The Threat of Privacy in Wittgenstein’s Investigations: Kripke vs. Cavell

2020 ◽  
Vol 11 (1) ◽  
pp. 79-104
Author(s):  
Jônadas Techio

AbstractMost readers of the Investigations take skepticism as a target of Wittgenstein’s remarks, something to be refuted by means of a clear grasp of our criteria. Stanley Cavell was the first to challenge that consensual view by reminding us that our criteria are constantly open to skeptical repudiation, hence that privacy is a standing human possibility. In an apparently similar vein, Saul Kripke has argued that a skeptical paradox concerning rules and meaning is the central problem of the Investigations – and one that receives a skeptical solution. Following the orthodoxy, however, Kripke does not take privacy as a real threat but instead reads Wittgenstein as offering an argument against its very possibility. This paper offers a critical assessment of Kripke’s and Cavell’s readings, and concludes by delineating an understanding of our linguistic practices that acknowledges the seriousness of skepticism while avoiding the kind of evasion shared by Kripke and the orthodoxy, enabling us to see agreement and meaning as continual tasks whose failure is imbued with high existential costs.

2020 ◽  
Vol 22 (2) ◽  
pp. 144-173
Author(s):  
Vinicius De Faria dos Santos

No presente artigo proponho-me a reconstruir, o mais claramente possível o “paradoxo cético” a partir do modo como apresentado por Saul Kripke em seu Wittgenstein on Rules and Private Language (1982). Seu argumento sustenta que não há fatos ou razões que justifiquem nosso emprego de termos como dotados de significados. Para tanto, interponho as distinções que julgo pertinentes à adequada compreensão do tema, formulando os requisitos necessários à sua adequada resposta, a saber, o ontológico, o normativo e o da identificação extensional no tempo. Ao final, contrasto o ceticismo ora objeto de análise com sua versão epistemológica clássica. AbstractIn the present paper I propose to rebuild as clearly as possible the “skeptical paradox” from the way presented by Saul Kripke in his Wittgenstein on Rules and Private Language (1982). His argument maintains that there are no facts or reasons justifying our use of terms as having meaning. Therefore, I interpose the distinctions that I consider relevant to the proper understanding of the subject and I formulate the requirements necessary for its proper response, namely the ontological, the normative and the extensional identification in time. Finally, I contrast semantic skepticism with its classical epistemological version.


Ramus ◽  
1985 ◽  
Vol 14 (2) ◽  
pp. 75-84 ◽  
Author(s):  
Graham Ley ◽  
Michael Ewans

For some years past there has been a welcome change of emphasis towards the consideration of staging in books published on Greek tragedy; and yet with that change also a curious failure to be explicit about the central problem connected with all stagecraft, namely that of the acting-area. In this study two scholars with considerable experience of teaching classical drama in performance consider this problem of the acting-area in close relation to major scenes from two Greek tragedies, and suggest some general conclusions. The article must stand to some extent as a critique of the succession of books that has followed the apparently pioneering study of Oliver Taplin, none of which has made any substantial or sustained attempt to indicate where actors might have acted in the performance of Greek tragedy, though most, if not all, have been prepared to discard the concept of a raised ‘stage’ behind the orchestra. Hippolytus (428 BC) is the earliest of the surviving plays of Euripides to involve three speaking actors in one scene. Both Alcestis (438 BC and Medea (431 BC almost certainly require three actors to be performed with any fluency, but surprisingly present their action largely through dialogue and confrontation — surprisingly, perhaps, because at least since 458 BC and the performance of the Oresteia it is clear that three actors were available to any playwright.


Author(s):  
G. W. Fitch
Keyword(s):  

2017 ◽  
pp. 136-152 ◽  
Author(s):  
V. Gazman

If we want securitization to become one of the main channels to attract funding in leasing activity, as the Bank of Russia predicts, one needs to revise some stereotypes. Relying on foreign and domestic research, the author gives a critical assessment of the postulate of the need for uniformity of securitized assets; proves that real estate, contrary to the traditional approach, rather than equipment and transport, prevails in securitization transactions, and explains why this happens. The article presents a new perspective on the behavior of issu- ers concerning the timing of securities circulation; considers feasibility approach to the calculation of variable character of leverage in leasing; explains pro and contra of evaluating the leasing market based on the volume of the portfolio of contracts; reveals the validity of ratings of bonds issued in the course of secu- ritization of leasing assets.


2017 ◽  
Vol 10 (1) ◽  
pp. 59-73
Author(s):  
Michelle Ann Abate ◽  
Sarah Bradford Fletcher

Since its release in 1963, Maurice Sendak's Where the Wild Things Are has been viewed from a psychological perspective as a literary representation of children's inner emotional struggles. This essay challenges that common critical assessment. We make a case that Sendak's classic picturebook was also influenced by the turbulent era of the 1960s in general and the nation's rapidly escalating military involvement in Vietnam in particular. Our alternative reading of Sendak's text reveals a variety of both visual and verbal elements that recall the conflict in South East Asia and considers the significance of the book's geo-political engagement.


1972 ◽  
Vol 25 (4) ◽  
pp. 28-29
Author(s):  
Leo Braudy
Keyword(s):  

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