"Sister Souls": Bernard Berenson and Michael Field (Katherine Bradley and Edith Cooper)

2005 ◽  
Vol 60 (3) ◽  
pp. 326-354 ◽  
Author(s):  
MARTHA VICINUS
Keyword(s):  
Emotional Response ◽  
Visual Art ◽  
Married Woman ◽  
Walter Pater ◽  
Older Woman ◽  
Michael Field ◽  
Edith Cooper ◽  
The Impact ◽  
Impact Of Falling ◽  
Aesthetic Ideal

In the 1890s the poet Michael Field-the lesbian aunt-and-niece couple, Katharine Bradley (1846 -1914) and Edith Cooper (1862-1913)-were close friends with the art connoisseur Bernard Berenson (1865-1959). Under the influence of Walter Pater,the three avidly discussed the connections uniting the artwork, viewer, and artist. Critics have long known that Cooper fell passionately in love with Berenson, but no one has examined this relationship closely. This essay uses the Michael Field poems, letters, and diaries to explore the impact of falling in love with a man on the Bradly-Cooper relationship and their poetry. Cooper felt that she and Berenson were faun-like creatures who instinctively understood each other on a deeper level than the physical. Berenson sought Cooper's ethereal independence while he was courting a married woman;Cooper turned to him when she wanted a more separate life from her aunt. Berenson never forgot Cooper's intense emotional response to visual art, a response that represented his aesthetic ideal. Cooper experienced a burst of creativity, reliving her intoxicating love in verse and prose. Bradley, as the older woman, struggled to reconcile herself to this attractive, destructive male intrusion into Michael Field's poetic and personal "oneness." The three drew on the emotions that they stirred in each other as a source of inspiration, but each discovered that emotion can outrun aesthetics.

Scents and Sensibility

2017 ◽  
Author(s):  
Catherine Maxwell
Keyword(s):  
Virginia Woolf ◽  
Victorian Literature ◽  
Cultural Context ◽  
Literary Analysis ◽  
Walter Pater ◽  
Algernon Charles Swinburne ◽  
Victorian Poetry ◽  
Michael Field ◽  
Sense Of Smell ◽  
Romantic Poetry

A major reconceptualization of the imagination that reinstates its hidden links with the historically neglected sense of smell, this book is the first to examine the role played by scent and perfume in Victorian literary culture. Perfume-associated notions of imaginative influence and identity are central to this study, which explores the unfamiliar scented world of Victorian literature, concentrating on texts associated with aestheticism and decadence, but also noting important anticipations in Romantic poetry and prose, and earlier Victorian poetry and fiction. Throughout, literary analysis is informed by extensive reference to the historical and cultural context of Victorian perfume. A key theme is the emergence of the olfactif, the cultivated individual with a refined sense of smell, influentially represented by the poet and critic Algernon Charles Swinburne, who is emulated by a host of canonical and less well-known aesthetic and decadent successors such as Walter Pater, Edmund Gosse, John Addington Symonds, Lafcadio Hearn, Michael Field, Oscar Wilde, Arthur Symons, Mark André Raffalovich, Theodore Wratislaw, and A. Mary F. Robinson. This book explores how scent and perfume pervade the work of these authors in many different ways, signifying such diverse things such as style, atmosphere, influence, sexuality, sensibility, spirituality, refinement, individuality, the expression of love and poetic creativity, and the aura of personality, dandyism, modernity, and memory. A coda explores the contrasting twentieth-century responses of Virginia Woolf and Compton Mackenzie to the scent of Victorian literature.

scholarly journals Changes in the themes, aesthetics and functions of public images in Kyiv due to the influence of socio-cultural processes in the society of 1990-2010

2021 ◽  
pp. 183-194
Author(s):  
Mariia Ospishcheva-Pavlyshyn
Keyword(s):  
Contemporary Art ◽  
Visual Arts ◽  
Public Art ◽  
Visual Art ◽  
Rapid Development ◽  
Practical Aspect ◽  
Cultural Processes ◽  
The Impact ◽  
Theoretical Developments

