scholarly journals Nauka sztuki kupieckiej w Krakowie XVI–XIX wieku. Zarys problemu

2019 ◽  
pp. 7-20
Author(s):  
Marcin Gadocha
Keyword(s):  
19Th Century ◽  
Foster Parents ◽  
18Th Century ◽  
Birth Certificate ◽  
16Th Century ◽  
The 19Th Century

The article is a survey and an attempt to bring closer the questions connected with the education of future tradesmen in Cracow from the 16th century until the first half of the 19th century. Thus far, there has been no thorough study devoted to this topic. In the 16th century, young adepts of trade would start learning this occupation in their father’s business, further family’s business or in the dynamically developing trading houses in Cracow. In the 16th c. and 17th c. there was no merchants’ guild in Cracow, which could oversee the process of learning the “art of trade”. Only the establishment of the Merchants’ Congregation in 1722 brought about changes in this respect. Ultimately, in the new statute of the Congregation from 1833, the new principles of training were formulated. Candidates had to present their birth certificate, the recommending certificate written by their parents or foster parents. Moreover, the candidate had to be able to read, write and calculate in Polish or German. Learning took three years in the 16th and 17th centuries; in the 18th century this period was prolonged, in the 19th century lasted from 4 to 6 years. According to the author, the problem still requires further in-depth research. After the archival query, it seems that there are good possibilities to obtain valuable material connected with mercantile art in Cracow.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

scholarly journals Reindeer pastoralism in Sweden 1550-1950

Rangifer ◽  
2007 ◽  
Vol 27 (3) ◽  
pp. 9 ◽  
Author(s):  
Lennart Lundmark
Keyword(s):  
19Th Century ◽  
Large Scale ◽  
18Th Century ◽  
State Intervention ◽  
16Th Century ◽  
Detailed Knowledge ◽  
Reindeer Herding ◽  
The North ◽  
Starting Point ◽  
The 19Th Century

In the middle of the 16th century we get the first opportunity to a more detailed knowledge of reindeerpastoralism in Sweden. At that time the Sami lived in a hunter-gatherer economy. A family had in average about 10-20 domesticated reindeer, mainly used for transport. They could also be milked and used as decoys when hunting wild reindeer. During late 16th century the Swedish state and merchants bought large amounts of fur from the Sami. The common payment was butter and flour. This created a new prosperity, which lead to a considerable increase in population in Swedish Lapland. The population became too large for a hunter-gatherer economy. A crisis in early 17th century was the starting point for the transition to a large-scale nomadic reindeer pastoralism. Up to the middle of the 18th century intensive reindeer pastoralism was successful. But the pastoralism became gradually too intensive and diseases started to spread when the herds were kept too densely crowded for milking in summertime. During the first decades of the 19th century reindeer pastoralism in Sweden went through a major crisis. The number of reindeer herding mountain-Sami decreased considerably, mainly because they went to live permanently along the Norwegian coastline. Intensive reindeer pastoralism started to give way for extensive herding towards the end of the 19th century. In the north of Sweden influences from the Kautokeino Sami were an important factor, in the south extensive reindeer herding started to expand when the market for meat came closer to the Sami. During the 1920s the milking of reindeer ceased in Sweden, except in a few families. At that time Sami families from the north had been removed southwards. They further demonstrated the superiority of extensive herding to the Sami in mid- and southern Lapland. Reindeer pastoralism is basically a system of interaction between man and animal, but it has been heavily influenced by market forces and state intervention during hundreds of years. To a large extent these long-term external influences have made reindeer pastoralism what it is today. That aspect should not be overlooked when assessing the future prospects of reindeer pastoralism in Scandinavia.Renskötseln i Sverige 1550-1950Abstract in Swedish / Sammanfattning: Först vid mitten av 1500-talet finns det källmaterial som ger oss en tämligen detaljerad bild av renskötseln i Sverige. Vid den tiden levde samerna i en jakt- , fiske- och samlarekonomi. En familj hade normalt 10-20 renar som främst utnyttjades vid transporter. Tamrenarna kunde också mjölkas och fungera som lockdjur vid vildrensjakt. Under senare delen av 1500-talet köpte svenska staten och handelsmän stora mängder pälsverk av samerna. Den vanligaste betalningen var smör och mjöl. Detta skapade ett välstånd som ledde till en betydande folkökning i svenska lappmarken. Befolkningen blev för stor för att rymmas inom ramarna för en jaktochfiskeekonomi. En kris i början av 1600-talet blev startpunkten för övergången till en storskalig rennomadism.Fram till mitten av 1700-talet var den intensiva renskötseln framgångsrik. Men renskötseln blev efterhand alltför intensiv. Under senare delen av 1700-talet började det spridas sjukdomar i de tätt sammanhållna hjordarna. De första decennierna av 1800-talet innebar en allvarlig kris i renskötseln. Antalet renskötande fjällsamer minskade kraftigt, främst genom utvandring till norska kusten. Den intensiva renskötseln med mjölkning av renarna började ersättas av en extensiv renskötsel inriktad på köttproduktion de sista decennierna av 1800-talet. I norr var naturförhållandena och influenser från Kautokeino-samerna en viktig faktor, i söder utvecklades renskötseln i extensiv riktning främst därför att marknaden för renkött kom närmare renskötarna. Under 1920-talet upphörde mjölkningen av renar i Sverige, utom i några enstaka familjer. Då hade förflyttningarna av samer från nordligaste Sverige söderut påskyndat utvecklingen och ytterligare markerat den extensiva renskötselteknikensöverlägsenhet. Tamrenskötsel är ett samspel mellan människa och djur, men det är inte bara en fråga om renskötaren och hans hjord. Externa marknadsfaktorer, beskattning och lagstiftning har haft ett betydandeinflytande på renskötselns utveckling under hundratals år. De har till stor del format renskötseln till vad den är idag. Detta bör beaktas när man gör bedömningar av renskötselns framtid. 

