scholarly journals Sikring af forsvarshistorisk kulturarv i Danmark

1970 ◽  
pp. 45
Author(s):  
Jens Ole Chistensen

Securing the cultural heritage is one of the primary tasks of a museum of cultural history. However, this aspect of these museums’ work rarely attracts attention nor is it subject to any substantial professional debate, despite it being of critical importance for a museum’s future opportunities for development. Since the 1990s, the cultural heritage work done at the National Museum of Military History in Denmark has moved from an object-oriented positivistic perspec- tive to a research-based, problem-oriented and constructivist perspective, as well as moving to conducting active, research-based collecting. This article surveys this process of change and argues for the necessity of departing from ideas that are cha- racteristic of 19th-century museum ideals. The overall conclusion is that collecting should always be conducted as a response to a carefully considered problem that is based on a relevant research issue. This article accounts for the model chosen by the National Museum of Military History.

2019 ◽  
Vol 40 (2) ◽  
pp. 191-205 ◽  
Author(s):  
Anne Lisbeth Schmidt

In 2014, the National Museum of Denmark (NMD), in conjunction with the Greenland National Museum and Archives (Nunatta Katersugaasivia Allagaateqarfialu [NKA]), as well as the Museum of Cultural History, Oslo, launched the website Skin Clothing Online. The site presents the NMD’s total collection of 2,170 historic skin clothing items, dating from circa 1830 to 1950, from the circumpolar area. The clothing can be studied in minute detail due to high-resolution photos; 100 complete suits were photographed from all sides. Furthermore, 107 items of clothing were measured by means of 3D technology, which can be used to draw precise two-dimensional patterns. The documentation is made accessible to the public through a website, in compliance with creative commons licenses: CC-BY-SA for the photos and CC-BY-SA-NC for the patterns. The website uses content from the database SkinBase. Since 2017 parts of the NKA’s collection of archeological skin clothing from Qilakitsoq (circa 1475 AD), as well as historical garments and contemporary fashions, have also been made accessible, in keeping with the same copyright rules for photos. The NKA staff entered the items into the database without difficulty using a Virtual Private Connection (VPN). The Danish and Greenlandic national museums encourage international partners to contribute items to the website. The aim is to create a collaborative open forum for information and research with easy access for everybody to unique, fragile pieces of circumpolar cultural heritage. With clothing from Arctic peoples and clothing used on expeditions to Antarctica, the Polar Museum in Cambridge will be the next museum to contribute to the website.


Inventions ◽  
2018 ◽  
Vol 3 (4) ◽  
pp. 72 ◽  
Author(s):  
Iris Kico ◽  
Nikos Grammalidis ◽  
Yiannis Christidis ◽  
Fotis Liarokapis

According to UNESCO, cultural heritage does not only include monuments and collections of objects, but also contains traditions or living expressions inherited from our ancestors and passed to our descendants. Folk dances represent part of cultural heritage and their preservation for the next generations appears of major importance. Digitization and visualization of folk dances form an increasingly active research area in computer science. In parallel to the rapidly advancing technologies, new ways for learning folk dances are explored, making the digitization and visualization of assorted folk dances for learning purposes using different equipment possible. Along with challenges and limitations, solutions that can assist the learning process and provide the user with meaningful feedback are proposed. In this paper, an overview of the techniques used for the recording of dance moves is presented. The different ways of visualization and giving the feedback to the user are reviewed as well as ways of performance evaluation. This paper reviews advances in digitization and visualization of folk dances from 2000 to 2018.


