scholarly journals Excitement lies elsewhere: Teenage film-makers and popular culture

2021 ◽  
Vol 4 (2) ◽  
Author(s):  
Ryan Shand
Keyword(s):  
Popular Culture ◽  
Young People ◽  
Digital Media ◽  
Personal Significance ◽  
Sociocultural Attitudes ◽  
Short Films ◽  
Media Equipment ◽  
Creative Space ◽  
Aesthetic Distance ◽  
Made In

When teenagers are given access to digital media equipment, their teachers and film club leaders may hope that they will take the opportunity to make films of personal significance. Instead, young people often choose to engage in a parodic dialogue with popular culture, in a process which feels more familiar and/or comfortable to them, providing as it does a creative space unburdened by expectations of sincere expression. From a survey of numerous short films made in Scotland, it is evident that the use of pastiche and parody facilitates both progressive and reactionary perspectives, often within the same film. Exploring a series of detailed case studies of films made by young people in Scotland in the early 2000s, this article argues that parody can provide for young people an aesthetic distance from personal expression, which, ironically, is unexpectedly revealing of generalised teenage sociocultural attitudes.

THE IMPACT OF "PUBLIC CULTURE" ON YOUTH SPIRITUALITY

2020 ◽  
Vol 3 (1) ◽  
pp. 130-135
Author(s):  
Mukhiddin Tursunmuratov ◽  
Keyword(s):  
Popular Culture ◽  
Young People ◽  
Public Culture ◽  
And Behavior ◽  
The Impact

This article provides a detailed description and explanation of the term "popular culture". It also analyzes a number of aspects of "popular culture" that are becoming more widespread today, their role and influence in the formation of the minds and behavior of young people, and draws the necessary conclusions. Most importantly, it also describes ways to protect young people from threats in the form of "popular culture" that negatively affect their morale.

Call Your "Mutha"

2020 ◽  
Author(s):  
Jane Caputi
Keyword(s):  
African American ◽  
Popular Culture ◽  
The Other ◽  
Political Class ◽  
Mother Nature ◽  
And Gender ◽  
Mother Earth ◽  
Made In

The proposed new geological era, The Anthropocene (a.k.a. Age of Humans, Age of Man), marking human domination of the planet long called Mother Earth, is truly The Age of the Motherfucker. The ecocide of the Anthropocene is the responsibility of Man, the Western- and masculine-identified corporate, military, intellectual, and political class that masks itself as the exemplar of the civilized and the human. The word motherfucker was invented by the enslaved children of White slave masters to name their mothers’ rapist/owners. Man’s strategic motherfucking, from the personal to the planetary, is invasion, exploitation, spirit-breaking, extraction and toxic wasting of individuals, communities, and lands, for reasons of pleasure, plunder, and profit. Ecocide is attempted deicide of Mother Nature-Earth, reflecting Man’s goal to become the god he first made in his own image. The motivational word Motherfucker has a flip side, further revealing the Anthropocene as it signifies an outstanding, formidable, and inexorable force. Mother Nature-Earth is that “Mutha’ ”—one defying translation into heteropatriarchal classifications of gender, one capable of overwhelming Man, and not the other way around. Drawing upon Indigenous and African American scholarship; ecofeminism; ecowomanism; green activism; femme, queer, and gender non-binary philosophies; literature and arts; Afrofuturism; and popular culture, Call Your “Mutha’ ” contends that the Anthropocene is not evidence of Man’s supremacy over nature, but that Mother Nature-Earth, faced with disrespect, is going away. It is imperative now to call the “Mutha’ ” by decolonizing land, bodies, and minds, ending rapism, feeding the green, renewing sustaining patterns, and affirming devotion to Mother Nature-Earth.

