Special effect pigments

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Gerhard Pfaff

Abstract Special effect pigments are in the very most cases synthetic pigments, characterized by high luster, brilliance and iridescent colors known from optically thin films. The visual appearance has its origin in reflection and refraction of light at thin single and multiple layers. The pigments are either transparent, semitransparent or light-absorbing platelet-shaped crystals or layer systems. They can consist of single crystals, but also of monolayer or a multilayer structures in which the layers have different refractive indices and light absorption properties. Pigment based on the layer-substrate principle represent the technically most important class of special effect pigments. There are many variation and combination possibilities for the layer and substrate materials used. Special effect pigments based on platelets of natural or synthetic mica, on alumina, silica, or borosilicate flakes are the main representatives of layer-substrate pigments. They are manufactured in most cases by wet chemical processes combined with high-temperature processes. The production of substrate particles includes mechanical processes, but also crystal growth, glass formation, and web coating.

RSC Advances ◽  
2016 ◽  
Vol 6 (60) ◽  
pp. 55546-55551 ◽  
Author(s):  
Shu-Qing Lv ◽  
Ya-Fei Pan ◽  
Pei-Bo Yang ◽  
Guang-Sheng Wang

By using a simple wet chemical method and hot-molding procedure, a kind of flexible film with enhance absorption properties based on binary cobalt nanochains/polyvinylidene fluoride (PVDF) hybrids has been successfully fabricated.


2014 ◽  
Vol 85 (6) ◽  
pp. 658-670 ◽  
Author(s):  
Toty Onggar ◽  
Mohammad Abu Shayed ◽  
Rolf-Dieter Hund ◽  
Chokri Cherif

2010 ◽  
Vol 42 (12-13) ◽  
pp. 1735-1744 ◽  
Author(s):  
Ferdinand Walther ◽  
Tanja Drobek ◽  
Alexander M. Gigler ◽  
Marc Hennemeyer ◽  
Michael Kaiser ◽  
...  

2007 ◽  
Vol 134 ◽  
pp. 129-131 ◽  
Author(s):  
Mike S. Ameen ◽  
Aseem K. Srivastava ◽  
Ivan L. Berry

We have investigated the use of Rs and SIMS measurements to quantify substrate erosion due to plasma ashing and subsequent wet cleaning in the creation of ultra-shallow junctions. The near-surface proximity of the implants makes them highly sensitive to various plasma and wet chemical processes. We also observed a dependency on the implant species, dose and energy that can be correlated to substrate damage incurred during implant.


Heritage ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 42-60
Author(s):  
Margherita Longoni ◽  
Norma Cicala ◽  
Vittoria Guglielmi ◽  
Gianluca Poldi ◽  
Silvia Bruni

Two paintings, made on aluminium support by Silvio Pasotti (among the major exponents of 1960s Italian pop art) were investigated in a totally non-invasive manner to identify the materials used by the artist. Raman spectroscopy, Fourier-transform infrared spectroscopy (FTIR), visible reflectance spectroscopy, and spectrofluorimetry with visible excitation were exploited as molecular analysis techniques, which are particularly suitable to recognise also synthetic organic materials, such as pigments and binders. The effectiveness of this multi-analytical approach was demonstrated, leading to the identification of several synthetic organic pigments, both conventional and “special effect” ones, introduced during the first half of the 20th century, as well as some well-established inorganic ones. Combining FTIR results both in the medium and near IR ranges, considerations regarding the binders employed by the artist could also be made, suggesting the use of both nitrocellulose and acrylic paints. Imaging techniques, such as IR reflectography, false colour IR, UV induced fluorescence, and portable microscopy, were also used to achieve a better knowledge of the painting practice.


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