scholarly journals Young Jazz Musicians and Negotiation of Public Space in Yogyakarta Indonesia

2017 ◽  
Vol 9 (2) ◽  
pp. 225-236
Author(s):  
Oki Rahadianto Sutopo
Keyword(s):  
Everyday Life ◽  
Public Space ◽  
Urban Space ◽  
Cultural Production ◽  
Youth Culture ◽  
Public Spaces ◽  
Urban Context ◽  
Jazz Music ◽  
Musical Practices ◽  
Local Narratives

Using Bourdieusian approach, this article explores the reflexive strategies of young jazz musicians in order to develop their musical practices in a contemporary urban context of Yogyakarta, a city of culture and activism in Indonesia. In detail, the reflexive strategy (Sweetman 2003; Threadgold & Nilan 2009) will be explained as the manifestation of struggle in the field of cultural production (Bourdieu 1993). As an implication, young jazz musicians have to negotiate their musical practices with the reproduction of doxa and the representation of dominant agents in the jazz music field including the availability of public spaces in contemporary Yogyakarta. The resistance towards doxa will be explained based on the local narratives of the Yogyakarta jazz community as a mixture of the local and the trans-local scene (Bennett & Peterson 2004). Furthermore, the reflexive strategy will be analysed through the lens of the youth culture perspective specifically as a manifestation of a mixture between post-subculture (Bennett 1999) and subculture (Blackman 2005). In their everyday musical practices, young jazz musicians produce their musical practices fluidly and flexibly as a lifestyle distinction as well as a form of everyday life resistance. In summary, this article shows the complexity of the musical processes of young jazz musicians in contemporary urban space of Yogyakarta, Indonesia.

scholarly journals Post-pandemic scenarios and design strategies for public spaces transformation

2021 ◽  
Vol 6 (12) ◽  
Author(s):  
Laura Galluzo ◽  
Ambra Borin
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Human Dimensions ◽  
Inclusive Development ◽  
Design Strategies ◽  
Urban Context ◽  
Collective Interest ◽  
The Public ◽  
Key Characteristics ◽  
Urban Transformations

Almost two years later of a pandemic condition, one thing is sure: the pandemic will change permanently the world and its systems. Nowadays, the reflection on public space is crucial within a more sustainable and inclusive development at urban scale, amplified also by the ongoing experience of the pandemic that still presents. Public space is a real opportunity to test new urban and social models, thus becoming a principal catalyst for positive changes in the entire urban context. It is therefore necessary to re-establish a relationship between the public space and its inhabitants, providing a system of proximity by highlighting the human and non-human dimensions and consequently connecting services, relationships, and opportunities. Acting in public space is the first step in the development of innovative urban transformations, generated by collaborative phenomena working in the collective interest. The use of participatory practices within the design processes favors the reconnection between people and territory, generating a shared sense of belonging that leads to taking care of one's own places. The reversibility of the intervention and its adaptability are key characteristics that allow experimenting with new ways of experiencing public spaces and responding to unforeseen experiences, thus accommodating the inevitable changes in society. This scientific contribution aims to set forward distinctive points of view on the planning strategies implemented in the pandemic and post-pandemic period to achieve intelligent transformations on a small and large urban scale with an impact from short to long-term; hence shaping the future cities.

scholarly journals Exploring Successful Small Urban Spaces’ Criteria with Emphasis on Cultural Context

2021 ◽  
Vol 15 (4) ◽  
pp. 475-482
Author(s):  
Parvin Partovi ◽  
Kebria Sedaghat Rostami ◽  
Amir Shakibamanesh
Keyword(s):  
Conceptual Model ◽  
Public Space ◽  
Urban Space ◽  
Cultural Context ◽  
Public Spaces ◽  
Urban Spaces ◽  
Cultural Issues ◽  
Human Needs ◽  
Short Time ◽  
The City

