Notes Concerning the Ontological Status of the Objective Concept of the ens rationis in Antonio Rubio’s Teaching

2017 ◽  
pp. 207-229
Author(s):  
Sandro R. d’Onofrio
Keyword(s):  
Ontological Status ◽  
Objective Concept

Philosophical Reduction(ism) in Meta-Language Reconstructions of Yhwh as Religious Object

2018 ◽  
Vol 26 (2) ◽  
Author(s):  
Jaco W Gericke
Keyword(s):  
Old Testament ◽  
Hebrew Bible ◽  
A Priori ◽  
Research Problem ◽  
Second Order ◽  
Unified Theory ◽  
Ontological Status ◽  
Introductory Overview ◽  
Theory Of Everything ◽  
Interpretative Approach

In Hebrew Bible/Old Testament scholarship, one encounters a variety of reductive perspectives on what exactly Yahweh as religious object is assumed to be. In this article, a clarification of the research problem is followed by an introductory overview of what is currently available on this topic as is attested in the context of various interpretative methodologies and their associated meta-languages. It is argued that any attempt to describe the actual metaphysical nature and ontological status of the religious object in the jargon of a particular interpretative approach is forever prone to committing the fallacy of reductionism. Even so, given the irreducible methodological perspectivism supervening on heuristic specificity, reductive accounts as such are unavoidable. If this is correct, then it follows a fortiori that a unified theory (of everything Yahweh can be said to be) and an ideal meta-language (with which to perfectly reconstruct the religious object within second-order discourse) are a priori impossible.

Some References to Visualization Practices in Early Chán Buddhism with an Emphasis on guān 觀 and kàn 看

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Christoph Anderl
Keyword(s):  
Crucial Role ◽  
Historical Context ◽  
Sensory Perception ◽  
Ontological Status ◽  
Chan Buddhism ◽  
Visual Processes ◽  
The Mind

Abstract In the analysis of processes of sensory perception in the framework of Buddhist contemplation practices, the visual sense faculty has played a crucial role. In this paper, references to Chinese Buddhist terminology referring to visual processes will be analyzed in their historical context, with a focus on the interpretations of guān 觀 and kàn 看 by proponents of the early Chán School. Crucial questions include the notions of the “agent” (i.e., the entity engaging in the process of visualization or viewing), as well as the ontological status of the “object” to be viewed, in addition to the nature of the process of viewing and the bodily preconditions for engaging in visualization practices. The creative reinterpretations of terms such as guānxīn 觀心 “contemplate the mind” and kànxīn 看心 “view the mind” were also important devices to create a distinctive identity for this newly emerging Chinese Buddhist school. As will be shown, despite the fierce attacks on “gradualist” meditation practices by proponents of the “Southern School” of Chán during the 8th century, the concepts of guānxīn and kànxīn by no means disappeared from the discourse on meditation but continued to play an important role at least until the 10th century and beyond.

Feeling Film: Time, Space, and the Third Image

2021 ◽  
pp. 002216782110180
Author(s):  
Luke Hockley
Keyword(s):  
Present Moment ◽  
Ontological Status ◽  
The Third ◽  
The Past ◽  
Time Space ◽  
The World

This article explores what it means to feel film. It does so through an exploration of the interconnections between Bergson, Deleuze, and Jung. Central to the argument is the ontological status of the image in these different philosophical and psychological traditions. In particular, image is seen as an encapsulation of coming into being, or what Bergson terms durée. To feel film is to engage with its therapeutic capacity to bring us into being. In the consulting room and in the cinema, this process is embodied and in some way created either between client and therapist or viewer and screen. The elusive present moment is the site at which the past permeates the present, creating as it does feeling toned entry into the process of becoming. Jung thought of this as central to individuation and Bergson as central to being. Feeling film from this perspective becomes a way of finding ourselves in both the world of the film and in our individual psyche.

scholarly journals Whose hearing matters? Context and regimes of perception in sociolinguistics

2021 ◽  
Vol 2021 (267-268) ◽  
pp. 153-162
Author(s):  
Adrienne Lo
Keyword(s):  
Ontological Status ◽  
Subject Positions ◽  
Linguistic Sign ◽  
Moral Certainty

Abstract This piece argues for the importance of centering regimes of perception and the dynamics of power in sociolinguistics, drawing upon cases where Chinese and Korean terms have been heard and enregistered as English slurs. It notes how different interlocutors mobilize phenomena at various scales in invocations of context. It calls for greater attention to the range of subject positions that are produced by speakers, perceivers, and institutions and a reconsideration of the moral certainty of our analyses. It challenges us to rethink the ontological status of the linguistic sign as a self-presenting entity and to develop frameworks of analysis that can look across scales.

