scholarly journals «Ukrainian Transit»-6. Ukraine – is not Belarus

2020 ◽  
Vol 17 (5) ◽  
pp. 84-91
Author(s):  
Viktor Mironenko ◽  

The events in the Republic of Belarus have attracted general attention. They overshadowed the Ukrainian political drama and sparked a desire to compare these two socio-political bifurcations. From the point of view of policy analysis, it is useful and relevant to compare what is happening in the two Eastern European countries, to look more closely at what they have in common and what they differ from each other. In general, the first approximation is their orientation. The differences, which are not insignificant, are due to objective physical parameters and historical and cultural characteristics, the characteristics of the two societies and States, and the different foreign policy context. In both cases, there has been a process of modernization that began in the late 1980s, with significant national adjustments and external stimuli or, conversely, deterrents. Accelerated modernization for both countries, involving well-known interaction and mutual assistance, remains a common goal for them, as it is for all newly independent states in Eastern Europe and Central Asia. This is the main conclusion of the proposed brief analysis.

Author(s):  
Elena A. Kosovan ◽  

The paper provides a review on the joint Russian-Belarusian tutorial “History of the Great Patriotic War. Essays on the Shared History” published for the 75th anniversary of the victory in the Great Patriotic War. The tutorial was prepared within the project “Belarus and Russia. Essays on the Shared History”, implemented since 2018 and aimed at publishing a series of tutorials, which authors are major Russian and Belarusian historians, archivists, teachers, and other specialists in human sciences. From the author’s point of view, the joint work of specialists from the Russian Federation and the Republic of Belarus in such a format not only contributes to the deepening of humanitarian integration within the Union state, but also to the formation of a common educational system on the scale of the Commonwealth of Independent States or the Eurasian integration project (Eurasian Economic Union – EEU). The author emphasises the high research and educational significance of the publication reviewed when noting that the teaching of history in general and the history of the Second World War and the Great Patriotic War in particular in post-Soviet schools and institutes of higher education is complicated by many different issues and challenges (including external ones, which can be regarded as information aggression by various extra-regional actors).


Pomorstvo ◽  
2019 ◽  
Vol 33 (2) ◽  
pp. 119-129
Author(s):  
Antonija Petrlić ◽  
Nataša Pavletić

Traditionally, ports have been regarded as hubs responsible for the reception of ships and passengers, but nowadays they have a much wider economic function, being clusters of various activities directly or indirectly linked to maritime transportation and seaborne trade, among which container traffic is the most important segment. The Port of Rijeka as the largest Croatian cargo port, positioned in the North Adriatic Sea, has exceptional but not fully exploited opportunities for further economic development of importance not just for the port and the city but for the Republic of Croatia as well. In addition, its geostrategic position makes it an important international port for Central and South Eastern European countries. The aim of this paper is to investigate and identify the current position of the Port of Rijeka (hereinafter Rijeka) in relation to the container business and, using Benchmarking as the research method, to analyse the established five main factors that have to be taken into consideration where its efficiency is compared to the statistically proven “best container port” in the region – the Port of Koper (hereinafter Koper). The results show significant competitive advantages of the Port of Koper almost in any of the analysed factors. Therefore, recommendations are given for further actions and improvement according to the natural advantages that Rijeka has to utilize in order to enhance its competitiveness and overall performance.


2021 ◽  
pp. 66-84
Author(s):  
Andrei Aleksandrovich Linchenko

The subject of this research is the position of Belarus in the memory wars of Russia and Eastern European countries of the two recent decades. Based on P. Bourdieu’s theory of symbolic power, as well as comparative analysis of the key stages of the historical politics of Russia and Belarus as the members of the Union State, the author explores the causes and peculiarities of electoral neutrality of Belarus in the memory wars of Russia and Eastern European countries. Analysis is conducted on the theoretical-methodological aspects of the concept of “memory wars”. Content analysis of the relevant research reveals the specificity of the Belarusian case with regards to correlation between domestic and foreign historical politics. The specificity of the forms of post-Communism that have established in Russia and Belarus, the difference in the pace of historical politics of the last three decades, as well as the evolution of the political regime of Alexander Lukashenko contributed to the formation of peculiar position of the Republic of Belarus in the memory confrontation between Russia and its Eastern European neighbors. The internal manifestation of such position was the desire to displace the conflicts between memory communities in the republic, the movement of memory to the periphery of cultural-information space, while the external manifestation was strive for electoral neutrality (memory isolationism) in the memory wars in Eastern Europe. Such position is aimed not so much at supporting Russia’s memory initiatives, but at solving the relevant political and economic challenges, using historical politics as the instrument for promoting the own interests.


1970 ◽  
pp. 185
Author(s):  
Elona Lubyte

This is the narrative of a museum employee working during the period of ongoing change that is taking place in our country, Lithuania. After the restoration of independence, a new market economy strategy and the emergence of a private sector can be noted, both related to the new political view. They resulted from the attempt to return to the global context after half a century of Soviet occupation. The museum space is traditionally related to the protection and representation of cultural heritage. In Lithuania, as in the majority of Eastern European countries, museums and their collections are owned by the state. Our country has 93 museums of which 3 are national, 16 supported by the Republic, 56 municipal, 14 departmental and 4 private. A free market is characterised by selfregulatory laws. Exceptions slowly replace previously valid rules. Two private sculpture parks are examples of such exceptions in the slowly recovering Lithuanian cultural scene: the International European Centre Sculpture Museum, 1993, and the Grûtas Park, 1999, featuring disassembled monuments of the Soviet period. The stories of their creation represent two different models for establishing private museums, which, in a general sense, may be characterized as the strategy of opening and openness respectively. The story of the lattery type of establishment gives more insight into the essence of the changes that are taking place. 


Arts ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 102
Author(s):  
Sławomir Gawroński ◽  
Kinga Bajorek

A series of novels about a witcher, written by Andrzej Sapkowski almost thirty years ago, has now become an inspiration for the creation of mass productions of mainstream popular culture—film and multimedia adaptations for use in computer games. It is one of the few examples of global messages of mass culture being based on Polish creativity. The recognition of “The Witcher”, due to the Netflix production, soon contributed to building the national pride of Polish people, and at the same time sparked a discussion in Central and Eastern European countries on the consequences of the multimedia adaptation of Andrzej Sapkowski’s prose. Questions about the dissonance between the Slavic and universal dimensions of “The Witcher” in relation to the original novels and their adaptations are a part of the traditional discourse on the adaptability of literature and its consequences for the reception by the audience. This article tries to capture the specific character of the adaptations of Andrzej Sapkowski’s literature from the point of view of typology, known from the literature of the subject, as well as to answer the question about the consequences of the discrepancy between the original book and its adaptations in the form of a film, a TV series, and computer games. The considerations in the article were based on the literature analysis and the research based on the existing sources.


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