In the crowded cities of the present age, public spaces can provide a quiet area away from the hustle and bustle of the city that citizens can interact with by incorporating utility features and meeting human needs and Relax there. Small urban spaces are among the most important and effective urban spaces to achieve this goal. Because these spaces due to their small size and lower costs (compared to larger spaces) for construction can be created in large numbers and distributed throughout the city. In this way, citizens will be able to reach a public urban space on foot in a short time. If these spaces are well designed, they can encourage people to stay in and interact with each other. It is not difficult to identify and experience high-quality successful places, but identifying the reasons for their success is difficult and even more difficult, understanding if similar spaces in other places can be considered successful. This question is important because public space with deep social content is considered a cultural product. Public space is the product of the historical and socio-cultural forces of society. Therefore, one of the most important issues that should be considered in the study of public spaces and the reasons for their success is the cultural context. In Iranian cities that have been influenced by the values and principles of Islam,recognizing Islamic principles and their role in shaping public spaces can lead us to desirable results. The purpose of this article is to develop a conceptual model of successful small urban spaces with an emphasis on cultural issues, especially in Iranian-Islamic cities. In this regard, the effective criteria for the success of urban spaces in general and small urban spaces in particular in the two categories of Western countries and Iranian Islamic cities were examined and then, taking into account the criteria derived from cultural theorists, the conceptual model of research with 38 subcriteria is provided.

Analysis on Building Readable Image of Urban Public Spaces

2013 ◽  
Vol 409-410 ◽  
pp. 883-886
Author(s):  
Bo Xuan Zhao ◽  
Cong Ling Meng
Keyword(s):  
New York ◽  
Public Space ◽  
Urban Space ◽  
Public Spaces ◽  
Urban Life ◽  
Space Images ◽  
Urban Public Space ◽  
Good Image ◽  
The Public ◽  
The City

City, is consisting of a series continuous or intermittent public space images, and every image for each of our people living in the city is varied: may be as awesome as forbidden city Meridian Gate, like Piazza San Marco as a cordial and pleasant space and might also be like Manhattan district of New York, which makes people excited and enthusiastic. To see why, people have different feelings because the public urban space ultimately belongs to democratic public space, people live and have emotions in it. In such domain, people can not only be liberated, free to enjoy the pleasures of urban public space, but also enjoy urban life which is brought by the city's charm through highlighting the vitality of the city with humanism atmosphere. To a conclusion, no matter how ordinary the city is, a good image of urban space can also bring people pleasure.

POST-SOVIET TRANSFORMATIONS OF PUBLIC SPACES IN LITHUANIA: CASES OF ŽIRMŪNAI AND LAZDYNAI RESIDENTIAL DISTRICTS / TARYBINIO LAIKOTARPIO VIEŠŲJŲ ERDVIŲ TRANSFORMACIJOS LIETUVOJE. VILNIAUS ŽIRMŪNŲ IR LAZDYNŲ ATVEJIS

2012 ◽  
Vol 36 (3) ◽  
pp. 209-221 ◽  
Author(s):  
Tomas Grunskis ◽  
Matas Šiupšinskas
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Negative Impact ◽  
Public Spaces ◽  
Spatial Development ◽  
Soviet Period