‘The Beast within’: Race, Humanity, and Animality

10.1068/d229 ◽  
2000 ◽  
Vol 18 (3) ◽  
pp. 301-320 ◽  
Author(s):  
Kay Anderson
Keyword(s):  
Recent Work ◽  
Social Relations ◽  
Ontological Status ◽  
Western Thought ◽  
Colonial Power ◽  
Western Model ◽  
Specific Material ◽  
Material Conditions ◽  
Nature And Society ◽  
Sydney Australia

Recent years have seen efforts to critique the dichotomy of ‘nature’ and ‘society’ in Western thought, and to demonstrate their coconstruction under specific material conditions. As yet, however, little work has uncovered the discourses of animality that lie buried within a social field whose ontological status until recently has been securely ‘human’. In this paper, I show how Western concepts of animality have circulated across the nature border and into a politics of social relations. Concepts of savagery and vulgarity can, in particular, be found within racialised representational systems with whose historicity, I will be suggesting, we can make fresh critical engagements. In much recent work on colonial power formations, ‘othering’ practices have been implicitly conceived within a psychoanalytic frame—one in which the white self's ‘interior beasts’ are anxiously displaced onto an externalised other. Whilst not refuting the efficacy of repression I wish to historicise the workings of a peculiar western model of the Human self, ‘split’ into physical ‘animal’ and cultural ‘human’. This is done both through an extended theoretical account, followed by a microstudy of geographies of savagery and civility in Sydney, Australia.

AL-SUHRAWARDĪ ON MIRROR VISION AND SUSPENDED IMAGES (MUTHUL MU ʿALLAQA)

2015 ◽  
Vol 25 (2) ◽  
pp. 279-297 ◽  
Author(s):  
Nicolai Sinai
Keyword(s):  
Ontological Status ◽  
Material World ◽  
Late Medieval ◽  
Medieval Islam ◽  
Reconstructive Analysis

AbstractThe notion of a “World of Images” located somewhere between the immaterial and the material world was a mainstay of eschatological speculation in late medieval Islam. As has been recognised before, the concept was launched by al-Suhrawardī (d. 1191). However, its more properly philosophical underpinnings, in particular the notion of “suspended” images – images which somehow have an objective, rather than just a mental or subjective, status – merit further clarification, which this article attempts to provide. Since the concept of “suspended forms”, while applied to eschatological matters in the last treatise of the Philosophy of Illumination, makes its first appearance in a discussion of mirror vision, I examine in some detail Avicenna's understanding of mirror vision as presented in the Shifāʾ, to which al-Suhrawardī reacts. I then undertake a detailed reconstructive analysis of two paragraphs of the Philosophy of Illumination, paying particular attention to the question of the ontological status of “suspended” or “self-subsistent” images as well as to the idea that mirrors serve, not as loci in which images inhere, but as loci at which they become manifest (singular maẓhar).

Explicit and Implicit Assumptions in Noam Chomsky's Theory of Language

2008 ◽  
Vol 13 (1) ◽  
pp. 83-101
Author(s):  
Aleksandra Derra
Keyword(s):  
Careful Examination ◽  
Ontological Status ◽  
Noam Chomsky ◽  
Theory Of Language

The author identifies selected implicit or not fully explicit assumptions made by Noam Chomsky in his theory of language. Through a careful examination of Chomsky's work, she aims to present the solutions this linguist proposes with respect to two fundamental questions: the question of methodology and the question of the ontological status of language. After reviewing the central theses of Chomsky's theory in the first part of the paper, she turns to the question that is mentioned in the title of this paper, that is, the reservations regarding the assumptions underlying Chomsky's work.

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