The Family, State Support and Generational Relations in Rural Ireland at the Turn of the Twentieth Century

Author(s):  
Alistair Fox

This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then to turn inwards to seek refuge in the form of self-containment that makes him a prototype of the Man Alone figure that is ubiquitous in New Zealand fiction.


Author(s):  
Emily E. LB. Twarog

In 1973, housewives in California launched what would be the last meat boycott of the twentieth century. And, like its predecessors, the 1973 boycott gained national momentum albeit with little political traction now that Peterson had left public life for a job in the private sector as the consumer advisor to the Giant grocery store chain. And in some quarters of the labor movement, activists drew very clear links between the family economy and the stagnation plaguing workers’ wages. The 1973 boycott led to the founding of the National Consumers Congress, a national organization intended to unite consumer organizers. While it was a short-lived organization, it demonstrates the momentum that consumer activism was building. This chapter also reflects on the lost coordinating opportunity between housewives organizing around consumer issues and the women’s movement in the 1970s.


2021 ◽  
Vol 11 (1) ◽  
pp. 35-57
Author(s):  
Nuredin Çeçi ◽  
Marjeta Çeçi

Social life carries various social and cultural phenomena which significantly interact with our lives, creating the difference in-depth reports and the newly formed relationship between generations in the family and society. Changes in thought, behavior, or actions strands understand if inequality and differences emerge and develop from social constraints. In today's society that mostly resembles a space without borders, it is possible to absorb new ways and ideas regarding lifestyle, thinking, and conduct. Many sociological and psychological studies argued that, especially in the early 60-s of the twentieth century, adolescents are more likely to be directed towards the ideas, practices, and characterized as countercultural movements. The study "Socio-cultural differences between generations in Elbasan" was conducted to identify social and cultural factors that affect the growth of differences between generations in the family and society. Identification of socializing factors such as media, schools, technology, and impacts arising from other cultures through immigration. Underlining the importance and analysis of social and cultural elements in change as essential factors in the differences between generations gives meaning to this study. This study's results have been highlighted by analyzing relations between ages and social and cultural changes in Elbasan in recent years.


2021 ◽  
Author(s):  
◽  
Dave Evans

<p>The influence of the mass media is a contentious issue, especially in regards to the Golden Age of Mexican Cinema in the mid-twentieth century. These melodramatic films have often been viewed by critics as instruments of hegemony. However, melodrama contains an inherent ambivalence, as it not only has a potential for imparting dominant messages but also offers a platform from which to defy and exceed the restraining boundaries imposed by dominant ideologies. An examination of a number of important Golden Age films, especially focussing on their contradictory tensions and their portrayals of modernity, illustrates this. The Nosotros los pobres series serves as an example of how melodramatic elements are incorporated into popular Mexican films and how melodrama could be used as an ideological tool to encourage the state’s goals. Similarly, the maternal melodrama Cuando los hijos se van uses the family to represent the processes of conflict and negotiation that Mexicans experienced as a result of modernization. Consistent with the reactionary nature of melodrama and its simultaneous suggestive potential, the film combines a Catholic worldview with an underlying allegory of moving forward. The issue of progress is also at the centre of a number of films starring iconic actor Pedro Infante, which offer an avenue for exploring what modernisation might mean for male identity in Mexico. His films show a masculinity in transition and how lower-class men could cope with this change. Likewise, the depiction of women in Golden Age film overall supports the stabilising goals of the 1940s Revolutionary government, while also providing some transgressive figures. Therefore, these films helped the Mexican audience process the sudden modernization of the post-Revolutionary period, which was in the state’s best interest; however, the masses were also able to reconfigure the messages of these films and find their own sense of meaning in them.</p>


1989 ◽  
Vol 9 (3) ◽  
pp. 241-259 ◽  
Author(s):  
Georges Midre ◽  
Brunon Synak

ABSTRACTA comparative analysis of the life circumstances of older people in Poland and Norway is presented. It examines differences and similarities in attitudes to both family- and state-provided care, for those living in their own homes. In more prosperous Norway, public services are more frequent, elderly people are more independent and play a more active role in the labour market. In Poland formal care is seen as the last resort, with the responsibility for supporting elderly people placed firmly with the family. State services are directed towards those without families. The Norwegian system places no legal obligation on families, which results in a higher proportion living in institutions.


Author(s):  
Michelle M. Nickerson

This chapter examines how women developed forms of antistatist protest in the first half of the twentieth century that posed an oppositional relationship between the family and government. By the 1950s, anticommunism and antistatism became widespread mechanisms of political protest for women on the right much as peace activism and welfare work came to seem natural for women on the left. But unlike the later generation of Cold Warrior women who exerted themselves most forcefully through local politics, conservative women of the early twentieth century made their strongest impact by attacking that national progressive state. They also demonized “internationalism” as the handmaiden to communism, discovering another foe that women's position in the family obliged them to oppose. Consequently, the earliest generation of conservative organizations adopted the habit of calling themselves “patriotic” groups to contrast their own nationalist sentiment with the internationalism of progressives, which they equated with communism. This pattern continued into the post-World War II era.


Author(s):  
Catherine Spooner

Comedy has become an increasingly prevalent feature of Gothic in the twenty-first century, and thus Gothic comedy can be found across a multitude of media. This chapter surveys the kinds of comedy that appear in contemporary Gothic (such as sitcom, stand-up, romantic comedy, mock-documentary) and argues that, in the twenty-first century, Gothic comedy often functions to travesty culturally significant concepts of family, domesticity and childhood in the light of a liberal identity politics. Beginning with twentieth-century precedents such as television sitcom The Addams Family (1964–6) and Edward Gorey’s illustrations, the chapter analyses a range of contemporary texts including The League of Gentlemen (1999–2017), Corpse Bride (2005), Ruby Gloom (2006–8),Hotel Transylvania (2012) and What We Do in the Shadows (2014). It concludes that far from being frivolous or disposable, contemporary Gothic comedy forms a politically significant function in its tendency to undermine right-wing ideologies of the family and promote a celebratory politics of difference and inclusion.


Homeschool ◽  
2017 ◽  
pp. 1-23
Author(s):  
Milton Gaither
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document