The article deals with the question of public space transformations during the last two decades in Lithuania. It is the part of broader research of the topic. Authors focus on the issue of main public spaces in Žirmūnai and Lazdynai residential districts in Vilnius, which are under the process of structural and spatial development. The article also analizes the problem of post-Soviet urban space quality and its transformations, as well as raises the question of preservation practices of urban (modernistic) heritage from the Soviet period. Authors analize and expose systems of public spaces and their hierarchy in these districts, which have been created according to modernistic principles and now are considered as highly valuable. Structural, compositional, functional and spacial developments of these spaces are analized in detail evaluating negative impact of such developments on the quality of modernistic urban space. Santrauka Straipsnyje aptariama tarybinio laikotarpio viešųjų erdvių kaita per pastarąjį dvidešimtmetį. Jame telkiamas dėmesys į Vilniaus Žirmūnų ir Lazdynų gyvenamųjų rajonų pagrindines viešąsias erdves bei jose esančius visuomeninius kompleksus. Tekste analizuojamos ir apibūdinamos tarybinio laikotarpio urbanistinės erdvės kokybinės kaitos ir urbanistinio paveldo teisinės apsaugos klausimas. Taip pat įvardijamos ir analizuojamos šių gyvenamųjų rajonų viešųjų erdvių sistemos bei jų elementų hierarchijos. Tekste detaliai analizuojama šių viešųjų erdvių kaita urbanistinės struktūros, tūrinės erdvinės kompozicijos ir funkciniu požiūriais. Keliama urbanistinės erdvės, kaip paveldo ir apsaugos objekto, problema.

scholarly journals FROM A ‘BLIND WALKER’ TO AN ‘URBAN CURATOR’: INITIATING ‘EMOTIONALLY MOVING SITUATIONS’ IN PUBLIC SPACES / NUO KASDIENIO MIESTELĖNŲ „AKLUMO” IKI MIESTO AKTYVIZMO: INICIJUOJANT „EMOCIONALIAI PAVEIKIAS SITUACIJAS” VIEŠOSIOSE ERDVĖSE

2011 ◽  
Vol 4 (1) ◽  
pp. 54-63 ◽  
Author(s):  
Jekaterina Lavrinec
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Social Order ◽  
Public Spaces ◽  
Spatial Structures ◽  
Urban Settings ◽  
Urban Art ◽  
Creative Solutions ◽  
Alternative Scenarios

Reconstructing the mutation of a ‘blind walker’ into the figure of reflexive urban activist, who proposes creative solutions to the problems of de-activated public spaces, urban art interventions are comprehended as a tool for re-inventing and revitalising urban settings while initiating intensive interaction and cooperation between citizens. The idea to arrange ‘emotionally moving situations’ so as to activate reflexive attitude of the citizens toward everyday urban settings was proposed by situationists. By disturbing usual everyday rhythms and trajectories, urban art interventions, flash mobs and urban games establish a reflexive distance from the usual, routine ‘choreography’ of the place and propose alternative scenarios of behaviour in public space. Therefore urban art interventions can be considered as a tool for creative reconceptualization of spatial structures and social order, embedded in urban space. Santrauka Remiantis M. de Certeau pasiūlyta miestelėno „aklumo” metafora, kuri nurodo į nerefleksyvų santykį su kasdiene aplinka, straipsnyje rekonstruojama šios miestelėno figūros transformacija į miesto aktyvistą („miesto kuratorių”), kuris reaguoja į miesto problemas ir ieško kūrybinių šių problemų sprendimų. Aktyvaus santykio su miesto aplinka modelis buvo plėtojamas dar situacionistų (I. Chtcheglovas, G. Debord‘as, A. Kotányi ir kt.), kurie ieškojo kasdienio miesto patyrimo suspendavimo technikų (pavyzdžiui, dreifavimas) ir siūlė reorganizuoti miesto erdves, kad jos imtų produkuoti „emocionaliai paveikias situacijas”. šios paieškos paskatino situacionistus plėtoti „unitarinio urbanizmo” koncepciją. Šiuolaikiniams miestams susiduriant su deaktyvuotų viešųjų erdvių problema, „emocionaliai paveikių situacijų” kūrimo idėja atgimsta nauju pavidalu. Meninės intervencijos į viešąsias erdves, flash-mobai ir miesto žaidimai ardo įprastus elgesio scenarijus, steigia refleksyvųatstumą su rutininiu miesto patyrimu, o taip pat skatina naujųmiesto ritualų atsiradimą bei formuoja emocinį miesto reljefą. Intervencijos į viešąsias erdves gali būti analizuojamos ir kaip refleksijos forma, ir kaip aktualių miesto problemų(viešųjų erdviųdeaktyvavimo) sprendimo būdas.