Khorezm and the Khanate of Khiva

2019 ◽  
Author(s):  
William Wood
Keyword(s):  
Soviet Union ◽  
Central Asia ◽  
19Th Century ◽  
18Th Century ◽  
Russian Empire ◽  
16Th Century ◽  
Bolshevik Revolution ◽  
The North ◽  
The Soviet Union ◽  
The 19Th Century

The Khanate of Khiva, one of the Uzbek khanates of Central Asia, refers to a political entity in the region of Khorezm from the early 16th century until 1920. The term itself, which was not used by locals who instead used the name vilayet Khwārazm (“country of Khwārazm”), dates from 18th-century Russian usage. Khorezm is an ancient center of sedentary civilization with a distinct culture and history that came under Uzbek rule as the latter migrated southward from their pasturelands on the steppe beginning in the early 16th century. In contrast to the related dynasties in Transoxiana, the Khanate of Khiva retained a greater degree of pastoralism, though the state was still fundamentally built on sedentary agriculture. Though no doubt affected by historical variations in the volume and routes of the overland caravan trade, Khiva remained a key center for transregional trade throughout its history, especially with the growing Russia Empire to the north. Political structures in Khiva remained weak and decentralized until the 19th century, when the Qongrat dynasty succeeded in transforming the khanate into the most centralized state in the region. Among the legacies of the khanate is its promotion of a distinctive Turkic literary culture, which interacted fruitfully with the dominant Persian culture of neighboring regions. As with other states in Central Asia, by the second half of the 19th century Khiva became a target of the expanding Russian Empire, which conquered Khorezm in 1873. While the tsarist state initially preserved a portion of the khanate under Qongrat rule as a protectorate, after the Bolshevik Revolution this state was soon dissolved and absorbed into the Soviet Union.

2. Imperialism, genocide, and the ‘science’ of race

2020 ◽  
pp. 10-33
Author(s):  
Ali Rattansi
Keyword(s):  
19Th Century ◽  
Crucial Role ◽  
Slave Trade ◽  
18Th Century ◽  
Social Darwinism ◽  
16Th Century ◽  
Human Variation ◽  
The World ◽  
The 19Th Century ◽  
The Impact

The term ‘race’ entered English early in the 16th century, referring to family, lineage, and breed. In the 18th-century Enlightenment, the idea of race became incorporated into more systematic meditations on the nature of the world. ‘Imperialism, genocide, and the “science” of race’ explains how doctrines of race gained considerable strength with the growing slave trade, and how, in the 19th century, a range of theories emerged that explained all human variation on the basis of innate racial characteristics. The idea of nation also played a crucial role in the origins and development of racial thinking. The impact of imperialism, the rise of eugenics, social Darwinism, and the racial genocide of the Nazis are also outlined.