On the back of the rapid development in public art in recent decades, and in particular graffiti and muralism, interest in them has grown significantly among cultural studies scholars, art critics, architects, sociologists, and urban planners. Numerous works that have appeared in the West and in Ukraine are devoted to various aspects of the visual public art existence. This theme continues to be one of the most relevant for contemporary visual art. This article complements the bunch of acquired knowledge with a detailed study of the impact of socio-cultural processes in society on the changes that took place in monumental painting, graffiti and muralism in Kyiv during 1990–2010, i.e. during the most important changes in politics and society in recent decades. The peculiarities of each historical stage of this influence are analysed and outlined in the study, and the theoretical analysis is displayed by the description of the most characteristic works. Most of them are researched in detail. In addition, the process of decline of monumental painting in the late 1980s and early 1990s is analysed, the factors of graffiti flourishing in the 1990s are identified and highlighted, and the origins of the rapid development of muralism after 2004 and especially after 2014 are explored. At each stage, changes in the themes, aesthetics and functions of public images are traced. The definitions, such as muralism and graffiti, are updated in this paper, taking into account changes in art and the latest achievements in its analysis. The manifestations of the national-patriotic themes in the contemporary art of muralism are considered in detail, the classification of art work on this subject is given, the corresponding examples are given. Such concepts as public art, synthesis of arts, monumental painting, graffiti, muralism are attentively aligned. The study of the nature of the socio-cultural processes and visual arts correlations is promising for further scientific and theoretical developments and the practical aspect for better understanding of the specific works

The impact of family members on the self-reported health of older men and women in a rural area of Bangladesh

2004 ◽  
Vol 24 (6) ◽  
pp. 903-920 ◽  
Author(s):  
OMAR RAHMAN ◽  
JANE MENKEN ◽  
RANDALL KUHN
Keyword(s):  
Rural Area ◽  
Binary Logistic Regression ◽  
Older Men ◽  
Older Woman ◽  
Men And Women ◽  
Increased Risk ◽  
Reported Health ◽  
The Impact ◽  
The Relationship ◽  
Older Men And Women

The purpose of this study is to examine whether the co-residence of spouses and children affects self-reported general health among older men and women in a rural area of Bangladesh. Binary logistic regression has been used to explore the impact of spouses and children on self-reported health, with particular attention to the gender of children and interactions with chronic disease. The data are from the Matlab Health and Socio-Economic Survey. A sample of 765 women and 979 men aged 60 or more years with at least one surviving child was available. The principal result is that for an older woman, optimum self-reported health is most likely when a spouse and at least one son and one daughter are present. Any deviation from this family pattern (either no spouse or children of only one sex) leads to a significantly increased risk of poor self-reported health. On the other hand, among older men there were no differences in self-reported health among the various spouse-child combinations. The relationship between a balanced gender distribution of children and optimum self-reported health among older women may explain the levelling out of fertility at roughly three children per women despite intensive family planning promotion in the area. Further reductions in fertility (an important policy concern) may depend on improving the substitutability of sons and daughters in the support of their elderly mothers.

DISABILITY AND GENDER IN THE VISUAL FIELD: SEEING THE SUBTERRANEAN LIVES OF MICHAEL FIELD'S WILLIAM RUFUS

2012 ◽  
Vol 40 (1) ◽  
pp. 137-152
Author(s):  
Sharon Bickle
Keyword(s):  
Women Poets ◽  
Male Gaze ◽  
Love Affair ◽  
Michael Field ◽  
Love Story ◽  
Multiple Voices ◽  
Successful Recovery ◽  
Edith Cooper ◽  
Critical Approaches ◽  
And Gender

When the UK'sGuardiannewspaper featured “La Gioconda” as poem of the week in January 2010, the paper's popular readership discovered what many late-Victorian scholars had known about for some time: the poetic partnership of Katharine Bradley (1846–1914) and Edith Cooper (1862–1913), known as “Michael Field.” The successful recovery of the Fields as significant late-Victorian writers – a project now in its second decade – seems poised to emerge into popular awareness driven as much by interest in their unconventional love affair as by the poetry itself. Scholars too have been seduced by the romance of a transgressive love story, and the critical nexus between sexuality and textuality has produced remarkable scholarship on the Fields’ lyric poetry: those texts in which the personas have a rough equivalence with Bradley and Cooper themselves. Yopie Prins first noted the complex engagement of multiple voices with lyric structure in Long Ago (74–111), and Ana Parejo Vadillo (Women Poets 175–95), Jill Ehnenn (73–96), and Hilary Fraser (553–56) expanded on this to uncover the transformation of the lyric's male gaze into a triangulated lesbian vision in Sight and Song (1892). In contrast to the recognition accorded their lyric verse, most critics have overlooked Michael Field's verse dramas. While there have been attempts to shift attention onto the plays, the significance of the Fields’ lesbian vision to the dramas has never been explored. This article seeks to redress this pervasive neglect and begin dismantling the boundaries that have grown up between critical approaches to the lyrics and the plays.

