Revisiting the Question of the Novel/Nation

2017 ◽  
Vol 46 (2) ◽  
pp. 76-82 ◽  
Author(s):  
Elliott Colla

In this essay, Arabic literature specialist and Arabic-English translator Elliott Colla explores the relationship between the novel and the nation, and reviews Bashir Abu-Manneh's ambitious and original contribution to the study of Palestinian literature.

Author(s):  
Roger Allen

This chapter examines the relationship between the Arabic novel and history within the context of the Arabic-speaking world, and in particular the process of producing a literary history of the novel genre written in Arabic. It first considers the early development of the novel genre in Arabic as part of a cultural movement that gained impetus in the nineteenth century, with particular emphasis on the interplay of two cultural forces: the importation of Western ideas (including literary genres) and the role of the premodern Arab-Islamic cultural heritage in each subregion. It then discusses examples of narrative from the premodern heritage of Arabic literature before turning to the history of the Arabic novel. The chapter also presents examples of the Arabic historical novel, one of which is Sālim Ḥimmīsh’s Al-‘Allāma (2001, The Polymath).


2020 ◽  
Author(s):  
Agnieszka Wykowska ◽  
Jairo Pérez-Osorio ◽  
Stefan Kopp

This booklet is a collection of the position statements accepted for the HRI’20 conference workshop “Social Cognition for HRI: Exploring the relationship between mindreading and social attunement in human-robot interaction” (Wykowska, Perez-Osorio & Kopp, 2020). Unfortunately, due to the rapid unfolding of the novel coronavirus at the beginning of the present year, the conference and consequently our workshop, were canceled. On the light of these events, we decided to put together the positions statements accepted for the workshop. The contributions collected in these pages highlight the role of attribution of mental states to artificial agents in human-robot interaction, and precisely the quality and presence of social attunement mechanisms that are known to make human interaction smooth, efficient, and robust. These papers also accentuate the importance of the multidisciplinary approach to advance the understanding of the factors and the consequences of social interactions with artificial agents.


2020 ◽  
Vol 17 (9) ◽  
pp. 1084-1101
Author(s):  
Tingjuan Wu ◽  
Xu Yao ◽  
Guan Wang ◽  
Xiaohe Liu ◽  
Hongfei Chen ◽  
...  

Background: Oleanolic Acid (OA) is a ubiquitous product of triterpenoid compounds. Due to its inexpensive availability, unique bioactivities, pharmacological effects and non-toxic properties, OA has attracted tremendous interest in the field of drug design and synthesis. Furthermore, many OA derivatives have been developed for ameliorating the poor water solubility and bioavailability. Objective: Over the past few decades, various modifications of the OA framework structure have led to the observation of enhancement in bioactivity. Herein, we focused on the synthesis and medicinal performance of OA derivatives modified on A-ring. Moreover, we clarified the relationship between structures and activities of OA derivatives with different functional groups in A-ring. The future application of OA in the field of drug design and development also was discussed and inferred. Conclusion: This review concluded the novel achievements that could add paramount information to the further study of OA-based drugs.


Author(s):  
Caroline Franklin

This chapter studies the novels of sensibility in the 1780s. The philosophy of John Locke, Anthony Ashley Cooper, third Earl of Shaftesbury, Adam Smith, and Francis Hutcheson had influenced the first wave of epistolary novels of sensibility beginning in the 1740s. These explored the interaction between emotion and reason in producing moral actions. Response to stimuli was minutely examined, especially the relationship between the psychological and physiological manifestations of feelings. Later in the century, and, in particular during the late 1780s when the novel enjoyed a surge in popularity, the capacity for fine feeling became increasingly valued for its own sake rather than moralized. Ultimately, sensibility should be seen as a long-lasting literary movement rather than an ephemeral fashion. It put paternal authority and conventional modes of masculinity under question.


