scholarly journals The monumental landscape from below: public statues, popular interaction and nationalism in late nineteenth-century Amsterdam

Urban History ◽  
2019 ◽  
Vol 46 (04) ◽  
pp. 722-746
Author(s):  
ANNE PETTERSON
Keyword(s):  
Nineteenth Century ◽  
Nation Building ◽  
Urban Life ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Methodological Challenge ◽  
Ordinary People ◽  
Public Monuments ◽  
Late Nineteenth ◽  
Building Project

ABSTRACT:Public monuments are considered an important tool in the nineteenth-century nation-building project. Yet while the intended (nationalist) message of the monumental landscape is often clear, the popular perception of the statues and memorials has been little problematized. This contribution analyses the popular interaction with public monuments in late nineteenth-century Amsterdam and questions whether ordinary people understood the nationalist meaning. With the help of visual sources – engravings, lithographs and the novel medium of photography – we become aware of the multilayered meanings and usages of the monuments in daily urban life, thus tackling the methodological challenge of studying the monumental landscape from below.

Illustrated Media, the Built Environment and Identity Politics in Fin-de-siècle Catalonia: Printing Images, Making the Nation

2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart
Keyword(s):  
Nineteenth Century ◽  
Built Environment ◽  
Identity Politics ◽  
Nation Building ◽  
Constitutive Relationship ◽  
Fin De Siecle ◽  
Late Nineteenth Century ◽  
Fin De Siècle ◽  
Late Nineteenth

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.

Hurry Up and Wait: The Nigger of the ‘Narcissus’ and the Maritime in Modernism

2017 ◽  
Vol 12 (2) ◽  
pp. 173-197 ◽  
Author(s):  
Maxwell Uphaus
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Modernist Literature ◽  
Left Behind ◽  
Late Nineteenth ◽  
Cultural Role

The burgeoning subfield of literary oceanic studies has largely neglected modernist literature, maintaining that the end of the age of sail in the late nineteenth century also marks an end to maritime literature's substantive cultural role. This essay outlines a way of reading the maritime in modernism through an analysis of the engagement with history and temporality in Joseph Conrad's sea novel The Nigger of the ‘Narcissus’ (1897). The novel depicts the sea as variously an anachronistic sphere left behind by history, an integral foundation to history, an element that eclipses history, and an archive of history's repressed violence. This article traces the interactions of these various views of the sea's relationship to history, highlighting how they are shaped and inflected by the novel's treatment of race. Based on this analysis, it proposes an approach to the sea in modernist literature that focuses on its historiographical rather than social import.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

scholarly journals A especificidade da representação dos fatos históricos em "Esaú e Jacó", de Machado de Assis * The specificity of historical representation in "Esaú e Jacó", by Machado de Assis

2014 ◽  
Vol 3 (1) ◽  
pp. 140
Author(s):  
LUDMYLLA MENDES LIMA
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
Machado De Assis ◽  
The Novel ◽  
Historical Events ◽  
Historical Representation ◽  
Late Nineteenth ◽  
The Republic ◽  
Brazilian History

<p><strong>Resumo: </strong>O presente artigo trata de analisar o modo particular como Machado de Assis constrói a representação dos fatos históricos brasileiros no romance <em>Esaú e Jacó</em>. Este romance traz em seu enredo dois importantes fatos históricos ocorridos no final do século XIX: a Abolição da Escravatura, em 1888 e a Proclamação da República, em 1889. O tratamento literário dado pelo autor aos fatos, imprimindo irrelevância aos mesmos no contexto do enredo, revela que para ser Realista ‘à brasileira’, naquelas circunstâncias específicas, era necessário mostrar o curso da História tendo como base a ausência de transformação.</p><p><strong>Palavras-chave</strong>: Machado de Assis – <em>Esaú e Jacó</em> – História do Brasil.</p><p> </p><p><strong>Abstract: </strong>This paper intends to analyze the special way Machado de Assis builds the representation of Brazilian historical facts in the novel <em>Esaú e Jacó</em>. This novel brings in its plot two important historical events that happened in the late Nineteenth century: the Abolition of Slavery, in 1888; and the Proclamation of the Republic, in 1889. The literary treatment given by the author to the events, printing irrelevance to them, in the context of the plot, reveals that to build a Brazilian realism, in those circumstances, it was necessary to show the course of history based on the absence of transformation.</p><p><strong>Keywords</strong>: Machado de Assis – <em>Esaú e Jacó –</em> Brazilian History.</p>

Two Treatments of a Subject: Proust's “La Regarder Dormir” and Valéry's La Dormeuse

PMLA ◽  
1956 ◽  
Vol 71 (5) ◽  
pp. 900-909
Author(s):  
Henry A. Grubbs
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Present Status ◽  
The Other ◽  
Recent Survey ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Prose Fiction ◽  
Figure Of Speech ◽  
Late Nineteenth

