From Backstage of the Children’s Museum Preparations

2017 ◽  
Vol 55 (Supplementum) ◽  
pp. 58-62
Author(s):  
Petra Caltová ◽  
Zdeňka Kulhavá

The ambition of the Children’s Museum exposition, which is being created in the New Building of the National Museum, is to offer visitors a space for entertainment, relaxation and education. The exposition will introduce them, in an entertaining way, the natural and cultural heritage of the Czech lands in connection with unique exhibits of the new expositions in the Historical Building of the National Museum. The visitors will go through various historical events by means of the “time machine” of a scientist. The exposition will utilise a number of mechanical interactive elements, as well as modern audio-visual media. The creative team, composed mainly of museum pedagogues, will make use of their vast experience of working with children.

2017 ◽  
Vol 55 (3) ◽  
pp. 28-39
Author(s):  
Eva Doležalová ◽  
Marie Šedivá Koldinská ◽  
Martin Sekera ◽  
Jana Mezerová ◽  
Marek Junek

Abstract The exposition named History will present the development of the Czech lands from the 9th century till the present. The exposition will be divided into two separate spaces – the Historical Building of the National Museum will house the history of the 9th–19th centuries and the New Building of the National Museum will house the history from the 20th century. Despite reflecting to a certain extent the traditional division of the Middle Ages, Early Modern Period, the “long” 19th century, and the 20th century, the narrative will be continuous without any artificial historical disruptions. We will debunk some historical myths and stereotypes. Emphasis will be laid on the presentation of items from the collections of the National Museum. A certain update will also be important, i.e. the presentation of ideas and symbols, that we refer to today. Parallel narratives will be nonetheless important, as they will show that history is not unambiguous and that certain events can be viewed from several different perspectives (e.g. the winner and the loser, nobleman and subject). Last but not least, we will address the issues of individual freedom and its limits.


2021 ◽  
Vol 10 (6) ◽  
pp. 357
Author(s):  
Niccolò Iandelli ◽  
Massimo Coli ◽  
Tessa Donigaglia ◽  
Anna Livia Ciuffreda

The conservation of a primary importance historical building requires organization, management, continuous updating, comparison, and visualization of a large amount of data of different nature and origin. In relation to these aspects the use of a GIS brings various advantages including single and univocal management of the entire amount of existing data in a relational, dynamic, updatable and queryable way. The integration of a mobile solution permits the updating of the dataset and checking on site all information. The workflow presented uses opensource solutions, desktop and mobile, which allows the creation of an unconventional lithological Field Mapping activity: starting from photo interpretation and in situ survey, all the coating materials (stone, etc.) of some monuments of primary historical and cultural interest have been mapped (i.e., Duomo di Firenze, Duomo di Prato). The product can be considered as a lithological cartography, vertically oriented, processed by field surveys, geognostic surveys and photo interpretation. All combined to create a “lithological” mapping of the coatings of the various monuments; the advantage is a new approach for conservation and restoration of Cultural Heritage. The proposed workflow involves a mobile solution, opensource, that allows the verification and management of the database in the field.


2021 ◽  
Vol 109 ◽  
pp. 15-20
Author(s):  
Pavel Kuklík ◽  
Martin Valek ◽  
Charalampos Paschopoulos

The churches of the Broumov region are renowned for their unique baroque architecture, their distinct shapes, and sizes. They are an integral part of the Czech cultural heritage. If you analyze the churches, it becomes evident that both the local geological conditions and the municipal economic situation have played an important role in their current condition. Moreover, the local construction industry has been significantly affected by historical events. In this article we would like to present the effects of those factors on the current state of selected churches, namely on the bearing capacity of their walls. Besides being very interesting, it also plays a key role in the maintenance and the potential reconstruction of the churches.


