Chinese Snake Woman Resurfaces in Comics: Considering the Case Study of Calabash Brothers

Author(s):  
Jing Zhang

This chapter provides a study of a transgressive female figure from Chinese legend who may enjoy lasting popularity, but who also has a dubious moral standing when one examines her relationship to the eponymous young brothers. Snake Woman’s monstrous qualities are revived alongside the magical brothers as the proper counterpart to their superhuman feats in a Shanghai Animation Studio revival from 1986. This chapter shows this to be part of a history that reveals what Chinese culture holds to be both repugnant and appealing about a woman embedded in a children’s narrative.

2021 ◽  
pp. 2046147X2110268
Author(s):  
Zhuo Ban ◽  
Alessandro Lovari

On November 18, 2018, the Italian fashion house Dolce & Gabbana (D&G) released a controversial video on all their social media channels. The video triggered an instant outcry from the general Chinese public, who called the video a racist caricature of Chinese culture. D&G responded to the crisis with several image repair strategies. This study examines D&G’s crisis communication efforts in the wake of this incident. Departing from corporate-oriented perspectives prevalent in the field of public relations, this study employs a dynamic, public-oriented view of crisis communication, which focuses on the dynamic, interactive process of crisis development from the standpoint of the publics. By analyzing communicative behavior on Twitter (an increasingly influential alternative public sphere in China) and in particular, comments and responses toward the crisis communication strategies employed by D&G, we have identified four prominent themes, or ways that publics framed their key messages against the corporation: “Apology not enough”; “Apology done badly”; “Call to unite against D&G”; and “Sarcasm, mockery, and abuse.” And they can be interpreted as a number of crisis communication strategies of the global, online publics. Based on our analysis of the D&G case, we discuss the theoretical implications of a dynamic, public-oriented perspective (DPOP) on crisis communication, highlighting its key areas of difference from the corporate-oriented perspective (COP).


Libri ◽  
2018 ◽  
Vol 68 (3) ◽  
pp. 165-179
Author(s):  
Xin Chen ◽  
Yingxi Liu

Abstract With the spatial culture theory as the basis and from the perspective of cultural heritage, this paper elucidates the construction of the Liu Xiao Ling Tong Book Pavilion of Yunnan Normal University (which may also be interpreted as a Traditional Culture Commons), introduces modern library concepts such as ‘celebrity charm’, featured resources and space reconstruction, as well as provides enlightenment to the library cycle with Chinese wisdom and experience. This paper applies participant observation method, interviewing method and textual analysis method with the data collection period from September 2015 to December 2016. Through library space reconstruction and the inheritance of certain outstanding features of Chinese culture, the Liu Xiao Ling Tong Book Pavilion has had an influence among university faculty and students, the university library circle in China and even the entire education circle, while also complemented and improved the applicability of the spatial culture theory in the library circumstance.


2018 ◽  
Vol 22 (1) ◽  
pp. 70-92
Author(s):  
Xueshen Wang

Abstract The banner city constructed in 1729 at the village of Qinjiang, Fujian, provides a typical example of interaction and acculturation between Qing bannermen and local Chinese. The bannermen were the small, ethnically defined, but humanly constructed minority that ruled China for two hundred and sixty-eight years. The Qinjiang banner city was established well into that era, and records of life there indicate how much the newcomers accepted Han Chinese culture, local religious beliefs, and Fujian kinship modes. But we also see how the Bannermen maintained self-identity, such as the inner banner circle marriage model and banner community maintenance.


2007 ◽  
Vol 1 (1) ◽  
pp. 101-111 ◽  
Author(s):  
Peter Tze Ming Ng

AbstractThis article aims to apply the concept of 'glocalization' to the study of theology and culture. China is chosen as a case study, with particular focus on a Chinese theologians discussion of the interplay between Christianity and Chinese Culture in the early twentieth century China. Francis Wei was the first Chinese President of Huazhong University in Wuhan, 1929–1952, and he was appointed as the first Henry Luce Visiting Professor of World Christianity in 1945–46. Wei's conviction was that Christianity and Chinese culture could be complementary. He held that China needed Christianity for a better understanding of God's nature and the way human beings could communicate with God, while maintaining that Christianity needed China to move beyond western denominationalism. Moreover, Christianity could not become a universal religion without including China. This article argues that Wei's work is relevant to the contemporary discussion about interaction between globalization and localization, known as 'glocalization'.


2001 ◽  
Vol 09 (03) ◽  
pp. 313-330 ◽  
Author(s):  
XIAOLI JIANG

This study utilises interviews to investigate issues within a joint venture (JV) in China. The findings demonstrate that the organisational culture of this JV was dominated by its former state-owned enterprise (SOE) culture. The culture was influenced by Chinese culture, particularly by Maoist ideology. This organisational culture appeared not to be compatible with the liberalist ideology of the capitalist market economy. This incompatibility had contributed to management difficulties and financial losses for the JV. Discontent existed between the Chinese staff/workers and Western expatriates. Changing the organisational culture by changing staff may assist the JV to survive in the market economy.


Author(s):  
Wing On Lee ◽  
Nan Hao ◽  
Qian Zhou

Based on a review of the linkage between heritage education and citizenship education that includes cultural and inter-cultural education, this chapter provides a case study of heritage education in the Central Plains of China, which is one of the most important cradles of Chinese civilization with a splendid cultural heritage. Heritage education in this region helped youngsters to construct characters and qualities to be citizens. Even though heritage education is mainly a study of the past, Central China's past is not only “cultural” but also “inter-cultural” as it has been the traffic hub in history, and thus the growth of Chinese culture through the Central Plains is characterized by the absorption of diverse cultures passing through the hub. Its positioning is important for both teachers and students to reflect upon what we should be and how China can interact with other parts of the world in this age of globalization.


2011 ◽  
Vol 32 (1) ◽  
Author(s):  
Stella Viljoen ◽  
Leandra Koenig-Visagie

In this article, we described how gender is represented on two Christian book covers by popular author, John Eldredge, namely Wild at Heart. Discovering the Secret to a Man�s Soul (2001) and Captivating. Unveiling the Mystery of a Woman�s Soul (2005). Through semiotic visual analysis, we explored how the active male�passive female opposition functions on these covers. This opposition is constructed by visually associating the male figure on the cover of Wild at Heart with active outdoor adventurism and the female figure on Captivating with passive situatedness in nature. The titles of the two books also contribute to positioning the male as active and the female as passive. We further investigated how certain myths are created on these covers in support of an active male�passive female opposition and its underlying ideologies. The cover of Wild at Heart creates and also taps into the colonial myth of conquest. The cover of Captivating creates and taps into the myth of the fairytale and visually represents the female figure in a whimsical manner, thus constructing her as a representation of the spiritual or divine. The article questioned the role this information design plays in prescribing the expectations of gendered identity.


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