Critique and the video production classroom: providing students the skills to navigate new media literacies

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Jessie Nixon
Keyword(s):  
Young People ◽  
New Media ◽  
Digital Media ◽  
Media Literacy ◽  
Literacy Skills ◽  
Video Production ◽  
Structured Interviews ◽  
Content Type ◽  
New Media Literacy ◽  
The Impact

Purpose This paper aims to demonstrate how teaching the discourse of critique, an integral part of the video production process, can be used to eliminate barriers for young people in gaining new media literacy skills helping more young people become producers rather than consumers of digital media. Design/methodology/approach This paper describes an instrumental qualitative case study (Stake, 2000) in two elective high school video production classrooms in the Midwestern region of the USA. The author conducted observations, video and audio recorded critique sessions, conducted semi-structured interviews and collected artifacts throughout production including storyboards, brainstorms and rough and final cuts of videos. Findings Throughout critique, young video producers used argumentation strategies to cocreate meaning, multiple methods of inquiry and questioning, critically evaluated feedback and synthesized their ideas and those of their peers to achieve their intended artistic vision. Young video producers used feedback in the following ways: incorporated feedback directly into their work, rejected and ignored feedback, or incorporated some element of the feedback in a way not originally intended. Originality/value This paper demonstrates how teaching the discourse of critique can be used to eliminate barriers for young people in gaining new media literacy skills. Educators can teach argumentation and inquiry strategies through using thinking guides that encourage active processing and through engaging near peer mentors. Classroom educators can integrate the arts-based practice of the pitch critique session to maximize the impact of peer-to-peer learning.

Perspectives on the European Videogame

2021 ◽  
Keyword(s):  
Popular Culture ◽  
North American ◽  
Game Development ◽  
Global Impact ◽  
Collective Work ◽  
Philosophical Ground ◽  
History Of ◽  
The Creation ◽  
European Production ◽  
Made In

The history of European videogames has been so far overshadowed by the global impact of the Japanese and North American industries. However, European game development studios have played a major role in videogame history, and prominent videogames in popular culture, such as <i>Grand Theft Auto</i>, <i>Tomb Raider</i> and <i>Alone in the Dark</i> were made in Europe. This book proposes an exploration of European videogames, including both analyses of transnational aspects of European production and close readings of national specificities. It offers a kaleidoscope of European videogame culture, focusing on the analysis of European works and creators but also addressing contextual aspects and placing videogames within a wider sociocultural and philosophical ground. The aim of this collective work is to contribute to the creation of a, so far, almost non-existent yet necessary academic endeavour: a story of the works, authors, styles and cultures of the European videogame.

scholarly journals Mind the gap between the policy announcements and implementation: The Youth Contract and Jobcentre Plus advisers' role as careers educators for 18–24-year olds

2015 ◽  
Author(s):  
Gabriella Cagliesi ◽  
Denise Hawkes
Keyword(s):  
Young People ◽  
Coalition Government ◽  
Policy Changes ◽  
Made In ◽  
Careers Education

Access to careers education for young people has been in decline under the Conservative–Liberal Democrat Coalition Government due to changes in regulations and funding. Therefore it has become vital to deliver the commitments made in the Youth Contract to provide careers advice through Jobcentre Plus advisers. At the same time, other policy changes have put Jobcentre Plus advisers increasingly in the role of benefit enforcers. This paper explores how these two roles interact with each other and influence the experience of young people trying to access careers advice. We propose a framework that would encourage the development of a Jobcentre Plus fit for the purpose of the Youth Contract.

No Harm Done – dispelling myths, giving hope and practical help for young people, parents and professionals affected by self-harm

2016 ◽  
Vol 15 (3) ◽  
pp. 134-135 ◽  
Author(s):  
Marc Bush
Keyword(s):  
Young People ◽  
Design Methodology ◽  
Parent Engagement ◽  
Life Experiences ◽  
Real Life ◽  
Content Type ◽  
Practical Advice ◽  
Short Films ◽  
Self Harm ◽  
The Way

