Monism and the Religion of Science

2021 ◽  
Vol 25 (2) ◽  
pp. 12-39
Author(s):  
Jason Ānanda Josephson Storm
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Nobel Prize ◽  
The United States ◽  
Science And Religion ◽  
Religious Movement ◽  
Ernst Haeckel ◽  
Mother Nature ◽  
American Philosophy ◽  
New Religions

Monism was not just a philosophical outlook, but also an early twentieth-century new religious movement. Founded by the internationally renowned evolutionary theorist Ernst Haeckel, it was supposed to be a “Religion of Science” that repudiated matter-mind dualism in favor of reverence for a divinized Mother Nature. This article traces the genesis of the German Monist League and how it was transplanted to the United States by the publisher, Paul Carus. Although readers of this journal are likely to know about new religions that embrace “pseudoscience,” the surprise is that Monism had followers with significant scientific renown including multiple Nobel Prize-winning scientists, famous philosophers of science, and even a celebrated sociologist. Scholars of secularism or science and religion will want to know about how Haeckel and his followers constructed a hybrid Scientific Faith or Secular Church that this article demonstrates went on to provide the foundation for professionalizing American philosophy.

scholarly journals Rethinking the Scopes Trial: Cultural Conflict, Media Spectacle, and Circus Politics

2021 ◽  
pp. 1-25
Author(s):  
TOM ARNOLD-FORSTER
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Science And Religion ◽  
Cultural Conflict ◽  
Individual Rights ◽  
Far Right ◽  
Scopes Trial ◽  
Media Spectacle ◽  
The Relationship

The Scopes trial has long been interpreted through claims about science and religion and about individual rights and liberties. This article recovers a different debate about the trial's political history that emerged in the later 1920s and resonated down the twentieth century. Here the trial figured as a fraught national circus, which raised difficult questions about the relationship between media spectacle and cultural conflict in the United States. The trial's circus dynamics intensified the conflicts it staged without ever actually resolving them; this trap was then perceived and negotiated in different ways by contemporary liberals, conservatives, socialists, and far-right activists.

The Insidious Momentum of American Mass Incarceration

2020 ◽  
Author(s):  
Franklin E. Zimring
Keyword(s):  
United States ◽  
Public Policy ◽  
Twentieth Century ◽  
Mass Incarceration ◽  
The United States ◽  
Next Generation ◽  
Single Generation ◽  
American Life ◽  
Peak Rate ◽  
Or Practice

The phenomenal growth of penal confinement in the United States in the last quarter of the twentieth century is still a public policy mystery. Why did it happen when it happened? What explains the unprecedented magnitude of prison and jail expansion? Why are the current levels of penal confinement so very close to the all-time peak rate reached in 2007? What is the likely course of levels of penal confinement in the next generation of American life? Are there changes in government or policy that can avoid the prospect of mass incarceration as a chronic element of governance in the United States? This study is organized around four major concerns: What happened in the 33 years after 1973? Why did these extraordinary changes happen in that single generation? What is likely to happen to levels of penal confinement in the next three decades? What changes in law or practice might reduce this likely penal future?

Orientalized Aztecs: Observations on the Americanization of Theatrical Dance

2019 ◽  
Vol 51 (2) ◽  
pp. 35-50
Author(s):  
K. Mitchell Snow
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Manifest Destiny ◽  
The United States ◽  
United States Policy ◽  
Ballets Russes

The opening decades of the twentieth century saw a passing fashion for “Aztec” dancing in the vaudeville theaters of the United States. Russian classical dancers Kosloff and Fokine tapped the orientalist currents of the Ballets Russes, adopting the Aztec as superficial signs of the American. Conversely, works by Shawn and film director Cecil B. DeMille, which served as points of reference for the Russians, represented a continuation of equally orientalist attitudes toward Mexico's past, forged during the realization of the United States’ policy of Manifest Destiny. The emergence of a cadre of trained dancers from Mexico, trained by students of Kosloff and Shawn, would bring a distinctively different perspective on the presentation of their heritage to the dance stage, one that was no longer based in the imagination of an expansionist America.

A Century of America on Chinese Screens

2010 ◽  
Vol 17 (4) ◽  
pp. 305-323 ◽  
Author(s):  
Zhiwei Xiao
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Print Media ◽  
The United States ◽  
Sharp Contrast ◽  
American People ◽  
Early Twentieth Century ◽  
History Of ◽  
Chinese Films ◽  
New Millennium

AbstractNo serious study has been published on how Chinese filmmakers have portrayed the United States and the American people over the last century. The number of such films is not large. That fact stands in sharp contrast not only to the number of "China pictures" produced in the United States, which is not surprising, but also in contrast to the major role played by Chinese print media. This essay surveys the history of Chinese cinematic images of America from the early twentieth century to the new millennium and notes the shifts from mostly positive portrayal in the pre-1949 Chinese films, to universal condemnation during the Mao years and to a more nuanced, complex, and multi-colored presentation of the last few decades.

Versatile and cheap: a global history of soy in the first half of the twentieth century

2013 ◽  
Vol 8 (3) ◽  
pp. 461-482 ◽  
Author(s):  
Ines Prodöhl
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Second World War ◽  
Cash Crop ◽  
The Great Depression ◽  
Production And Consumption ◽  
Transnational Actors ◽  
History Of ◽  
Second World

AbstractThis article traces the complex and shifting organization of soy's production and consumption from Northeast China to Europe and the United States. It focuses on a set of national and transnational actors with differing interests in the global and national spread of soybeans. The combination of these actors in certain spatiotemporal contexts enabled a fundamental change in soy from an Asian to an American cash crop. At the beginning of the twentieth century, soy rapidly became Northeast China's cash crop, owing to steadily increasing Western demand. However, the versatility of soy – and soy oil in particular – offered a highly successful response to the agricultural and industrial challenges that the United States faced during the Great Depression and the Second World War. By the end of the war, American farmers in the Midwest cultivated more soybeans than their Chinese counterparts.

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