6. The Body and the Senses: Harun Farocki on Work and Play

2021 ◽  
pp. 183-204
Author(s):  
Thomas Elsaesser
Keyword(s):  
The Body ◽  
The Senses

Cinema and the Haptic in Modern Japan

Screen Bodies ◽  
2018 ◽  
Vol 3 (1) ◽  
pp. 23-36
Author(s):  
Daisuke Miyao
Keyword(s):  
The Body ◽  
Film Culture ◽  
Visual Medium ◽  
German Cinema ◽  
The Status ◽  
The Senses ◽  
Modern Japan

The process of modernization in Japan appeared as a separation of the senses and remapping of the body, particularly privileging the sense of vision. How did the filmmakers, critics, and novelists in the 1920s and 1930s respond to such a reorganization of the body and the elevation of vision in the context of film culture? How did they formulate a cinematic discourse on remapping the body when the status of cinema was still in flux and its definition was debated? Focusing on cinematic commentary made by different writers, this article tackles these questions. Sato Haruo, Ozu Yasujiro, and Iwasaki Akira questioned the separation of the senses, which was often enforced by state. Inspired by German cinema released in Japan at that time, they explored the notion of the haptic in cinema and problematized the privileged sense of vision in this new visual medium.

scholarly journals alienated human

2021 ◽  
Vol 5 (1) ◽  
pp. 247-262
Author(s):  
Nguyen Anh Quoc ◽  
Nguyen Minh Tri ◽  
Nguyen Anh Thuong ◽  
Dinh The Hoang ◽  
Nguyen Van Bung
Keyword(s):  
Spare Parts ◽  
The Body ◽  
Body Parts ◽  
Human Beings ◽  
Internal Organs ◽  
Man And Nature ◽  
The Senses ◽  
And Behavior

Man and nature is a unity between body and individual in behavior. Humans are liberty, creative, happy subjects in behavior and labor. By behavior and labor, humans produce tools, spare parts, machines, and robots to replace internal organs, lengthen the senses, and lengthen defective body parts. Evolution is no longer a mutation in the body but the assembly of accessories into organs, senses, and body parts when needed. People use devices that are manufactured to be used for what people want depending on specific conditions and circumstances. Labor and behavior make objectification of people, but alienated behavior and alienated labor make humanize the object. The time to enjoy liberty, creativity, and happiness is human, and the time to perform alienated behavior and alienated labor is the time to live for the non-human. People are corrupted into slavery to standards, money. It is the process of self-torture, torturing oneself; and the nobility of standards, the wealth of money is the unhappy product of life. Humans are liberty, creative and happy subjects; alienated human beings are all helpless, unhappy, deceit. Money, standards are products of helplessness, unhappiness, lies. Standards, money remove people from life.

Il De immortalitate animae di Agostino nella critica più recente

Augustinianum ◽  
2021 ◽  
Vol 61 (1) ◽  
pp. 103-135
Author(s):  
Nello Cipriani ◽  
Keyword(s):  
The Body ◽  
Ontological Status ◽  
Divine Nature ◽  
The Senses ◽  
Immortality Of The Soul

In De immortalitate animae Augustine is not satisfied with completing his proof of the immortality of the soul – which had been left open in the second book of the Soliloquies –; he also answers some possible objections, demonstrating that the rational soul cannot cease to exist, it cannot die, nor can it change into an irrational body or soul. Furthermore, remaining faithful to the programmatic declaration of never wanting to stray from the authority of Christ (Acad. 3, 20, 43), he specifies the ontological status of the soul by affirming that it is, in itself, mutable and therefore not of a divine nature, as Varro had argued. Nor is it a substance foreign to the body, as the Platonists claimed, because the soul has an appetitus ad corpus and, if it questions itself, it easily discovers that it desires nothing else «except to do something, to know with intelligence or with the senses, or only to live, as far as this is in its power» (nisi agendi aliquid, aut sciendi, aut sentiendi, aut tantummodo vivendi in quantum sua illi potestas est).