2018 ◽  
Vol 34 (3) ◽  
pp. 188-199 ◽  
Author(s):  
Shannon Lucky ◽  
Craig Harkema

Purpose To describe how academic libraries can support digital humanities (DH) research by leveraging established library values and strengths to provide support for preservation and access and physical and digital spaces for researchers and communities, specifically focused on cultural heritage collections. Design/methodology/approach The experiences of the authors in collaborating with DH scholars and community organizations is discussed with references to the literature. The paper suggests how research libraries can use existing expertise and infrastructure to support the development of digital cultural heritage collections and DH research. Findings Developing working collaborations with DH researchers and community organizations is a productive way to engage in impactful cultural heritage digital projects. It can aid resource allocation decisions to support active research, strategic goals, community needs and the development and preservation of unique, locally relevant collections. Libraries do not need to radically transform themselves to do this work, they have established strengths that can be effective in meeting the challenges of DH research. Practical implications Academic libraries should strategically direct the work they already excel at to support DH research and work with scholars and communities to build collections and infrastructure to support these initiatives. Originality/value The paper recommends practical approaches, supported by literature and local examples, that could be taken when building DH and community-engaged cultural heritage projects.


2021 ◽  
Vol 15 (2) ◽  
pp. 112-134
Author(s):  
Anu Kannike ◽  
Ester Bardone

Abstract The article examines varied interpretations of food heritage in contemporary Estonia, relying on the authors’ experiences of a three-year research and development project at the Estonian National Museum (ENM). The study focuses on the museum researchers’ collaboration with different stakeholders, representing small entrepreneurs and the public and non-profit sectors. The authors tackle the partners’ expectations and outcomes of diverse cooperational initiatives and the opportunities and challenges of a contemporary museum as a public forum for discussions on cultural heritage. The project revealed that diverse, complementary, and contested food heritage interpretations exist side-by-side on the Estonian foodscape. Additionally, the project enabled the authors to become better aware of the researcher’s role in the heritagisation process and of the museum as a place for negotiating the meanings and values of food culture.


Author(s):  
Livia Borghetti

The Biblioteca Nazionale Centrale di Roma (BNCR), founded in 1875, has as its mission is the preservation of the national cultural heritage, the development of a distinctive cultural role, and the provision of strategically planned services. It must also provide extensive coverage of foreign literature, to document the main aspects of culture and studies about Italy throughout the world. The library receives by legal deposit of all publications printed in Italy. Recently it has been involved in a structural process of change that will lead to its becoming open to users worldwide. Special attention has been paid to information technology, to meet user needs. The collections consist inter alia of over 6,000,000 monographs, c.45,000 periodicals and 85,000 manuscripts, as well as audiovisual and digital documents. The nucleus of the collections came from the Jesuit Bibliotheca Major and the monastic libraries of the Religious Orders suppressed by the Italian government in 1873. The library is involved in numerous national and international activities.


2017 ◽  
Vol 44 (3) ◽  
pp. 314-341
Author(s):  
Andrei Znamenski

This paper explores the life of Joseph Grigulevich (1913–1988), a famous early Soviet illegal intelligence operative, who conducted various “special tasks” on behalf of Stalin’s foreign espionage network. These included the murder of dissident Spanish communist Andreas Nin (1938), a participation in the assassination of Leon Trotsky (1940), posing as a Costa Rican ambassador (1949–1952), and an abortive project to assassinate Joseph Bros Tito (1952). In contrast to conventional espionage studies that are usually informed by diplomatic, political, and military history approaches, I employ a cultural history angle. First, the paper examines the formation of Grigulevich’s communist and espionage identity against his background as a cosmopolitan Jewish “other” from the interwar Polish-Lithuanian realm. Second, it explores his role in the production and invention of intelligence knowledge, which he later used to jump start his second career as a prominent Soviet humanities scholar and a bestselling writer of revolutionary non-fiction.


2016 ◽  
Vol 15 (4) ◽  
pp. 408-442
Author(s):  
Kwang-Su Kim

The Project for the Establishment of a National Museum in the drc, currently being carried out as a form of grant aid, is Korea’s first cultural oda project. The purpose of the project is for a newly constructed drc National Museum which will protect the cultural heritage of various ethnic groups, and to present their history in order to inspire national pride and integrate the nation. Furthermore, it is hoped that the project will aid the Congo perople in understanding their history correctly, and contribute to the historical and cultural development of their country. This case study can be used as a starting point for a more general understanding of African societies. It shows how this Project for the Establishment of a National Museum in the drc is different in nature than other previous oda projects, and asserts the importance and strategical selection of cultural oda projects.


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