Discurso ilustrado como defensa de la obra artística: «que es destreza del arte y no pintura deshonesta»

2018 ◽  
pp. 191
Author(s):  
Pascual Santos López ◽  
Manuela Caballero González ◽  
Laura Santos Caballero
Keyword(s):  
Speech Perception ◽  
19Th Century ◽  
18Th Century ◽  
16Th Century ◽  
Spanish Society ◽  
Aesthetic Taste ◽  
Artistic Work ◽  
Artistic Works ◽  
The Aesthetic ◽  
The 19Th Century

RESUMENEn el presente trabajo analizamos diferentes casos de censura inquisitorial sobre pinturas deshonestas, obras artísticas y representaciones consideradas indecentes por la Inquisición a finales del siglo XVIII y principios del XIX, tanto en la Península como en sus reinos de Indias, además de la evolución de la percepción en este tipo de obras desde el XVI. Estudiamos las resistencias, motivaciones y razones expuestas por acusados para justificar su libre posesión, comercialización y exhibición y su relación con el discurso y el pensamiento ilustrado, permeado ya en esta época a niveles populares de la sociedad española. Mostramos también las diferentes influencias y apropiaciones culturales, los cambios en la axiología, el gusto estético y el pensamiento de los españoles, así como los intentos de control de la moral por parte de los inquisidores y sus reacciones.PALABRAS CLAVEIlustración, Discurso ilustrado, Percepción del arte, Inquisición, Censura. TITLEEnlightened speech as a defense of artistic work: «that is art dexterity and not dishonest painting»ABSTRACTIn the present work we analyze different cases of inquisitorial censorship on dishonest paintings, artistic works and representations considered indecent by the Inquisition at end of the 18th century and beginning of the 19th century, both in Peninsula and in its kingdoms of Indies, besides the evolution of perception on this kind of works from 16th century. We study the resistances, motivations and reasons exposed by defendants to justify their free possession, commercialization and exhibition and their relationship with the enlightened discourse and thought, permeated at this time at popular levels of Spanish society. We also show the different influences and cultural appropriations, the changes in the axiology, the aesthetic taste and the Spanish thought, as well as the attempts of moral control by inquisitors and their reactions.KEY WORDSEnlightenment, Enlightened speech, Perception of art, Inquisition, Censorship.

The Origin of the Javanese Mosque

1963 ◽  
Vol 4 (1) ◽  
pp. 1-5 ◽  
Author(s):  
H.J. de Graaf
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
The 19Th Century ◽  
Made In

The difficulties when making an investigation into the origin of Jaranese mosques are numerous. Owing to the limited durability of the material from which they are made – in the majority of cases of wood – the remains of old mosques are rare. There are no pictures from the 16th century; from the 17th century we have only a couple; from the 18th century hardly any. In the 19th century we find more of them.

scholarly journals Por descontado. Creación de un marcador de evidencia

2019 ◽  
Author(s):  
Francisco Javier Herrero Ruiz de Loizaga
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
Prepositional Phrase ◽  
16Th Century ◽  
Dominant Form ◽  
The 19Th Century

This paper studies the development of por descontado and the previous construction por de contado, which is attested from the 18th century. It comes from the prepositional phrase de contado, which originally had the meaning ‘in cash’, but in the 16th century acquires also the value ‘on the spot’. This slip is possible because what is paid in cash is paid on the spot. A subsequent slip leads to the value ‘of course’. Since the end of the 19th century, there are constructions of the type dar o tener por descontado, with the meaning ‘take for granted’, in which por descontado is a predicative complement of a noun clause. Given the similarity in meaning between these constructions and por de contado, there was a formal interference that led to the appearance of por descontado as a formal variant of the marker por de contado. This variant is attested from the beginning of the 20th century, and from the second half it becomes the dominant form.

Speculations on the Nature and Pattern of Opium Smoking

1979 ◽  
Vol 9 (2) ◽  
pp. 247-255 ◽  
Author(s):  
John C. Kramer
Keyword(s):  
Drug Use ◽  
Southeast Asia ◽  
19Th Century ◽  
18Th Century ◽  
The 19Th Century ◽  
Withdrawal Signs

Opium smoking began spreading slowly but steadily in China from early in the 18th Century. It grew through the 19th Century to the point that by the end of the century it became a nearly universal practice among males in some regions. While estimates vary, it appears that most smokers consumed six grams or less daily. Addicted smokers were occasionally found among those smoking as little as three grams daily, but more often addicted smokers reported use of about 12 grams a day or more. An individual smoking twelve grams of opium probably ingests about 80 mg. of morphine. Thirty mg. of morphine daily may induce some withdrawal signs, while 60 mg. daily are clearly addicting. While testimony varied widely, it appears likely that most opium smokers were not disabled by their practice. This appears to be the case today, too, among those peoples in southeast Asia who have continued to smoke opium. There appear to be social and perhaps psychophysiological forces which work toward limiting the liabilities of drug use.