Performance: Listening Bodies

2020 ◽  
pp. 134-158
Author(s):  
Zoë Skoulding
Keyword(s):  
Human Body ◽  
The Body ◽  
Sound Poetry ◽  
The Senses ◽  
The 1960S

Discussion of Deaf percussionist Evelyn Glennie and artist Christine Sun Kim draws attention to the embodiment of sound performance, which is considered in this chapter in relation to technology, race, gender, bilingualism and, though the parallel performances of humans and birds, ecology. The work of poets such as Bob Cobbing and Henri Chopin offers examples of how sound poetry of the 1960s explored a liberated listening through recording. Yet such a listening, enabled by machines, draws attention back to the capacities of the human body. Serres’ simultaneous emphasis on the centrality of the senses and the space of codes and messages in which the body moves frames a discussion of various boundaries between language, sound and noise in the work of Emma Bennett, Jonathan Skinner, Holly Pester, Tracie Morris, Hannah Silva and Rhys Trimble.

Touching, Feeling, and Healing

2019 ◽  
pp. 187-232
Author(s):  
Andrew J. Rotter
Keyword(s):  
The Philippines ◽  
The Body ◽  
The People ◽  
Medieval Europe ◽  
The Senses ◽  
Being Moved

This chapter considers touch in empire: it asks us to imagine how the body would feel being moved to a completely new environment. Hapticity, the chapter argues, is both the pauper and king of the senses. It is generally relegated to the realm of the lower senses, beneath even smell and taste. Conversely, touch can also be seen as the most powerful of the senses. It was of great importance in medieval Europe, for example. The metaphors used to describe empire were frequently haptic. The chapter also looks at how the Britons and Americans in India and the Philippines wanted to change the people they encountered. Health was a great motivator in this desire.

Michel Serres (1930b)

2014 ◽  
Author(s):  
Chris Steyaert
Keyword(s):  
The Body ◽  
Organization Studies ◽  
The Third ◽  
Michel Serres ◽  
Time Translation ◽  
The Senses

Michel Serres, a French philosopher and mathematician, is known for his enquiry into the interrelationships between various systems ranging from science and philosophy to mythology and poetry/literature. Such systems can be compared with one another to determine what each tries to exclude (for example, noise, disorder, or turbulence). This chapter examines Serres’ philosophy and its relevance to processual organization studies. It considers his conceptions of time, translation and mediation, the third-excluded and the third-instructed, multiplicity and complexity, the body and the senses, and interdisciplinarity. In order to understand how Serres can be regarded as an important processual theorist, the chapter analyses his book Genèse or Genesis, which offers an account of creation through a performative poetics. It argues that Serres’ work has the potential to support and deepen processual thinking. It also links the ideas of listening and invention from a Serresean perspective.

‘I hear the smell of roses’

2020 ◽  
Vol 18 (2) ◽  
pp. 397-427
Author(s):  
S. Hamzeh Mousavi ◽  
Mohammad Amouzadeh
Keyword(s):  
Body Part ◽  
The Body ◽  
External Factors ◽  
Frame Semantics ◽  
Internal Factors ◽  
Indirect Contact ◽  
External Frame ◽  
The Senses ◽  
Lexical Items

Abstract This paper investigates the synaesthetic constructions in Persian with the aim of finding out what motivates them despite their incongruous syntactic-semantic assignments. It is argued that these paradoxical elements require a metaphoric/metonymic frame to assign appropriate lexical units (LUs) to their corresponding syntactic categories (NP + rɑ +VP and NP + AP). The discrepancy derives from the semantic aspects for which frame semantics provides two types of explanations: internal and external frame factors. Internal factors deal with the metaphoric/metonymic compatibility or similarity between frames, while external factors underline the use of lexical items from one subframe to fill the vocabulary gap of a different subframe. The argument is that this gap owes much to the indirect contact between the Phenomenon (e.g., an odorous substance) and the Body-part (e.g., nose) that perceives it. In short, the analysis of our data reveals that synaesthesia is not only an economical strategy for modifying the senses, but also a natural mental strategy for interpreting vague experiences. A configuration of the incongruent construction of ‘smell’ and ‘hearing’ will be proposed to generalize such an analysis.

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