scholarly journals transtextualidad en los títulos de crédito en «The human voice» (2020) de Pedro Almodóvar

2021 ◽  
pp. 239-252
Author(s):  
Virginia Hornero Campos
Keyword(s):  
Pedro Almodovar ◽  
Human Voice ◽  
Gerard Genette

The human voice (Almodóvar, P. 2020) trata sobre la soledad humana, concretamente la femenina, a través del drama y desesperación de una mujer que da todo lo que tiene para mantener su relación amorosa, pero que tampoco duda en cambiar lo que le queda. Estrenada en el Festival de Venecia, es quizás la obra del Pedro Almodóvar donde mejor se puede observar una relación simbiótica en la que la transtextualidad (término y teoría de Gerard Genette comúnmente utilizado en el ámbito literario) trasciende para generar un puzzle en el que el telón de apertura de los títulos de crédito, con una carga identitaria magnánima, dialogará bajo la creatividad de Stvdio Gatti, sobre la cinta del director manchego, sin matizarla ni zcomplementarla. Ambas partes (títulos y cinta) conversarán de manera lúdica y transversal para des- embocar en la irremediable demostración de que los títulos de crédito en la obra fílmica de Pedro Almodóvar tienen un comportamiento transtextual inequívoco.

: High Heels . Pedro Almodovar, Agustin Almodovar.

1992 ◽  
Vol 45 (3) ◽  
pp. 39-44 ◽  
Author(s):  
Marsha Kinder
Keyword(s):  
Pedro Almodovar ◽  
High Heels

A religiosidade na obra de Theo Angelopoulos

Sacrilegens ◽  
2020 ◽  
Vol 16 (2) ◽  
pp. 85-101
Author(s):  
Carlos Eduardo Mendes de Araújo Couto
Keyword(s):  
Mircea Eliade ◽  
Gerard Genette

A obra tardia de Theo Angelopoulos, desenvolvida na última década de 1990, além das características políticas, possui um viés religioso ainda pouco compreendido. O objetivo desse artigo é analisar como essa religiosidade se apresenta na narrativa do cineasta grego. Usaremos como suporte autores como Mircea Eliade, Michael Bahktin, Gerard Genette e Jan Albert. Como amostra usaremos o filme A Eternidade e um dia (Mia aioniotita kai mia mera, 1998).  

Uma análise narrativa da minissérie, Hoje é dia de Maria sobre as perspectivas de Genette

Temática ◽  
2018 ◽  
Vol 14 (2) ◽  
Author(s):  
Rosângela Barbosa Silva
Keyword(s):  
Gerard Genette

Este artigo apresenta uma análise sobre a estrutura narrativa da obra Hoje é dia de Maria, texto de Carlos Alberto Soffredine. Na busca desta reflexão, encontramos guarida a luz dos conceitos propostos por Gérard Genette, crítico literário francês e teórico da literatura a partir da abordagem estruturalista do discurso narrativo. O corpus do estudo destaca-se pelas cenas/imagens a destacar: a personagem Maria, Dom Chico Chicote, o jantar dos clowns e Maria perde a infância.Palavras-chave: Narrativa. Teledramaturgia. Genette. Hoje é dia de Maria.

Legal Paratexts

2019 ◽  
pp. 737-755
Author(s):  
Robert Spoo
Keyword(s):  
United States ◽  
Copyright Protection ◽  
The United States ◽  
Liminal Space ◽  
Literary Genres ◽  
Statutory Requirement ◽  
Strict Compliance ◽  
American Publishing ◽  
Gerard Genette ◽  
Privacy Invasion

