Photoromance, she read: Fandom and the politics of Italian media

2022 ◽  
Vol 10 (1) ◽  
pp. 3-17 ◽  
Author(s):  
Paola Bonifazio

This article examines Italian non-fiction media productions of the late 1950s and 1960s that represent the photoromance industry and its female fans. I argue that state-controlled and/or privately owned media outlets and their contributors (among them, Cesare Zavattini and Mario Soldati) scapegoated photoromances in defence of moral, social and cultural respectability, but also on the basis of anxieties towards the increasing role played by female audiences in the making of culture. Furthermore, I show that politically engaged documentaries similarly chastised the photoromance industry without necessarily serving the cause of women’s emancipation. Blaming photoromances for the degeneration of Catholic values, for the debasement of working-class culture and for the degradation of consumerist society, all films serve the same purpose of maintaining a patriarchal society’s status quo, of diverging attention from ‘higher’ cultural products and their exploitation of women’s bodies and of minimizing the important role that female fans played in the success of a global market.

1990 ◽  
Vol 35 (3) ◽  
pp. 377-420 ◽  
Author(s):  
Rudolf Dekker

SUMMARYFrom the 15th to the 18th century Holland, the most urbanized part of the northern Netherlands, had a tradition of labour action. In this article the informal workers' organizations which existed especially within the textile industry are described. In the 17th century the action forms adjusted themselves to the better coordinated activities of the authorities and employers. After about 1750 this protest tradition disappeared, along with the economic recession which especially struck the traditional industries. Because of this the continuity of the transition from the ancien régime to the modern era which may be discerned in the labour movements of countries like France and England, cannot be found in Holland.


Author(s):  
Henrique Cukierman

A review of the literature on the Vaccine Revolt shows that it continues to be treated in an overly simplistic manner as a “structure” subjected to some form of regulation, from which its dynamics can be explained and its “root causes” identified. It is possible to forge a new, more cautious historiographical path, seeking to view this “structure” as a rhizome, as a loosely connected ensemble that exists under unstable circumstances whose precarious (dis)order cannot be grasped in its complexity by a reductionist analysis. Another historiographical approach that can shed new light on the popular revolt of 1904 situates it in the context of its links to the history of the smallpox vaccine and its diffusion. Viewing the episode as equally relevant to the history of science and technology, this article proposes to “vaccinate the Vaccine Revolt”—that is, to reintroduce the smallpox vaccine as a protagonist in the events—highlighting the need to treat the revolt as a chapter of a sociotechnical history; after all, what could be more sociotechnical than a technoscientific artifact that gave its name to a popular revolt? This is a history of scientists convinced of the superiority of their technical knowledge and of their right to exercise their power for the good of the public, who would be obliged to comply; most of all, it is a history without the problematic distinctions between content and context, between rationality and irrationality, between science and society. It is also a history of the popular mobilization on the streets of downtown Rio de Janeiro, exemplified by the vigorous resistance mounted in the working-class neighborhood of Saúde under the command of the Black man known as Prata Preta, which serves as a counterpoint to top-down historical narratives more concerned with the comings and goings of White political elites and coup-plotting, positivist-inspired generals, marked by the symptomatic exclusion of Black and working-class actors. It also serves to emphasize the symptomatic absence of the voice of Prata Preta, who was imprisoned and summarily banished without any due process. The fact that he was silenced has made it easier to construct allegories about “the people,” portraying them as heroic opponents of elite oppression or the exact opposite: an antiheroic, dangerous, and disposable rabble. Among the entourage of characters who have been silenced, one should also note the absence of women’s voices; although vaccine opponents rallied around the claim that they were defending against the “violation” of women’s bodies, nothing was heard from women’s mouths. Finally, revisiting the history of the Vaccine Revolt offers another opportunity to unmask the project of an authoritarian political, military, and scientific elite, with a particular focus on Oswaldo Cruz, one of Brazil’s greatest champions of science. In the name of science and public health, that elite envisioned a modern Brazil, while remaining ignorant of the daily nightmare lived by the vast majority of the Black, poor, and marginalized population.


1995 ◽  
Vol 18 (2) ◽  
pp. 343
Author(s):  
Eric D. Kohler ◽  
Helmut Gruber
Keyword(s):  

2022 ◽  
Vol 1 (1) ◽  
pp. 13-30 ◽  
Author(s):  
R. M. Francis

The working-class writer, having moved into a middle-class dominated field, often feels alienated from their old and new cultures – separated as they are from their heritage and not quite grounded in the new elite circle. The markers of working-class culture are much harder to define in our hyper-modern situation, and this exacerbates the alienation. This position opens up possibilities in perception and expression from those in the margins and off-kilter positions. Tracing the multivoiced qualities of Tony Harrison’s ‘V’ and R. M. Francis’s poetics, alongside biographical and autobiographical details, this hybrid article argues that off-kilter and outcast voices, like those in the aforementioned class liminality, are in the best place to explore and discuss the difficult to navigate cultures, communities and identities. This fusion of personal essay, poetry and literary criticism considers the unusual, marginal and liminal positioning of working-class writers, researchers and academics.


2018 ◽  
Vol 3 (1) ◽  
pp. 115-132
Author(s):  
Liberty Kohn

The 2016 election cycle and ensuing presidency of Donald Trump has been attributed in large part to his support among working-class whites (Gest 2016, p. 193; Tyson and Maniam 2016). Their reasons for support, however, are open to interpretation. This article will suggest that elements of Donald Trump’s public communication style and ethos align with elements of working-class culture, language use, and knowledge construction. Trump’s anti-institutional, anti-government rhetoric reifies these components of working-class culture because of institutions’ and government’s deep foundations in middle-class culture, language use, and knowledge construction—and the working-class’s, especially the white working-class’s, alienation from these institutions, with the result being anger or apathy (Lareau 2003; Jensen 2012; Gest 2016). These values are often embedded in a master narrative that defines white working-class life as one of victimization (Hochschild 2016; Gest 2016; Cramer 2016). The article next suggests that Trump’s oft-used rhetorical framework of not just immigrants as threat, but of immigrants as protected and valued by institutions that overlook white workingclass concerns (Gest 2016), opens up one possible persuasive framework to legitimate Trump’s xenophobia and racism through white working-class attitudes.


Author(s):  
Heather Hamill

This chapter explains the dominant features of working-class culture. In particular, the ways in which status and prestige can be gained among the adult male population, and the fact that the hoods are excluded from these paths to power, are explored. This chapter also examines the relationships between the hoods and the influence of their friends and associates on their offending. The analysis here is framed in terms of the understandings that both the hoods and ex-hoods either have or had of their antisocial behavior. Thus studying the world of the hoods in their own terms opens the way to an increased understanding of their behavior. In the process, the data revealed that rather than being anomic the hoods do adhere to a set of norms. The challenge remains to understand the hoods' subculture and make sense of their behaviors.


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