scholarly journals Urban landscape as biographical experience: Pre-war Lublin in the oral testimonies of its inhabitants

2020 ◽  
Vol 3 (6) ◽  
pp. 49-65
Author(s):  
Marta Kubiszyn ◽  
Stephanie Weismann

For several hundred years, Lublin has developed as a multiethnic city. As a result of World War II and the destruction of the local Jewish community, its urban structure and its cultural landscape were significantly altered. The image of pre-war Lublin emerging from archival documents, pictures, newspaper articles, and individual memories is multilayered. Studies of the oral testimonies of local inhabitants reveal the deeply sensory and cultural components of spatial experiences characteristic of the cultural landscape of pre-war Lublin. This aspect will be presented as a reference point to conduct analyses concerning cultural and social aspects of the perception of Lublin’s urban landscape.

Author(s):  
Bartosz Czarnecki ◽  
Michal Pawel Chodorowski

Modernist planners were given the opportunity to apply the idea of ​​the Modern Movement in the implementation of cities transforming after World War II, which was not possible before in long-term evolving structures. Usually, however, it was impossible to change everything: some urban and even architectural elements were necessary to be preserved. As a result, the elements of the ancient landscapes of these cities - historical objects and spaces - necessary for the continuity of evidence of history and identity have been preserved, sometimes through reconstruction. Finally, in some of these cities, both old and new elements contribute to the contemporary urban landscape. The aim of the research is to examine two key categories of urban structure in this perspective: 1. landmarks 2. urban network nodes. For this purpose: 1. the changes in the number and rank of the space with which the landmarks exhibition was carried out were compared; 2. the changes in the rank of nodes in the urban structure functioning both in the pre-war and in the present structure, as well as changes in their distribution and concentration areas were analyzed. The numbers of individual elements were balanced and the changes in the structure of their arrangement were analyzed with the use of a polygon grid. The analyzes were based on the case of a medium-scale European city (Białystok). Research shows that as a result of post-war reconstruction, the number of elements of the urban grid decreased, especially those of lower rank, the rank of others decreased.


2019 ◽  
Vol 8 (1) ◽  
pp. 52-99 ◽  
Author(s):  
Linh D. Vu

Abstract Exploring the construction and maintenance of Nationalist Chinese soldiers’ graves overseas, this article sheds light on post-World War II commemorative politics. After having fought for the Allies against Japanese aggression in the China-Burma-India Theater, the Chinese expeditionary troops sporadically received posthumous care from Chinese veterans and diaspora groups. In the Southeast Asia Theater, the Chinese soldiers imprisoned in the Japanese-run camps in Rabaul were denied burial in the Allied war cemetery and recognition as military heroes. Analyzing archival documents from China, Taiwan, Britain, Australia, and the United States, I demonstrate how the afterlife of Chinese servicemen under foreign sovereignties mattered in the making of the modern Chinese state and its international status.


Heritage ◽  
2020 ◽  
Vol 3 (3) ◽  
pp. 753-781
Author(s):  
Dirk HR Spennemann

Military terrain analysis serves as a tool to examine a battle commander’s view of a battlefield and permits to hindcast some of the rationale for actions taken. This can be augmented by physical evidence of the remains of the battle that still exist in the cultural landscape. In the case of World War II-era battlefields, such terrain analysis has to take into account the influence of aerial warfare—the interrelationship between attacking aircraft and the siting of anti-aircraft guns. This paper examines these issues using the case example of the Japanese WWII-era base on Kiska in the Aleutian Islands (Alaska).


2017 ◽  
Vol 31 (2) ◽  
pp. 290-310
Author(s):  
Borut Klabjan

This article is part of the special section titled From the Iron Curtain to the Schengen Area, guest edited by Wolfgang Mueller and Libora Oates-Indruchová. This article discusses local cultures of remembrance of Yugoslav partisans fallen during World War II in Trieste, now part of Italy, and investigates the role of memory activists in managing vernacular memory over time. The author analyses the interplay between memory and the production of space, something which has been neglected in other studies of memory formation. On the basis of local newspaper articles, archival material, and oral interviews, the essay examines the ideological imprint on the local cultural landscape, contributing to a more complex understanding of memory engagement. The focus is on grassroots initiatives rather than state-sponsored heritage projects. This article argues that memory initiatives are not solely the outcome of national narratives and top–down ideological impositions. It shows that official narratives have to negotiate with vernacular forms of memory engagement in the production of a local mnemonic landscape.


2018 ◽  
Vol 12 (2) ◽  
pp. 151-178
Author(s):  
GINA BOMBOLA

AbstractIn 1941, Paramount releasedThere's Magic in Music, a film about a soprano who sings opera in burlesque and wins a scholarship to attend Interlochen. The movie's utopian view of art music, however, caused difficulties for the studio in regard to marketing, leading to a studio-wide debate over the film's title. Archival documents positionThere's Magic in Musicas a valuable case study for investigating the transitional period of musical film production between the Great Depression and the onset of World War II, particularly with respect to operatic musicals. Just prior to the United States’ entry into the war, Hollywood moved away from the escapist fantasy of 1930s cinema toward the realism that would mark the 1940s. To reboot fading interest in musicals, studios toyed with the formula of the backstage musical to focus more on dramatic narratives and star power.There's Magic in Musicthus serves as a lens through which we might examine changes both in musical film production and in notions of “good music” at the eve of World War II.