Purpose The No Harm Done films provide hope and give support to those affected by self-harm. The accompanying digital packs dispel myths, answer frequently asked questions, provide practical advice and signpost to further help and support. The paper aims to discuss these issues. Design/methodology/approach YoungMinds employed its sector-leading expertise in youth and parent engagement. Both the films and digital packs were co-created with young people, parents and professionals, reflecting their real-life experiences of self-harm. Findings The project responded to young people who self-harm telling us they feel isolated, alone, in need of hope and help to counteract the negative and frightening messages widely available online. Parents confided they also feel isolated and that it is their fault their child is harming themselves. Teachers told us they see the signs but cannot bring themselves to say anything, and even if they want to, they cannot find the words to reach out to young people. Originality/value Quote from a professional “I personally found the No Harm Done short films to be incredibly valuable resources for my practice with young people. The way the films have been produced will make it a lot harder for young people that I work with to judge the action of self-harm given that there are no graphic harming words/stories and the films themselves do not come across as triggering. I feel enthusiastic that these films will encourage understanding and empathy from peers and spark conversation enabling those who have no knowledge around self-harm to be more accepting, open and supportive of those who have issues with self-harm.”

scholarly journals Resensi Buku: Liquid Ecclesiology—The Gospel and The Church

2020 ◽  
Vol 5 (1) ◽  
pp. 93
Author(s):  
Haleluya Timbo Hutabarat
Keyword(s):  
Popular Culture ◽  
Young People ◽  
Church Building ◽  
Interesting Discussion ◽  
The Church ◽  
Spiritual Attitude ◽  
Gospel Narratives

Abstrak Latar belakang masalah buku ini adalah fenomena gereja yang kaku. Menggunakan metode etnography, buku ini merupakan sebuah bahan diskusi yang menarik tentang gereja, anak muda dan budayanya. Penulis menghubungkan budaya (populer), anak muda, dengan narasi Injil untuk menghasilkan apa itu gereja. Ia menawarkan eklesiologi gereja yang lebih cair, adaptif dan responsif terhadap akar-akar budaya sehari-hari yang dihidupi. Bagian-bagian setelahnya berisi diskusi tentang bentuk-bentuk praktis yang sangat memungkinkan dari konsep gereja yang cair. Akhirnya, anjuran sikap mental dan spiritual agar sebuah gereja tetap cair dan freshbagi komunitas di dalam dan di sekitarnya adalah keterbukaan. Buku memperkaya diskusi di ranah eklesiologi, liturgi, pembangunan jemaat, pastoral, budaya populer, dan intergenerasional.   Abstract Rationale background of this book is the solid phenomenon of church. Using ethnography methods, this book is an interesting discussion about the church, young people and its culture. The author associate (popular) culture, young people, with gospel narratives to produce what the church is. He offers a more fluid, adaptive and responsive ecclesiology as the roots of everyday culture of church that is lived. This study also recommends the very practical forms of a liquid church. The final suggestion as a mental and spiritual attitude so that church remains liquid and fresh, is openness. This book shares a rich discourse in the field of ecclesiology, liturgy, church building, pastoral, popular culture, and intergenerational culture.

scholarly journals STUDYING YOUTH ONLINE POLITICAL EXPRESSION: EMPIRICAL FINDINGS AND METHODOLOGICAL CONSIDERATIONS

2020 ◽  
Author(s):  
Lynn Schofield Clark ◽  
Ioana Literat ◽  
Neta Kligler-Vilenchik ◽  
Ashley Lee ◽  
Ellen Middaugh ◽  
...  
Keyword(s):  
Discourse Analysis ◽  
Young People ◽  
Digital Media ◽  
Role Models ◽  
Academic Research ◽  
Internet Research ◽  
Marginalized Youth ◽  
Plastic Pollution ◽  
Political Expression ◽  
Cross Platform

