“Beating Eggs Never Makes the Evening News”

Table Lands ◽  
2020 ◽  
pp. 144-165
Author(s):  
Kara K. Keeling ◽  
Scott T. Pollard

In One Crazy Summer and its sequels P.S. Be Eleven, and Gone Crazy in Alabama, Rita Williams-Garcia tracks the movement of African-American diasporas, generationally and geographically, through changes in food preparation and consumption. This chapter examines the third novel in the series first, showing how Delphine, the protagonist, becomes aware that her family’s identity is grounded in the deep roots of southern country foodways, dependent on personally raised or locally produced foods (especially milk and eggs) that are usually slow-cooked. The middle novel demonstrates the popularity of post-war convenience foods, cooked quickly and simply to match the faster tempo of urban life common to the generation that had made the Great Migration. The first novel, set in urban Oakland in the revolutionary year of 1968, shows the revolutionary power of food, most overtly through the Black Panthers’ breakfast program, which sought to better life for urban families by improving poor nutrition as well as to empower them politically. The novel also presents the deconstruction of the traditional kitchen: Cecile, the mother of Delphine and her sisters, rejects and revises the “yoke” of women’s service to men and family by making her kitchen into an art studio, redefining it as a new space that is both maternal and professional.

Novel Shocks ◽  
2018 ◽  
pp. 25-45
Author(s):  
Myka Tucker-Abramson

Shortly after Ralph Ellison’s protagonist arrives in New York, he encounters Peter Wheatstraw, a man wearing Charlie Chaplin pants, “pushing a cart piled high with rolls of blue paper,” and singing a blues song that reminds the protagonist of home. Often read as a carrier of blues and vernacular traditions within the novel, Wheatstraw is also a literal carrier of building plans, all of which point to the ascendancy of Robert Moses and his New York City Slum Clearance Committee under the aegis of the Federal Housing Act of 1949. This chapter reads Ellison in relation to this emergent regime of post-war planning to suggest we think about Invisible Man not as a novel about a Jim Crow system passing into history, but about the tensions between the emergent racial regime of racial liberalism and white flight out of which neoliberalism would emerge.


Author(s):  
Philip Tew

This chapter studies the comic novel. If British and Irish culture in the post-war decades underwent some radical social and political upheavals, the novel registered and critiqued these transformations in part through the development of a particular comic mode. Comedy in British and Irish novels published from 1940 to 1973 often turned around the difficult intersection of class and nation. Alongside this overarching attention to class and nation, a number of other recurrent motifs can be traced in the comic novel of the period, such as the representation of cultural commodification, the decline of traditional values, and the emergence of new forms of youth culture. In the context of such widespread changes to the narratives that shaped public life, the comic novel expressed an ironic scepticism concerning the capacity of any cultural narrative to offer an adequate account of contemporary identities.


1974 ◽  
Vol 124 (580) ◽  
pp. 243-246 ◽  
Author(s):  
B. B. Sethi ◽  
S. C. Gupta ◽  
R. K. Mahendru ◽  
P. Kumari

Whereas there are many reports from Western societies on the prevalence of psychiatric disorders few systematic studies are available for a culture such as the Indian. Certain efforts in this direction have been made recently, and a few reports have emerged. Dube (1970), in a psychiatric survey conducted in Agra City and its suburban areas found a period prevalence of 18 per 1,000. In a study of 184 families of a rural community in India, Elnaggar et al. (1971) observed a prevalence rate of 27 per 1,000. In a study of 300 urban families, Sethi et al. (1967) found a psychiatric morbidity rate of 72 per 1,000 whereas this rate was only 39 per 1,000 in a surveyed population of 500 rural families (Sethi et al., 1972a). We also observed (Sethi et al., 1972b) that psychiatric disorders were commoner in the migrant families. The present study was undertaken to estimate the extent of mental illness in an urban society in India and to find out the relevant variables associated with various psychiatric disorders.


Author(s):  
Roman Szubin

The article is devoted to the search for a new space in the methodological studies on Russian literature. The author takes as its basis the method of hermeneutics  of words by Vardan Hayrapetyan. Especially the basic categories such as the world man (homo mundi), the Other and its variants: the self (rus. самость), otherness (rus. дру­гость), the alien (rus. чужесть) and two triads, which postulate two types of intellectual situations. In this regard, the author identifies the concept of the hybrid man of the hero of Russian literature in which a small person is a representative of an impersonal collective personality of the world man, home, family, ideas, etc. The author demonstrates the type of a hybrid man on the example of the protagonist of the novel by Vasily Shukshin Stepan Razin.


2020 ◽  
Vol 44 (2) ◽  
pp. 63
Author(s):  
Katarzyna Biela

The article analyses the representation of the newspaper medium in <em>The Unfortunates</em> – the fourth novel by the post-war British avant-garde author B.S. Johnson. The narrator’s job as a football reporter is discussed with reference to other themes and the unconventional form of the novel. Special attention is paid to the section called “The pitch worn”, which presents the process of writing the report. The aim is to see how the chapter resonates within the whole work and what it reveals as regards Johnson’s views on precision, honesty and liveness. Literary analysis is accompanied by references to journalism and media studies.


Urban History ◽  
2019 ◽  
Vol 46 (04) ◽  
pp. 722-746
Author(s):  
ANNE PETTERSON

ABSTRACT:Public monuments are considered an important tool in the nineteenth-century nation-building project. Yet while the intended (nationalist) message of the monumental landscape is often clear, the popular perception of the statues and memorials has been little problematized. This contribution analyses the popular interaction with public monuments in late nineteenth-century Amsterdam and questions whether ordinary people understood the nationalist meaning. With the help of visual sources – engravings, lithographs and the novel medium of photography – we become aware of the multilayered meanings and usages of the monuments in daily urban life, thus tackling the methodological challenge of studying the monumental landscape from below.


2019 ◽  
Vol 16 (1) ◽  
pp. 37-61 ◽  
Author(s):  
Keneshia N. Grant

AbstractThe Great Migration fundamentally reshaped Northern electorates. Millions of Black voters, who had been unable to vote in the South, became eligible to vote through their resettlement in the North. In many instances, parties and politicians believed that Black voters were the balance of power in elections. This belief led them to change their approaches and make specific appeals to Black voters in an effort to win their support. Although scholars of American politics have revised the dominant narrative about the development of the Democratic Party on issues related to race, they fail to account for the role of Black voters in contributing to the Party’s change. The goal of this work is to describe how the Great Migration influenced Democratic Party interactions with Black voters in presidential elections from 1948–1960. I argue that increasing competition between the Democratic and Republican Parties, coupled with Black migrants’ location in electorally important states, made Black voters an important target of presidential campaign strategy in the post-war era.


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