This chapter offers an overview of a genre that has attracted little attention qua genre: the legal paratext. Gérard Genette likened the paratext to a vestibule that operates as a zone of transition and transaction, a liminal space that prepares the reader’s experience of the text. Yet there are other, more cautionary paratexts that crowd, often invisibly, the vestibules of books and other cultural forms. This chapter surveys the transatlantic (American and British) repertoire of legal paratexts appearing in books, including copyright notices, once mandatory in the United States but now permissive there and in many countries; statements of US manufacture, deriving from a period in American publishing when copyright protection turned on strict compliance with the statutory requirement that books be physically manufactured on US soil; “all characters are fictitious” disclaimers, which urge readers to put aside their instinct to sue for libel or for privacy invasion and to engage with the text as a fictive and aesthetic creation; “no-obscenity” statements—a feature of many controversial modernist works—which seek to discourage official attempts at censorship and assure readers that books have been or are likely to be deemed by a court to be safe for consumption. Legal paratexts continue to crowd the vestibules of books, movies, musical recordings, and other works, warning readers, scolding them, and attempting to regulate their behavior in accordance with legal and corporate norms. They are linked to other literary genres, such as parody, satire, the apologia, and the palinode.

scholarly journals Evaluation of Multimodal External Human–Machine Interface for Driverless Vehicles in Virtual Reality

Symmetry ◽  
2021 ◽  
Vol 13 (4) ◽  
pp. 687
Author(s):  
Jinzhen Dou ◽  
Shanguang Chen ◽  
Zhi Tang ◽  
Chang Xu ◽  
Chengqi Xue
Keyword(s):  
New Technology ◽  
Pedestrian Safety ◽  
Human Machine Interface ◽  
Visual Features ◽  
Visual Modality ◽  
Human Voice ◽  
Road Users ◽  
Machine Interface ◽  
Interaction Efficiency ◽  
Physical Features

With the development and promotion of driverless technology, researchers are focusing on designing varied types of external interfaces to induce trust in road users towards this new technology. In this paper, we investigated the effectiveness of a multimodal external human–machine interface (eHMI) for driverless vehicles in virtual environment, focusing on a two-way road scenario. Three phases of identifying, decelerating, and parking were taken into account in the driverless vehicles to pedestrian interaction process. Twelve eHMIs are proposed, which consist of three visual features (smile, arrow and none), three audible features (human voice, warning sound and none) and two physical features (yielding and not yielding). We conducted a study to gain a more efficient and safer eHMI for driverless vehicles when they interact with pedestrians. Based on study outcomes, in the case of yielding, the interaction efficiency and pedestrian safety in multimodal eHMI design was satisfactory compared to the single-modal system. The visual modality in the eHMI of driverless vehicles has the greatest impact on pedestrian safety. In addition, the “arrow” was more intuitive to identify than the “smile” in terms of visual modality.

Apostille by Gérard Genette

2013 ◽  
Vol 86 (4) ◽  
pp. 786-787
Author(s):  
Warren Motte
Keyword(s):  
Gerard Genette

High-Speed Imaging to Study an Auto-Oscillating Vocal Fold Replica for Different Initial Conditions

2017 ◽  
Vol 09 (05) ◽  
pp. 1750064 ◽  
Author(s):  
A. Van Hirtum ◽  
X. Pelorson
Keyword(s):  
Vocal Fold ◽  
High Speed ◽  
Initial Conditions ◽  
Vocal Folds ◽  
High Speed Imaging ◽  
Human Voice ◽  
Manual Intervention ◽  
Geometrical Features ◽  
Upstream Pressure

Experiments on mechanical deformable vocal folds replicas are important in physical studies of human voice production to understand the underlying fluid–structure interaction. At current date, most experiments are performed for constant initial conditions with respect to structural as well as geometrical features. Varying those conditions requires manual intervention, which might affect reproducibility and hence the quality of experimental results. In this work, a setup is described which allows setting elastic and geometrical initial conditions in an automated way for a deformable vocal fold replica. High-speed imaging is integrated in the setup in order to decorrelate elastic and geometrical features. This way, reproducible, accurate and systematic measurements can be performed for prescribed initial conditions of glottal area, mean upstream pressure and vocal fold elasticity. Moreover, quantification of geometrical features during auto-oscillation is shown to contribute to the experimental characterization and understanding.

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