A critical cliché often heard today is that Proust was fundamentally a poet rather than a novelist. The historians of literature and the critics do not put it quite as crudely as that, but their remarks frequently permit such an assumption on the part of the reader. Thus the Castex and Surer manual, in its twentieth-century volume, finds in “toute l'œuvre [de Proust] un climat d'intense Poesie” (p. 82). And Georges Cattaui, in his recent survey of the present status of Proust, though he does not in so many words call Proust a poet or his novel a poem, does say that Proust is above all the heir “de Nerval, de Baudelaire, de Mallarmé,—de ces poètes qui lui ont enseigné l'art de transfigurer les choses, l'art de délivrer la beauté prisonnière … ” Now all this is true if it is merely taken as a vivifying figure of speech, if it merely means that Proust was not a realistic novelist, and that he shows the influence of the great French poets of the late nineteenth century, or that, to use a convenient term, he was a symbolist, like his contemporaries, Claudel, Gide, and Valéry. But it has so often been said in our time that the twentieth century has seen the breaking down of the distinctions between the novel and poetry, that it seems to me useful to demonstrate, by studying two treatments of the same subject, one that of a novelist, Proust, the other that of a poet, Valéry, that there remains a fundamental and profound difference between the intent and the method of prose fiction and of poetry, at least the type that is today called “pure” poetry.

The Novel and the Police Power

2009 ◽  
Vol 64 (1) ◽  
pp. 76-107
Author(s):  
Deak Nabers
Keyword(s):  
Nineteenth Century ◽  
William Dean Howells ◽  
Law And Literature ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Realist Novel ◽  
Economic Practices ◽  
Economic Coercion ◽  
American Law ◽  
Late Nineteenth

The realist novel has long been understood in terms of its representation of the diffusion of political agency into social and economic practices. This essay claims that realism, at least as it emerged in the work of late-nineteenth-century American writers such as William Dean Howells, does not record this process of diffusion so much as anatomize it, and that novels like A Hazard of New Fortunes (1890) participated in a widespread and multivalent effort, in American law and literature alike, to specify the proper boundaries of the state's authority in relation other increasingly visible forms of social and economic coercion.

Racial Duties: Toward a Pragmatist Ethic of Race in W. D. Howells's An Imperative Duty

2008 ◽  
Vol 63 (2) ◽  
pp. 223-254
Author(s):  
Paul R. Petrie
Keyword(s):  
Nineteenth Century ◽  
Narrative Form ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Scientific Racism ◽  
Philosophical Perspective ◽  
Social Morality ◽  
Critical Attention ◽  
Late Nineteenth ◽  
Ethical Critique

Abstract William Dean Howells's 1891 novel of interracial marriage, An Imperative Duty, has recently received increasing critical attention because of its saturation with the language of contemporary scientific racism and its complex and apparently inconsistent approach to questions of race and identity. The novel's other major conceptual concern with questions of moral duty, clearly announced in its title, has generally been neglected in this discussion. This essay examines the crucial interplay between questions of race and ethics, arguing that Howells's novel undertakes an ethical critique of late-nineteenth-century scientific racism from a specifically Pragmatist philosophical perspective. Reasoning according to Pragmatist principles, and pursuing an inherently Pragmatist narrative form, the novel implicitly asks its readers to understand the ““facts”” of race in terms of their intersections with personal and social morality rather than in strict accord with the essentialist claims of ascendant nineteenth-century race theory. In its refusal of ontological absolutism and its embrace of an ethically pluralist and instrumentalist approach to questions of race, Howells's novel offers a Pragmatist challenge to the interlocking absolutisms of traditional ethics and contemporary scientific racism.

Rebuilding the Navel of the Earth: Buddhist pilgrimage and transnational religious networks

2013 ◽  
Vol 48 (3) ◽  
pp. 645-692 ◽  
Author(s):  
DAVID GEARY
Keyword(s):  
Nation Building ◽  
North India ◽  
Late Nineteenth Century ◽  
Asian Countries ◽  
Regional Networks ◽  
Post Colonial ◽  
The Earth ◽  
Religious Networks ◽  
Late Nineteenth ◽  
Building Project

AbstractCentral to the modern rebirth of Bodh Gaya as the place of Buddha's enlightenment is the growing influence of Buddhist missionaries and transnational religious networks on this pilgrimage landscape in North India. Although this process began in the late nineteenth century, it was not until after India's independence that Buddhism became an integral part of the nation-building project and a key site of post-colonial diplomacy with neighbouring Asian countries. Symbolic of these international and diplomatic ties are the increasing numbers of foreign Buddhist monasteries and temples that have acquired land around Bodh Gaya. This paper seeks to document the historical and transnational religious processes that support the growing globalization of Bodh Gaya and to survey the institutional means through which monasteries have elevated the Buddhist memory of the site. In tracing these different national and regional networks of Buddhism, I argue that there is an underlying tension between Buddhist culture anchored in the national polity and the forces of globalization and religious experience that seek to transcend it.

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