‘Sad stories of the death of kings’: Narrative Patterns and Structures of Authority in Regino of Prüm’s Chronicle

2006 ◽  
pp. 105-131 ◽  
Author(s):  
Stuart Airlie
Keyword(s):  
Narrative Patterns

POLA NARASI PADA ANTOLOGI CERPEN TARIAN SALJU KARABAN

2019 ◽  
Vol 6 (1) ◽  
pp. 95-113
Author(s):  
Novi Diah Haryanti
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Main Character ◽  
The Past ◽  
Child Relationship ◽  
Mother And Child ◽  
Narrative Patterns

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun),  Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima  cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.  

scholarly journals Dialogical research to open up new narrative patterns among young women living with severe anxiety

2020 ◽  
Vol 30 (Supplement_5) ◽  
Author(s):  
L Cantarero Arevalo ◽  
S Fejfer Olsen
Keyword(s):  
Young Women ◽  
Population Group ◽  
Patient Experiences ◽  
Constructivist Approach ◽  
Patient’S Perspective ◽  
Healthcare Needs ◽  
Narrative Patterns ◽  
Severe Anxiety ◽  
Insight Into

Abstract Background 16,889 new cases of severe anxiety (SA) were diagnosed in Denmark in 2019. Incidence rate is highest among 16 to 24 year-old women, a population group with 64% risk of being diagnosed with SA. Experiences of stigma and shame are common among this group, affecting negatively their quality of life and opportunity to recover. The aim is 1) to gain insight into the digital narratives young women with SA share through social networking websites, and 2) to open up the possibility to develop new narrative patterns using dialogical research as a method rooted in Bakhtin (1895-1975) and further developed by Frank (2005). Methods Netnography of four large Facebook groups focused on anxiety was used to gain insight into the patients' narratives and to build guiding themes for the off-line dialogical interviews (DI). Biographical narrative patterns were analyzed in light of a narrative-constructivist approach. Participants were invited to sign an informed consent prior to the DI and received ample information about the project aims and their rights. Results 8 young women diagnosed with SA participated in the off-line DI. They had experienced stress, loss, betrayal or violation against them prior to the trigger of SA. All had constructed a narrative that explained why they were suffering from SA. Patient experiences were dominated by the struggle to control intrusive thoughts and to live in a threatening world. Some felt stigmatized and tried to hide their condition from colleagues, friends and family. They had different preferences regarding healthcare needs and were active in their search for alternative ways to cope with SA. Conclusions Participants perceived DI as beneficial. It thus has the potential to not only explore the patient's perspective in depth, but also serve as therapy during the process of inquiry. Key messages Dialogical research has the potential to not only explore the patient’s perspective in depth, but also serve as therapy during the process of inquiry. Young women suffering with severe anxiety experience shame and stigma, which worsen their condiction and hinder their opportunity to recover.

Subverting superhero and meiga imaginaries in street art narrative Fenómenas do rural

2021 ◽  
pp. 136754942110032
Author(s):  
Beatriz Carbajal-Carrera
Keyword(s):  
Discourse Analysis ◽  
Street Art ◽  
Multimodal Discourse Analysis ◽  
Multimodal Discourse ◽  
Narrative Patterns

Heroic narratives are often biased towards a conceptualization of the rural/urban difference that positions rural identities at the margins. In particular, superhero stories have traditionally offered a vision of heroism assumed to be male, urban and young. How can post-rural contexts shaped by migration contest these narrative patterns? This article examines the street narrative of Fenómenas do rural, which recognizes older female rural identities and casts them as superheroines. Through a multimodal discourse analysis, I examine its contestation of heroic patterns, its recognition of older female rural identities and its creation of affiliation opportunities for the Galician community. I argue that this narrative stands as a reflection of the rurban (rural + urban) and the glocal (global + local) elements that subverts pre-existing canons in the superhero and the meiga (‘witch’) mythology imaginaries.

scholarly journals Abazi, Enika, and Albert Doja (2017) "The past in the present: time and narrative of Balkan wars in media industry and international politics." Third World Quarterly, 38 (4), pp. 1012-1042

2017 ◽  
Author(s):  
Enika Abazi ◽  
Albert Doja
Keyword(s):  
Collective Memory ◽  
Policy Making ◽  
Third World ◽  
Media Industry ◽  
Southeast Europe ◽  
Historical Knowledge ◽  
The Past ◽  
Balkan Wars ◽  
Truth Claims ◽  
Narrative Patterns