We are living through a highly politicized time, with deep divisions foregrounding the significance and importance of political expression and dialogue. Youth have been at the forefront of these important conversations, in both academic research and in the popular press. On the one hand, we are seeing a resurgence of activism and engagement among youth (Bond, Chenoweth & Pressman 2018; Deal 2019), who are using online platforms to express themselves politically in rich and creative ways (Graef 2016; Jenkins et al., 2016). On the other hand, deep concerns have emerged about “some of the darker sides of networked media engagement” (boyd, 2017, n.p.), including the spread of misinformation, increased polarization and politically motivated bullying among youth (Rogers, 2017). If we see youth as active agents in their own political socialization (Youniss, McLellan & Yates, 1997), the ways they actively express and negotiate their civic identities online (Jenkins et al., 2016) offer rich possibilities for understanding how we can best support them as civic actors. The research presented in this panel aims to move beyond a simplified depiction of youth as either idealized political role models (e.g. Greta Thunberg or the Parkland Youth) or, conversely, as apathetic and politically disengaged. In light of the conference theme exploring what it means to have a Life mediated by the internet, we place emergent and senior scholars studying youth and online political expression in dialogue with one another to discuss both findings and particular considerations brought up by internet research (franzke et al., 2020), and especially internet research involving youth (Livingstone & Third, 2017). By encouraging researchers and audience members to reflect on the epistemological, ethical, and practical aspects of their own research, we aim to identify new questions for further study as we seek to understand the evolution of youth and online political expression. The first presentation reviews findings from a cross-platform study utilizing a mixed methods approach to explore youth online political expression and cross-cutting political talk on TikTok, Instagram, and YouTube. These presenters discuss their findings in relation to the challenges and opportunities they encountered when identifying and analyzing youth-generated cross-platform data. The second presentation highlights findings from a social discourse analysis of Twitter and Reddit threads on youth-centric issues of immigration (DACA) and environmental issues (plastic pollution) to identify how the intersection of issue, platform and aims of discourse shape the characteristics of online civic discourse. This presenter discusses the challenges she encountered when creating both a codebook and coding scheme for data analysis. The third presentation considers the role of gender and intersectional identity in online humorous political expression through a case study of a U.S. Black Muslim teen’s TikTok posts. This presenter discusses the challenges of placing critical technocultural discourse analysis into dialogue with digital media literacy and youth participatory action research endeavors. The fourth presentation highlights findings emerging from a series of ethnographic interviews with young people in a comparative study exploring online youth political expression in democratic and non-democratic contexts. This presenter discusses challenges of qualitative research when working with young people, especially marginalized youth, who utilize hidden forms of expression to engage in politics. Finally, our respondent will invite audience members into the discussion by offering a reflection on the four presentations and asking session attendees to comment on their own research experiences and larger implications they see for the study of youth political expression online.

scholarly journals Epilogue: Rethinking digital literacy: Media education in the age of digital capitalism

2020 ◽  
pp. 230-239
Author(s):  
David Buckingham
Keyword(s):  
Young People ◽  
Digital Media ◽  
Digital Literacy ◽  
Media Education ◽  
Digital Learning ◽  
Critical Approach ◽  
Pedagogical Strategies ◽  
Digital Capitalism ◽  
The Media ◽  
Digital Media Literacy

Advocates of digital education have increasingly recognized the need for young people to acquire digital media literacy. However, this idea is often seen in instrumental terms, and is rarely implemented in any coherent or comprehensive way. This paper suggests that we need to move beyond a binary view of digital media as offering risks and opportunities for young people, and the narrow ideas of digital skills and internet safety to which it gives rise. The article propose that we should take a broader and more critical approach to the rise of ‘digital capitalism’, and to the ubiquity of digital media in everyday life. In this sense, the paper argue that the well-established conceptual framework and pedagogical strategies of media education can and should be extended to meet the new challenges posed by digital and social media.This article presents some reflections as an epigraph of the special issue "Digital learning: distraction or default for the future", whose final result has allowed us to group a set of critical research and analysis on the inclusion of digital technologies in educational contexts. The points of view presented in this epigraph is also developed in more detail in the book "The Media Education Manifesto" (Buckingham, 2019).

Sign in / Sign up

Export Citation Format

Share Document