Die Lehre von der moralischen Verbindlichkeit bei Christian Wolff und ihre Kritik durch Immanuel Kant

Author(s):  
Andreas Thomas

This volume offers a selection of essays by leading specialists on modality and the metaphysics of modality in the history of modern philosophy, from the seventeenth to the twentieth centuries. It revisits key moments in the history of modern modal doctrines, and illuminates lesser-known moments of that history. With this historical approach, the book aims to contextualize and even to offer alternatives to dominant positions within the contemporary philosophy of modality. Hence the volume contains not only new scholarship on the early-modern doctrines of Baruch Spinoza, G. W. Leibniz, Christian Wolff, and Immanuel Kant, but also work relating to less familiar nineteenth-century thinkers such as Alexius Meinong and Jan Łukasiewicz, together with essays on celebrated nineteenth- and twentieth-century thinkers such as G. W. F. Hegel, Martin Heidegger, and Bertrand Russell, whose modal doctrines have not previously garnered the attention they deserve. The volume thus covers a variety of traditions, and its historical range extends to the end of the twentieth century, since it addresses the legacy of Willard Van Orman Quine’s critique of modality within recent analytic philosophy.


DoisPontos ◽  
2020 ◽  
Vol 17 (1) ◽  
Author(s):  
Márcio Suzuki

Depois de breve contextualização, este texto estuda a herança da psicologia experimental de Christian Wolff em Karl Philipp Moritz, Immanuel Kant e Søren Kierkegaard. Esses três autores transformaram as premissas mais científicas e técnicas da disciplina em formas mais abertas de experimentação romanesca ou teatral.


Author(s):  
Henry E. Allison

A German philosopher and theologian, Eberhard was trained in the rationalist tradition of Christian Wolff, but was also influenced by the more empirical ‘popular philosophy’ of the Enlightenment. Although a prolific author, who wrote on virtually every area of philosophy, he is best known today for his controversies with the two foremost German thinkers of his time, Gotthold Ephraim Lessing and Immanuel Kant.


Author(s):  
Immanuel Kant ◽  
Henry Allison ◽  
Peter Heath ◽  
Gary Hatfield ◽  
Michael Friedman
Keyword(s):  

1982 ◽  
Vol 27 (6) ◽  
pp. 431-432
Author(s):  
John C. Marshall
Keyword(s):  

Author(s):  
John Marmysz

This introductory chapter examines the “problem” of nihilism, beginning with its philosophical origins in the ideas of Plato, Immanuel Kant, Friedrich Nietzsche and Martin Heidegger. It is argued that film is an inherently nihilistic medium involving the evocation of illusory worlds cut loose from objective reality. This nihilism of film is distinguished from nihilism in film; the nihilistic content also present in some (but not all) movies. Criticisms of media nihilism by authors such as Thomas Hibbs and Darren Ambrose are examined. It is then argued, contrary to such critics, that cinematic nihilism is not necessarily degrading or destructive. Because the nihilism of film encourages audiences to linger in the presence of nihilism in film, cinematic nihilism potentially trains audiences to learn the positive lessons of nihilism while remaining safely detached from the sorts of dangers depicted on screen.


Author(s):  
Susan Brophy

Agamben’s complicated engagement with Immanuel Kant celebrates the brilliance of the German idealist’s thought by disclosing its condemnatory weight in Western philosophy. Kant was writing in the midst of burgeoning industrial capitalism, when each new scientific discovery seemed to push back the fog of religion in favour of science and reason; meanwhile Agamben’s work develops in concert with the crises of advanced capitalism and borrows significantly from those philosophers who endured the most demoralising upheavals of the first half of the twentieth century. Whatever lanugo Kant was eager for us to shed in the name of individual freedom,1 Agamben sees in this crusade for civic maturity a surprising prescience: ‘[I]t is truly astounding how Kant, almost two centuries ago and under the heading of a sublime “moral feeling,” was able to describe the very condition that was to become familiar to the mass societies and great totalitarian states of our time’ (HS 52). To a remarkable extent, Agamben finds that Kant’s transcendental idealist frame of thought lays the philosophical foundation for the state of exception.


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