Humaniora ◽  
2016 ◽  
Vol 7 (1) ◽  
pp. 87
Author(s):  
Sri Rachmayanti ◽  
Christianto R. ◽  
Anak Agung Ayu Wulandari

Kartika Wijaya Hotel and Niagara Hotel-Malang are two heritage buildings, which are well managed to preserve their historical building that, has been established since 1891. We can find good harmony and variety in interior elements and design styles, such as Colonial style, Art Noveau and Art Deco style. The purpose of documentating this heritage building that has different design styles is for those who needed. The data will be classified according to the period of the development of the buildings and characteristics of existing styles. The research objective on Kartika Wijaya hotel building and art styles is to preserve historic buildings in Indonesia, through documentation of interior elements and architectures, and to conducted a study of the interior and architectures elements, interior design ornaments, that founded in historical Kartika Wijaya Hotel and Niagara Hotel in Malang, whose the existence needs to be preserved. 


1970 ◽  
pp. 45
Author(s):  
Jens Ole Chistensen

Securing the cultural heritage is one of the primary tasks of a museum of cultural history. However, this aspect of these museums’ work rarely attracts attention nor is it subject to any substantial professional debate, despite it being of critical importance for a museum’s future opportunities for development. Since the 1990s, the cultural heritage work done at the National Museum of Military History in Denmark has moved from an object-oriented positivistic perspec- tive to a research-based, problem-oriented and constructivist perspective, as well as moving to conducting active, research-based collecting. This article surveys this process of change and argues for the necessity of departing from ideas that are cha- racteristic of 19th-century museum ideals. The overall conclusion is that collecting should always be conducted as a response to a carefully considered problem that is based on a relevant research issue. This article accounts for the model chosen by the National Museum of Military History.


2021 ◽  
Vol 15 (2) ◽  
pp. 112-134
Author(s):  
Anu Kannike ◽  
Ester Bardone

Abstract The article examines varied interpretations of food heritage in contemporary Estonia, relying on the authors’ experiences of a three-year research and development project at the Estonian National Museum (ENM). The study focuses on the museum researchers’ collaboration with different stakeholders, representing small entrepreneurs and the public and non-profit sectors. The authors tackle the partners’ expectations and outcomes of diverse cooperational initiatives and the opportunities and challenges of a contemporary museum as a public forum for discussions on cultural heritage. The project revealed that diverse, complementary, and contested food heritage interpretations exist side-by-side on the Estonian foodscape. Additionally, the project enabled the authors to become better aware of the researcher’s role in the heritagisation process and of the museum as a place for negotiating the meanings and values of food culture.


2019 ◽  
Vol 3 (2) ◽  
pp. 111-122
Author(s):  
Showkat Ahmad Wani ◽  
Asifa Ali ◽  
Shabir Ahmad Ganaie

Purpose This paper aims to explore the Google Arts and Culture platform in terms of parameters used for categorizing the digital collections by it; the total number of items and their types; top contributing artists; top ten historical events and figures; and the top ten countries having maximum artworks. Design/methodology/approach An online method was used to collect the relevant data for achieving the objectives of the study. Data were harvested from the official website of Google Arts and Culture (https://artsandculture.google.com/) during the period of 15 May to 31 May 2018, and the same was tabulated in MS Excel for analysis and interpretation. Findings The findings revealed that Google Arts and Culture includes a total of 6,272 artists, 228 media and 121 art movements. Moreover, there are a total of 641 historical movements; 6,250 historical figures; 9,692 places; 3,226 museum views; 1,702 zoom views; 39,607 featured videos; and 5,528 featured stories; 122 items organized by color and 954 organized by time. Originality/value The present study is first of its kind that focuses on exploration of diverse arts and cultural heritages of different countries and by diverse artists made visible by Google Arts and Culture initiative. It will significantly reinforce the art and cultural heritage lovers to acquire the knowledge pertinent to various types of arts and cultures that prevailed in antiquity across the globe and also make aware the conservators about how to use digital technologies for efficient preservation and visibility of unique artworks, artists and the places whom they belong.


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