Scholars discover local history: the case of northeast Lapland in the 18th century

Polar Record ◽  
2011 ◽  
Vol 48 (3) ◽  
pp. 291-303 ◽  
Author(s):  
Maria Lähteenmäki
Keyword(s):  
19Th Century ◽  
Economic Efficiency ◽  
18Th Century ◽  
Local Information ◽  
Local History ◽  
Ordinary People ◽  
The People ◽  
New Form ◽  
The 19Th Century ◽  
Distant Region

ABSTRACTThe academic study of local and regional history in Sweden took on a quite new form and significance in the 18th century. Humiliating defeats in wars had brought the kingdom's period of greatness to an end and forced the crown to re-evaluate the country's position and image and reconsider the internal questions of economic efficiency and settlement. One aspect in this was more effective economic and political control over the peripheral parts of the realm, which meant that also the distant region of Kemi Lapland, bordering on Russia, became an object of systematic government interest. The practical local documentation of this area took the form of dissertations prepared by students native to the area under the supervision of well known professors, reports sent back by local ministers and newspaper articles. The people responsible for communicating this information may be said to have functioned as ‘mimic men’ in the terminology of H.K. Bhabha. This supervised gathering and publication of local information created the foundation for the nationalist ideology and interest in ordinary people and local cultures that emerged at the end of the century and flourished during the 19th century.

Brazilian Colonial Art and the Decolonization of Art History

2021 ◽  
Author(s):  
Maria Berbara
Keyword(s):  
19Th Century ◽  
Art History ◽  
18Th Century ◽  
Early Modern Period ◽  
Minas Gerais ◽  
Early 19Th Century ◽  
Art Objects ◽  
Colonial Art ◽  
The One ◽  
The 19Th Century

There are at least two ways to think about the term “Brazilian colonial art.” It can refer, in general, to the art produced in the region presently known as Brazil between 1500, when navigator Pedro Álvares Cabral claimed the coastal territory for the Lusitanian crown, and the country’s independence in the early 19th century. It can also refer, more specifically, to the artistic manifestations produced in certain Brazilian regions—most notably Bahia, Minas Gerais, and Rio de Janeiro—over the 18th century and first decades of the 19th century. In other words, while denotatively it corresponds to the art produced in the period during which Brazil was a colony, it can also work as a metonym valid to indicate particular temporal and geographical arcs within this period. The reasons for its widespread metonymical use are related, on the one hand, to the survival of a relatively large number of art objects and buildings produced in these arcs, but also to a judicative value: at least since the 1920s, artists, historians, and cultivated Brazilians have tended to regard Brazilian colonial art—in its more specific meaning—as the greatest cultural product of those centuries. In this sense, Brazilian colonial art is often identified with the Baroque—to the extent that the terms “Brazilian Baroque,” “Brazilian colonial art,” and even “barroco mineiro” (i.e., Baroque produced in the province of Minas Gerais) may be used interchangeably by some scholars and, even more so, the general public. The study of Brazilian colonial art is currently intermingled with the question of what should be understood as Brazil in the early modern period. Just like some 20th- and 21st-century scholars have been questioning, for example, the term “Italian Renaissance”—given the fact that Italy, as a political entity, did not exist until the 19th century—so have researchers problematized the concept of a unified term to designate the whole artistic production of the territory that would later become the Federative Republic of Brazil between the 16th and 19th centuries. This territory, moreover, encompassed a myriad of very different societies and languages originating from at least three different continents. Should the production, for example, of Tupi or Yoruba artworks be considered colonial? Or should they, instead, be understood as belonging to a distinctive path and independent art historical process? Is it viable to propose a transcultural academic approach without, at the same time, flattening the specificities and richness of the various societies that inhabited the territory? Recent scholarly work has been bringing together traditional historiographical references in Brazilian colonial art and perspectives from so-called “global art history.” These efforts have not only internationalized the field, but also made it multidisciplinary by combining researches in anthropology, ethnography, archaeology, history, and art history.

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