Author(s):  
Alexander Naumov

This article reviews the role of Anglo-German Naval Agreement of 1935 in escalation of crisis trends of the Versailles system. Leaning on the British Russian archival documents, which recently became available for the researchers, the author analyzes the reasons and consequences of conclusion of this agreement between the key European democratic power and Nazi Reich. Emphasis is placed on analyzing the moods within the political elite of the United Kingdom. It is proven that the agreement became a significant milestone in escalation of crisis trends in the Versailles model of international relations. It played a substantial role in establishment of the British appeasement policy with regards to revanchist powers in the interbellum; policy that objectively led to disintegration of the created in 1919 systemic mechanism, and thus, the beginning of the World War II. The novelty of this work is substantiated by articulation of the problem. This article is first within the Russian and foreign historiography to analyze execution of the Anglo-German Naval Agreement based on the previously unavailable archival materials. The conclusion is made that this agreement played a crucial role in the process of disintegration of interbellum system of international relations. Having officially sanctioned the violation of the articles of the Versailles Treaty of 1919 by Germany, Great Britain psychologically reconciled to the potential revenge of Germany, which found reflection in the infamous appeasement policy. This launched the mechanism for disruption of status quo that was established after the World War I in Europe. This resulted in collapse of the architecture of international security in the key region of the world, rapid deterioration of relations between the countries, and a new world conflict.


Knygotyra ◽  
2018 ◽  
Vol 71 ◽  
pp. 210-235
Author(s):  
Jana Dreimane

[full article, abstract in English; abstract in Lithuanian] The aim of the research is to find out the influence of the Nazi regime on preservation of historical book collections, which were established in Jewish societies, schools, religious organizations and private houses in Latvia until the first Soviet occupation (1940/1941). At the beginning, libraries of Jewish associations and other institutions were expropriated by the Soviet power, which started the elimination of Jewish books and periodicals published in the independent Republic of Latvia. The massive destruction of Jewish literature collections was carried out by Nazi occupation authorities (1941-1944/45), proclaiming Jews and Judaism as their main “enemies”. However, digitized archives of Nazi organizations (mainly documents of the Reichsleiter Rosenberg Taskforce) shows that a small part of the Latvian Jewish book collections was preserved for research purposes and after the Second World War scattered in different countries. Analysis of archival documents will clarify the Nazi strategy for Latvian Jewish book collections. It will be determined which book values survived the war and what their further fate in the second half of the 1940s was.


Heritage ◽  
2019 ◽  
Vol 2 (3) ◽  
pp. 2457-2479 ◽  
Author(s):  
Spennemann ◽  
Poynter

Heritage Building Information Modeling (HBIM) focuses on the documentation and visualization of heritage properties which are confined in their permanent terrestrial space. This paper extended the concept of Heritage Building Information Modeling to the airspace above the sites. It presented a methodology for the 3D spatial visualisation of the aerial space controlled by anti-aircraft (AA) guns, taking into account the masking effects of the underlying terrain and the technological capabilities of the guns (rate of fire, projectile weight, etc.). The tool permits a nuanced analysis of the interplay between attacking aircraft and the siting of anti-aircraft guns and thus, allows for the analysis of the cultural landscape of World War II-era battle fields, which has to take into account the influence of aerial warfare. The applicability was illustrated by the case example of the Japanese WWII base on Kiska (Aleutian Islands).


2020 ◽  
Vol 72 (1) ◽  
pp. 68-82
Author(s):  
Amir Engel

Abstract While there is growing interest in the postwar era, the cultural characteristics of the period after World War II and the period’s historical scope are still largely underdetermined. The purpose of this article is to offer a more nuanced use of the term postwar and insights into the cultural landscape of this enormously significant moment in the history of the West. To do so, it examines three major works of what is termed here the immediate postwar. These works are fundamentally dissimilar and yet, it is argued, share an emotional disposition. As shown, all three works exhibit a complex dialectical coupling of horror and anticipation. In other words, this article demonstrates that the cultural production of the postwar period (in the exact sense of the term) is characterized, on the one hand, by a sincere depiction of suffering and depravity but, on the other, by an intense engagement with questions about the moral and social future.


2007 ◽  
Vol 39 (S1) ◽  
pp. 179-185
Author(s):  
Marianne Schultz

This paper explores the founding of the New Dance Group in Wellington, New Zealand, in 1945. The New Dance Group introduced radical ideas about dance, art, music, politics, and physical education to New Zealand. This paper examines the influence that American and European dance and physical education had on New Zealand's physical and artistic expression and places the introduction of modern dance within the social and cultural landscape of immediate the post—World War II period in New Zealand.


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