Author(s):  
Elizabeth Gaskell

‘It's the masters as has wrought this woe; it's the masters as should pay for it.’ Set in Manchester in the 1840s - a period of industrial unrest and extreme deprivation - Mary Barton depicts the effects of economic and physical hardship upon the city's working-class community. Paralleling the novel's treatment of the relationship between masters and men, the suffering of the poor, and the workmen's angry response, is the story of Mary herself: a factory-worker's daughter who attracts the attentions of the mill-owner's son, she becomes caught up in the violence of class conflict when a brutal murder forces her to confront her true feelings and allegiances. Mary Barton was praised by contemporary critics for its vivid realism, its convincing characters and its deep sympathy with the poor, and it still has the power to engage and move readers today. This edition reproduces the last edition of the novel supervised by Elizabeth Gaskell and includes her husband's two lectures on the Lancashire dialect.


Author(s):  
Cristina Vatulescu

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.


1981 ◽  
Vol 13 (2) ◽  
pp. 217-224 ◽  
Author(s):  
J Ledent

This paper compares the system of equations underlying Alonso's theory of movement with that of Wilson's standard family of spatial-interaction models. It is shown that the Alonso model is equivalent to one of Wilson's four standard models depending on the assumption at the outset about which of the total outflows and/or inflows are known. This result turns out to supersede earlier findings—inconsistent only in appearance—which were derived independently by Wilson and Ledent. In addition to this, an original contribution of this paper—obtained as a byproduct of the process leading to the aforementioned result—is to provide an exact methodology permitting one to solve the Alonso model for each possible choice of the input data.


2021 ◽  
Vol 8 (2) ◽  
pp. 214-231
Author(s):  
Ankhi Mukherjee

Examining the contestation of interpretations around this work, I argue that the proliferation of exegetical material on Sophocles’s Antigone is related to a noncomprehension of the human motives behind her transgressive action. Did she ever love, and is there any suffering in her piety? If she didn’t love (her brother), could she have suffered? I read the play alongside Kamila Shamsie’s postcolonial rewriting of it in Home Fire to elaborate on the relationship between personal loss and collective (and communal) suffering, particularly as it is focalized in the novel by the figure of a young woman who is both a bereaved twin and a vengeful fury.


2021 ◽  
Vol 27 (3) ◽  
Author(s):  
Martin Schäfer ◽  
Tino Ullrich ◽  
Béatrice Vedel

AbstractIn this paper we introduce new function spaces which we call anisotropic hyperbolic Besov and Triebel-Lizorkin spaces. Their definition is based on a hyperbolic Littlewood-Paley analysis involving an anisotropy vector only occurring in the smoothness weights. Such spaces provide a general and natural setting in order to understand what kind of anisotropic smoothness can be described using hyperbolic wavelets (in the literature also sometimes called tensor-product wavelets), a wavelet class which hitherto has been mainly used to characterize spaces of dominating mixed smoothness. A centerpiece of our present work are characterizations of these new spaces based on the hyperbolic wavelet transform. Hereby we treat both, the standard approach using wavelet systems equipped with sufficient smoothness, decay, and vanishing moments, but also the very simple and basic hyperbolic Haar system. The second major question we pursue is the relationship between the novel hyperbolic spaces and the classical anisotropic Besov–Lizorkin-Triebel scales. As our results show, in general, both approaches to resolve an anisotropy do not coincide. However, in the Sobolev range this is the case, providing a link to apply the newly obtained hyperbolic wavelet characterizations to the classical setting. In particular, this allows for detecting classical anisotropies via the coefficients of a universal hyperbolic wavelet basis, without the need of adaption of the basis or a-priori knowledge on the anisotropy.


2021 ◽  
Vol 8 (2) ◽  
pp. 158-176
Author(s):  
Jeanne-Marie Jackson

This article theorizes the Zimbabwean writer Stanlake Samkange’s turn from the novel to philosophy as an effort to circumvent the representational pressure exerted by African cultural traumatization. In breaking with the novel form to coauthor a philosophical treatise called Hunhuism or Ubuntuism in the same year as Zimbabwe achieves independence (1980), Samkange advances a comportment-based, deontological alternative to the psychic or subjective model of personhood that anchors trauma theory. Revisiting the progression from his most achieved novel, The Mourned One, to Hunhuism or Ubuntuism thus offers fresh insight into the range of options available to independence-era writers for representing the relationship between African individuality and collectivity. At the same time, it suggests a complementary and overlooked relationship between novelistic and philosophical forms in an African context.


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