Arturo Arias, The Maya Movement: Postcolonialism and Cultural Agency

2021 ◽  
pp. 519-538
Keyword(s):  
2022 ◽  
Author(s):  
René Hernández

The book explores the manuscripts written, read, and studied by Franciscan friars from the thirteenth to the fifteenth centuries in Northern Italy, and specifically Padua, assessing four key aspects: ideal, space, form and readership. The ideal is studied through the regulations that determined what manuscripts should aim for. Space refers to the development and role of Franciscan libraries. The form is revealed by the assessment of the physical configuration of a set of representative manuscripts read, written, and manufactured by the friars. Finally, the study of the readership shows how Franciscans were skilled readers who employed certain forms of the manuscript as a portable, personal library, and as a tool for learning and pastoral care. By comparing the book collections of Padua’s reformed and unreformed medieval Franciscan libraries for the first time, this study reveals new features of the ground-breaking cultural agency of medieval friars.


Kybernetes ◽  
2015 ◽  
Vol 44 (2) ◽  
pp. 311-328 ◽  
Author(s):  
Maurice Yolles ◽  
Gerhard Fink

Purpose – Anticipating behaviour and responding to the needs of complexity and problematic issues requires modelling to facilitate analysis and diagnosis. Using arguments of anticipation as an imperative for inquiry, the purpose of this paper is to introduce generic modelling for living systems theory, and assigns the number of generic constructs to orders of simplex modelling. An nth simplex order rests in an nth order simplex cybernetic space. A general modelling theory of higher orders of simplexity is given, where each higher order responds to every generic construct involved, the properties of which determining the rules of the complex system being that is represented. Higher orders of simplexity also explain greater degrees of complexity relatively simply, and give rise to the development of new paradigms that are better able to explain perceived complex phenomena. Design/methodology/approach – This is Part 3 of three linked papers. Using principles that arise from Schwarz’s living systems set within a framework provided by cultural agency theory, and with a rationale provided by Rosen’s and Dubois’ concepts of anticipation, the papers develop a general modelling theory of simplex orders. They show that with the development of new higher orders, paradigm shifts can occur that become responsible for new ways of seeing and resolving stubborn problematic issues. Part 1 established the fundamentals for a theory of modelling associated with cybernetic orders. Using this, in this Part 2 the authors established the principles of cybernetic orders using simplex modelling. This included a general theory of generic modelling. In this Part 3 the authors extend this, developing a fourth order simplex model, and exploring the potential for higher orders using recursive techniques through cultural agency theory. The authors also explore various forms of emergence. Findings – Cultural agency theory can be used to generate higher simplex through principles of recursion, and hence to create a potential for the generation of families of new paradigms. The idea of conceptual emergence is also tied to the rise of new paradigms. Research limitations/implications – The use of higher order simplex models to represent complex situations provides the ability to condense explanation concerning the development of particular system behaviours, and hence simplify the way in which the authors analyse, diagnose and anticipate behaviour in complex situations. Illustration is also given showing how the theory can explain the emergence of new paradigms. Practical implications – Cultural agency can be used to structure problem issues that may otherwise be problematic, within both a top-down and bottom-up approach. It may also be used to assist in establishing behavioural anticipation given an appropriate modelling approach. It may also be used to improve and compress explanation of complex situations. Originality/value – A new theory of simplex orders arises from the new concept of generic modelling, illustrating cybernetic order. This permits the possibility of improved analysis and diagnosis of problematic situations belonging to complex situations through the use of higher order simplex models, and facilitates improvement in behavioural anticipation.


Author(s):  
Mark H. Bickhard
Keyword(s):  

I will present a model of persons as emergent forms of socio-cultural agency. Such a model requires a framework metaphysics that makes sense of the normative dynamic emergence of agents, which, in turn requires a metaphysics of process. I will also briefly address how this model of persons as interactive agents relates to persons as moral agents.


Author(s):  
William G. Pooley

The conclusion draws together ideas from the book, suggesting a few key points. First, it draws attention to the cultural agency of ‘exemplars’, or what folklorists have sometimes called ‘star performers’. Singers and storytellers like Henri Vidal, Marie Bouzats, or Catherine Gentes are not just important because they were typical, but because they played leading roles in local cultures. The conclusion argues that such exemplars allow historians to perceive changing cultures of the body which cannot be reduced to the simple advent of a ‘modern’ body. The example of the moorlands of Gascony suggests broader patterns in the history of the body during the period of modernization.


Author(s):  
Asha Rogers

This chapter on the interwar origins of the UK’s premier national cultural agency considers why literature—a form seemingly opposed to the more obvious forms of propaganda—was attractive to state investment. It does so by showing how literary policy was first yoked to foreign policy, amid the growing national rivalries of the 1930s, in ways that posed challenges for the cultural philosophy of the British state. It then turns to Stanley Unwin’s Books and Periodicals Committee to show how the British state deferred to literary experts and industry insiders, including to commission libraries of ‘world literature’ on decidedly English terms. The chapter concludes by discussing the contrasting approaches taken by T.S. Eliot and Stephen Spender to working for the state cultural ‘machine’ via the British Council.


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