scholarly journals Photographing Public Spaces in Hong Kong

2019 ◽  
pp. 199-212
Author(s):  
Kevin Mak
Keyword(s):  
Hong Kong ◽  
Public Space ◽  
Urban Space ◽  
Public Spaces ◽  
Street Life ◽  
Diverse Cultures

Photographing urban space has always been my interest, even before I entered architectural school and began my career as an architect. When I was still at school, I already enjoyed observing, through my camera, on how the complex yet limited public spaces in Hong Kong accommodated the diverse and spontaneous street life. Studying & practising in architecture further shaped my interest in exploring Hong Kong’s urban topics beyond the visuals. My approach in urban photography promotes spatial aesthetics that embrace diverse cultures in public space, and controversially suggests how we introspect our way & attitude living in contemporary cities.

scholarly journals Explicit and implied significance of contemporary public spaces. Part 1. Spaces of attractions

2020 ◽  
Vol 19 (1) ◽  
pp. 063-082
Author(s):  
Dariusz Dziubiński
Keyword(s):  
Best Practices ◽  
Public Space ◽  
Urban Space ◽  
Current Model ◽  
Public Spaces ◽  
Urban Spaces ◽  
Top Down ◽  
Direct Experience ◽  
Beach Bar

This text presents considerations encouraged by thoughts and conclusions gained from research on several beach bars and their comparison with other urban public spaces, run in Wrocław from 2018 to 2019. The similarities and differences between the two types of spaces provoke a question about the meaning of what we call „public spaces” today. The question is also asked, somewhat perversely, about the validity of following best practices based on proxemic principles and focused on attracting and retaining people in urban spaces. The paper examines not so much the rules but the purpose, in other words the type of space we receive/can achieve as a result of applying these principles, since people in the urban space (private or public) are only guests, while their choice is reduced to the top-down offer. The above doubt also results from the conclusion regarding the most important feature determining attractiveness of a beach bar space, which in my opinion, is the freedom of behaviour for users. In it we can see deficiencies of the prevailing narrative about our participation in space and, above all, the possibility of choice, or what should be called the limitations of choice – the lack of possession/self-agency. Such a situation, largely conditioned by politics (and economics), reduces public space to the role of a  “space of attractions” (curiosities), whose action and participation is based on experiencing – on a direct experience. The clash of these two forces – standardization and individualization, erodes the current model of common spaces based on the historical (nineteenth century) one, whose images are transferred only in the form of empty clichés. Thus, the limitation of choices, the need to fall into line and appearances of a community lead to an escape upwards – enclaves for the chosen ones (omnitopia) and downwards – niches for the rebellious ones (heterotopia), while beach bars represent both ways of escape. Against this background, the purposefulness of expert/ top-down creation of public spaces, carried out in isolation from other essential values and laws, appears problematic.

scholarly journals 'Making' A Statement - Exploration of 3D Printing Technologies as a form of Customisation and Ownership in Urban Spaces

2021 ◽  
Author(s):  
◽  
Mark Bagley
Keyword(s):  
3D Printing ◽  
New Media ◽  
Public Space ◽  
Urban Space ◽  
Corporate Culture ◽  
Urban Environments ◽  
Urban Spaces ◽  
Observational Research ◽  
Parametric Modelling ◽  
Urban Context

