more globally accessible the standard of living becomes, the more economically exploitative and ecologically unsustainable it is for those not privy to its comforts.


2013 ◽  
Vol 11 ◽  
Author(s):  
Carmen Ramos Villar

 This essay explores how Charles Reis Felix’s autobiography, Through a Portagee Gate (2004), examines everyday practices within the Portuguese American domestic space. The analysis also explores the interaction of the domestic setting with elements outside of this space. In so doing, the essay examines how the description of the domestic space in Felix’s autobiography uncovers the unconscious construction, and negotiation, of place. Within this game of negotiating place, space, culture and identity, the essay explores how the domestic space in Felix’s autobiography represents a site where the daily interaction between the public and the private, and ultimately between societies, occurs. Exclusionary notions inherent within the ethnic discourse in the United States are highlighted by reading Felix’s text through the ethnic signs (Boelhower, Immigrant Autobiography) it generates. In so doing, the essay questions the validity and implications of taking a critical approach that centres on Felix’s autobiography being an ethnic text. 


2006 ◽  
Vol 2 (1) ◽  
pp. 70-79 ◽  
Author(s):  
Ben Highmore

From a remarkably innovative point of departure, Ben Highmore (University of Sussex) suggests that modernist literature and art were not the only cultural practices concerned with reclaiming the everyday and imbuing it with significance. At the same time, Roger Caillois was studying the spontaneous interactions involved in games such as hopscotch, while other small scale institutions such as the Pioneer Health Centre in Peckham, London attempted to reconcile systematic study and knowledge with the non-systematic exchanges in games and play. Highmore suggests that such experiments comprise a less-often recognised ‘modernist heritage’, and argues powerfully for their importance within early-twentieth century anthropology and the newly-emerged field of cultural studies.


Author(s):  
Philipp Zehmisch

Chapter 2 contextualizes the Andaman Islands as a fieldwork location. It has two major objectives: First, it serves to introduce the reader to the Andamans as a geographical, ecological, and political space and as a site of imagination. This representation of the islands concentrates on the interplay of discourses and policies which have shaped their global, national, and local perception as well as the everyday life of the Andaman population. Second, the chapter underlines the conflation of anthropological theory, fieldwork, and biographical transformations. It demonstrates how recent theoretical trends and paradigm shifts in global and academic discourse have become enmeshed with the author’s experiences in and perceptions of the field. Elaborating on these intricate personal and professional ‘spectacles’ of the fieldworker, the author thus contextualizes the subjective conditions inherent in the production of ethnography as a type of literature.


This article advocates a new agenda for (media) tourism research that links questions of tourist experiences to the role and meaning of imagination in everyday life. Based on a small-scale, qualitative study among a group of seventeen respondents of diverse ages and backgrounds currently residing in the Netherlands, we offer an empirical exploration of the places that are of importance for people’s individual state of mind and investigate how these places relate to (potential) tourist experiences. The combination of in-depth interviews and random-cue self-reporting resulted in the following findings: 1) all our respondents regularly reside in an elaborate imaginary world, consisting of both fictional and non-fictional places; 2) this imaginary world is dominated by places which make the respondents feel nostalgic; 3) in this regard, the private home and houses from childhood are pivotal; 4) the ‘home’ is seen as topos of the self and contrasted with ‘away’; 5) the imagination of ‘away’ emerges from memories of previous tourist experiences, personal fantasies and, last but not least, influences from popular culture. We conclude that imagining and visiting other locations are part of a life-long project of ‘identity work’ in which personal identities are performed, confirmed and extended. By travelling, either physically or mentally, individuals anchor their identity - the entirety of ideas about who they are, where they come from and where they think they belong - in a broader, spatial framework.


Author(s):  
Justine Humphry ◽  
Chris Chesher

Smart home, media and security systems intervene in the territory and boundaries of the home in a variety of ways. Among these are the capacity to watch the home from afar, and to record these observations over time, as well as using the home as a site of performance for those on the outside. In this paper, we map the meanings of the smart home and explore the tensions between security and visibility, adopting a cultural history and cultural analysis methodological approach. We make a contribution to the literature on the smart home, highlighting its connection to longer trajectories of media and cultural change, and to understanding the contemporary formations of technologised surveillance, with attention to practices that emerged in response to COVID-19. We focus on two aspects of our model of domestic smartification: Ludics (devices and systems for play or entertainment) and exteriorities (security and communication interfaces that remotely monitor and expose the home). We focus on these aspects relating them to ideas of haunting and the uncanny to explore the implications of making what was previously hidden visible and manipulable to others.


2021 ◽  
Author(s):  
Iuliia Panfilova ◽  
Anastasia Krasnozhon ◽  
Daria Gugueva ◽  
Daria Brayko ◽  
Margarita Astoyants

2018 ◽  
Vol 45 (2) ◽  
pp. 201-220 ◽  
Author(s):  
Juanita Elias ◽  
Shirin M. Rai

AbstractIt goes without saying that feminist International Political Economy (IPE) is concerned in one way or another with the everyday – conceptualised as both a site of political struggle and a site within which social relations are (re)produced and governed. Given the longstanding grounding of feminist research in everyday gendered experiences, many would ask: Why do we need an explicit feminist theorisation of the everyday? After all, notions of everyday life and everyday political struggle infuse feminist analysis. This article seeks to interrogate the concept of the everyday – questioning prevalent understandings of the everyday and asking whether there is analytical and conceptual utility to be gained in articulating a specifically feminist understanding of it. We argue that a feminist political economy of the everyday can be developed in ways that push theorisations of social reproduction in new directions. We suggest that one way to do this is through the recognition that social reproductionisthe everyday alongside a three-part theorisation of space, time, and violence (STV). It is an approach that we feel can play an important role in keeping IPE honest – that is, one that recognises how important gendered structures of everyday power and agency are to the conduct of everyday life within global capitalism.


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