In this article, we explore various forms of travel writing, media reporting, diplomatic record, policy-making, truth claims and expert accounts in which different narrative perspectives on the Balkan wars, both old (1912–1913) and new (1991–1999), have been most evident. We argue that the ways in which these perspectives are rooted in different temporalities and historicisations have resulted in the construction of commonplace and time-worn representations. In practical terms, we take issue with several patterns of narratives that have led to the sensationalism of media industry and the essentialisation of collective memory. Taken together as a common feature of contemporary policy and analysis in the dominant international opinion, politics and scholarship, these narrative patterns show that historical knowledge is conveyed in ways that make present and represent the accounts of another past, and the ways in which beliefs collectively held by actors in international society are constructed as media events and public hegemonic representations. The aim is to show how certain moments of rupture are historicised, and subsequently used and misused to construct an anachronistic representation of Southeast Europe.

‘Dis(re)membered and Unaccounted For’: ‭שגליפ‬ in the Hebrew Bible

2018 ◽  
Vol 42 (4) ◽  
pp. 415-434
Author(s):  
Isabelle Hamley
Keyword(s):  
Sexual Violence ◽  
Hebrew Bible ◽  
Legal Status ◽  
The Political ◽  
Political Conflicts ◽  
Polygamous Marriage ◽  
Narrative Patterns

Concubines, ‭שגליפ‬ in the Hebrew Bible, are shadowy women whose presence weaves in and out of narratives of violence and conflict. Most of them are unnamed and appear simply in genealogies and harem lists. Their exact legal status is unknown; they stand between primary wives and slave-wives, seemingly legitimate yet treated with little regard or protection. This article examines the narrative patterns surrounding ‭שגליפ‬. Four sets of texts are considered: Bilhah, Jacob's concubine (Gen. 35); the Levite's concubine (Judg. 19); Rizpah, Saul's concubine (2 Sam. 3, 21) and David's concubines (2 Sam. 5, 15, 16, 19, 20). These stories, taken together, reveal a picture of women whose lives were marked by sexual violence and coercion, precariousness and liminality, yet these were women whose legitimate position made them highly vulnerable within the political conflicts of their time. Narrative subtlety and intertextual echoes ensure that their stories indirectly provide a critique of polygamous marriage and mistreatment of inferior partners.

And Then They Drown?: Faulkner’s Quentin Compson Lost in the Borderlands

2018 ◽  
pp. 156-173
Author(s):  
Mary Weaks-Baxter
Keyword(s):  
The Other ◽  
Lost Cause ◽  
The South ◽  
Black And White ◽  
Divided Self ◽  
Narrative Patterns ◽  
Border Narratives ◽  
Building Walls ◽  
North And South

This chapter looks at the consequences of the inability to negotiate borders because of deeply entrenched narrative patterns that circle back upon themselves, perpetuating communal values that stoke division. The chapter examines the quintessential victim of the Southern Lost Cause—Faulkner’s Quentin Compson—who is a divided self because he left the South. He is even before he leaves Mississippi for Boston, “two separate Quentins,” one “preparing for Harvard in the South” and the other “still too young to deserve yet to be a ghost.” Through Quentin, Faulkner makes clear the dangers of divisions between black and white, between North and South, and the inability of Southerners to successfully navigate the psychological borderlands and leave behind the crushing past of the South. Faulkner’s Quentin is the most indelibly inked reminder of the consequences of border narratives gone awry and a warning of the harm of building walls and not bridges.

Public and narrative selves in Desert Island Discs

2017 ◽  
Author(s):  
Tia Denora
Keyword(s):  
Occupational Group ◽  
Music Pedagogy ◽  
Presentation Of Self ◽  
Public Display ◽  
Aggregate Form ◽  
Public Figures ◽  
Desert Island ◽  
Narrative Patterns ◽  
Care Of Self

The Desert Island Discs interview—ostensibly a private chat—is an entertainment format in which public figures are on public display and able to display themselves as types of public selves through discussion of ‘private’ musical tastes, experiences, values, and connections to others. This chapter examines castaways’ narratives in aggregate form, as patterned practices of display. Castaway narratives reveal six thematic ways of accounting for their musical choices: (1) situation of listening, (2) container for extra-musical matters, (3) link to a person or people, (4) resource for care of self, (5) castaway just loves the work, and (6) described in terms of music pedagogy. Comparing individual castaway narratives with this more general set of narrative patterns, and controlling for occupational group, and within that, gender, offers new, and otherwise undisclosed, information about individual castaways and their public presentation of self.

Narrative Patterns in Video Games

2021 ◽  
pp. 51-78
Author(s):  
Beat Suter
Keyword(s):  
Video Games ◽  
Narrative Patterns
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