The use of oral contraceptives in women over age 35 years

1995 ◽  
Vol 4 (2) ◽  
pp. 115-120
Author(s):  
Robert F Casper ◽  
Selim Senoz ◽  
Avraham Ben-Chetrit
Keyword(s):  
Cardiovascular Disease ◽  
Oral Contraceptive ◽  
Oral Contraceptives ◽  
Contraceptive Use ◽  
Older Woman ◽  
Oral Contraceptive Use ◽  
Increased Risk ◽  
Potential Risks ◽  
Europe Today ◽  
The Impact

Oral contraceptives remain the most widely used form of contraception in North America and Europe today. In spite of the concerns of many women relating to the potential risks of these preparations, recent data have demonstrated that currently available oral contraceptives are safe, with no increased risk of cardiovascular disease or cancer in nonsmoking women. The present review will focus on the impact of oral contraceptive use in the older woman, including a discussion of the noncontraceptive health benefits of oral contraceptives.

Lyric, Aestheticism and the Later Nineteenth Century

2016 ◽  
Author(s):  
Marion Thain
Keyword(s):  
Nineteenth Century ◽  
Lyric Poetry ◽  
Late Nineteenth Century ◽  
Michael Field ◽  
Time Space ◽  
Edith Cooper ◽  
Late Nineteenth ◽  
Katharine Bradley

Chapter 1 offers important historical and conceptual contexts for the late nineteenth century. The chapter suggests that ‘aestheticist lyric poetry’ might be usefully conceptualised ‘through the twin impetuses of conceptual expansion and formal reduction’. It then goes on to outline the context of ‘cultural modernity’, to which it is suggested aestheticist lyric poetry is responding, in order to define further the ‘crisis’ in lyric. It also introduces the three conceptual frames that set the remit for the three parts of the book; these are three key axes around which lyric poetry operates: time, space and subjectivity. Chapter 1 ends with a preliminary case study from the work of ‘Michael Field’ (the assumed name of Katharine Bradley and Edith Cooper) to demonstrate in practice the relevance of the three frames to aestheticist poetry.

Adept Sailing before the Storm

2018 ◽  
pp. 68-100
Author(s):  
Barbara Lounsberry
Keyword(s):  
Michael Field ◽  
Outer World ◽  
Travel Diary ◽  
Edith Cooper ◽  
Artistic Self

Woolf's next two diary books, her 1932 diary and her 1933–34 diary, help her to navigate the difficult strait between the outer and the inner conflicts. She needs these diaries’ support, for, as the gathering outer storm forms, she faces both the strains of her inner artistic self and the loss of her friends. In late November of 1933, she consciously turns from the troubling outer world to the dual-voiced diary of Katherine Bradley and Edith Cooper, the aunt and niece verse dramatists who published together under the name Michael Field. There, she finds not only lesbian playwrights and their trials but also the word “outsiders.” In February 1934, her response to a famous travel diary—Arthur Young’s Travels in France during the years 1787, 1788, 1789—shows her recoil from war.

The impact of using a written scenario when measuring emotional response to beer

2016 ◽  
Vol 50 ◽  
pp. 38-47 ◽  
Author(s):  
Rocio Dorado ◽  
Carolina Chaya ◽  
Amparo Tarrega ◽  
Joanne Hort
Keyword(s):  
Emotional Response ◽  
The Impact

Health Humanities in Post-Graduate Medical Education

2018 ◽  
Author(s):  
Allan D. Peterkin ◽  
Anna Skorzewska
Keyword(s):  
Medical Education ◽  
Interprofessional Education ◽  
Medical Humanities ◽  
Visual Art ◽  
Postgraduate Medical Education ◽  
Health Humanities ◽  
Arts And Humanities ◽  
Wide Range ◽  
The Subject ◽  
The Impact

Arts and humanities education is widespread in undergraduate but almost nonexistent in postgraduate medical education where it is arguably more helpful. This book fills that gap. It covers a wide range of arts and humanities subjects including film, theatre, narrative, visual art, history, ethics, and social sciences. Each chapter provides not only 1) a literature review of the relevant subject in postgraduate medical education and, where helpful, undergraduate medical education but 2) a theoretical discussion of the subject as it relates to medicine and medical education 3) challenges to implementing arts and humanities programming and 4) appendices with a number of different and relevant resources as well as sample lesson plans. There is a chapter on the use of humanities in interprofessional education, a domain whose importance has recently gained prominence. Finally there are also chapters guiding the medical humanities educator on evaluating the impact of their programs, an ever-present challenge, and on the thorny issue of how to fund programs in medical humanities.

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