Imagining Women’s Suffrage

2018 ◽  
Vol 87 (4) ◽  
pp. 638-666 ◽  
Author(s):  
Ana Stevenson

During the late nineteenth century, the print culture associated with women’s suffrage exhibited increasingly transnational connections. Between the 1870s and 1890s, suffragists in the United States, and then Australia and New Zealand, celebrated the early enfranchisement of women in the U.S. West. After the enfranchisement of antipodean women at the turn of the twentieth century, American suffragists in turn gained inspiration from New Zealand and Australia. In the process, suffrage print culture focused on the political and social possibilities associated with the frontier landscapes that defined these regions. However, by envisioning such landscapes as engendering white women’s freedom, suffrage print culture conceptually excluded Indigenous peoples from its visions of enfranchisement. The imaginative connections fostered in transnational suffrage print culture further encouraged actual transpacific connections between the suffragists themselves.

Author(s):  
Duncan Bell

This chapter focuses on John Robert Seeley (1834–95), the most prominent imperial thinker in late nineteenth-century Britain. It dissects Seeley's understanding of theology and religion, probes his views on the sacred character of nationality, and shows how he attempted to reconcile particularism and universalism in a so-called “cosmopolitan nationalist” vision. It argues that Seeley's most famous book, The Expansion of England (1883) should be understood as an expression of his basic political-theological commitments. The chapter also makes the case that he conceived of Greater Britain as a global federal nation-state, modeled on the United States. It concludes by discussing the role of India and Ireland in his polychronic, stratified conception of world order.


2013 ◽  
Vol 47 (4) ◽  
pp. 903-923
Author(s):  
CHERYL HUDSON

The exceptional character of the United States' political culture has been and continues to be hotly contested. In the late nineteenth century, commentators framed radical ideologies as “un-American” and they subsequently entered the political lexicon as alien to American ideals and values. However, far less scholarly attention has been given to alternative definitions of “un-American” activity that emerged in the late nineteenth century. This article examines the charges made by contemporaries against the “un-American” town of Pullman and of George Pullman's patronage of his town and its workers. Through a close reading of Addams's critique of Pullman as “A Modern Lear” as well as other narratives and counternarratives contained within contemporary speeches, pamphlets, and newspaper and journal articles, this essay will demonstrate the flexible nature of the charge of “un-Americanism” in the crisis years of the 1890s. In that decade, the character of the modern nation was still highly contested and although the conservative, anti-union view won the immediate Pullman battle, it did not do so without a fight and it did not ultimately succeed in defining the character of the modern nation.


2020 ◽  
Vol 40 (3) ◽  
pp. 259-284
Author(s):  
Julia Schwartzmann

Abstract This article aims to show that long before the famous debate over women’s suffrage (1918–25), women’s alienation from significant parts of Judaism was a fact that was obvious to those in the Orthodox community who were ready to admit it. To prove this, I discuss the late nineteenth-century essay Netiv Moshe: Maamar Mehkari 'al Mishpat haNashim baEmunah (A Scholarly Enquiry into the Case of Women in Religious Faith).1 This essay, written in Hungary by Mózes Salamon, the rabbi of a small provincial community, analyzes the gender problem in Judaism and reveals that the basic arguments of Jewish religious feminism had been expressed even before feminism as a movement came to terms with its objectives. This is the first scholarly analysis of this little known essay.


2010 ◽  
Vol 52 (4) ◽  
pp. 708-741 ◽  
Author(s):  
Katherine Bowie

Although much of the history of women's suffrage has focused on the American and British struggles of the early twentieth century, a newer generation of interdisciplinary scholars is exploring its global trajectory. Fundamental to these cross-cultural comparisons is the establishment of an international timeline of women's suffrage; its order at once shapes and is shaped by its historiography. According to the currently dominant chronology, “Female suffrage began with the 1893 legislation in New Zealand” (Ramirez, Soysal, and Shanahan 1997: 738; see also Grimshaw 1987 [1972]: xiv). In this timeline, “Australia was next to act, in 1902” (ibid.). Despite the geographical location of New Zealand and Australia in greater Southeast Asia, the narrative that accompanies this timeline portrays “first world” women as leading the struggle for suffrage and “third world” women as following their example.1As Ramirez, Soysal, and Shanahan write, “A smaller early wave of suffrage extensions between 1900 and 1930 occurred mostly in European states. A second, more dramatic wave occurred after 1930” (ibid.). Similarly, Patricia Grimshaw writes, “It was principally in the English-speaking world, in the United States, in Britain and its colonial dependencies, and in the Scandinavian countries that sustained activity for women's political enfranchisement occurred. Other countries eventually followed suit” (1987: xiv).


Author(s):  
Nurit Yaari

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.


Sign in / Sign up

Export Citation Format

Share Document