<p>Ownership of urban space has been heavily contested in recent years by prominent artists, policy-makers and citizens alike. From Shephard Fairey and his condemnation of corporate culture in public space, to Banksy and his use of imagery as a form of political activism, the presence of 2D media in urban environments has become increasingly relevant. This research summarises recent advances in our thinking about space and place, and seeks the potential opportunities for customisation and taking ownership of these spaces to create a socially engaging, collaborative environment for the creative city (Florida, 2003). By using street art and graffiti culture as a model for creative inclusivity, this research explores the effects of new forms of data collection and configuration and the design opportunities they present. In doing so, this research hopes to promote discussion and debate into how we may use new media such as 3D printing and computer-generated imagery to make provocative statements and elicit responses.  To explore 3D printing as a means of customising and taking ownership of space, this research identifies recurring themes in traditional 2D media, as well as manifestations of 3D and 4D media in urban spaces. This background research is documented in a taxonomy of precedents combined with a technology review and observational research in the field. This background research provides a context for researching through design in the form of iterative physical experimentation and reflection. Beginning with abstract experimentation, the first stage of testing digital making technologies identifies opportunities provided by different software, materials, scanning and 3D printing itself, at all different scales and resolutions. This active process of making also tests the visual languages and aesthetics afforded by the technologies, particularly parametric modelling techniques as well as low resolution models with new visual qualities. By applying the knowledge gained from the abstract experimentation and observational research, different issues surrounding the urban context are identified and responded to using 3D technologies. These responses are carefully articulated to ensure that they are not only ‘of the street’ but also ‘of the technology’ and thereby serve as examples of ‘making meaning’ through 3D media in an urban context.</p>

scholarly journals Sustainable urban structures to challenge climate change

2012 ◽  
Vol 1 (2) ◽  
pp. 35 ◽  
Author(s):  
Emil CREANGA ◽  
Maria DUDA
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Urban Form ◽  
Private Investment ◽  
Public Spaces ◽  
Capital City ◽  
Urban Structure ◽  
Urban Structures ◽  
Modern Development ◽  
The City

Public spaces within the city in all their form of different types - streets, boulevards, squares, plazas, market places, green areas - are the backbone of cities. Over the centuries buildings defined the shape and quality of public spaces, valorising them in various ways. The post-modern development of urban form generated a great number of “urban spaces”, where there is no longer correspondence between architectural forms and social and political messages: shopping malls and theme parks, inner public spaces, strip developments etc. Urban sprawl accompanied by loss of agricultural/rural land and its impact on the environment are serious concerns for most cities over Europe. To strike the right balance between inner city regeneration, under-use of urban land in the old abandoned sites and the ecological benefits that accompany the new private business initiatives in suburban areas, is one of the major challenges confronting cities in Europe. The paper will analyze the complex relations between architecture and public space, in an attempt to understand how traditional urban structures, public and green spaces, squares and streets, could provide orientation for quality-oriented regeneration. Case in point is Bucharest - capital city of Romania - where aggressive intervention in the urban structure during the 1980s disrupted the fabric of the city. The investigation is oriented towards fundamental questions such as: how to secure and preserve sites that serve as initial points in upgrading processes, how to balance private investment criteria and the quality interests of the urban communities.The major aim is to provide a support for decision making in restoring the fundamental role of public urban space in shaping urban form and supporting community life.

Thermal-Perception-Driven Adaptive Design for Wellbeing in Outdoor Public Spaces

2018 ◽  
pp. 206-239
Author(s):  
Luciano Ambrosini ◽  
Eduardo Bassolino ◽  
Francesco Scarpati
Keyword(s):  
Public Space ◽  
Adaptive Design ◽  
Environmental Control ◽  
Public Spaces ◽  
Scientific Basis ◽  
Thermal Perception ◽  
Urban Context ◽  
Modeling Tools ◽  
Research Activities ◽  
Combined Use

The spread of digital technologies, aiming at improving the effectiveness of the technological and environmental project proposals, has transformed the modus operandi for architects and designers who approach environmental impact assessment, especially about public space designs. Research activities aim at collecting guidelines for the sustainable regeneration of public spaces, focusing on the effectiveness of the performance of individual actions proposed by gradually checking and fixing the convenient benchmark design required by norms and sometimes by technology and building best-practices widely consolidated, even on a scientific basis. Early design optimization process relies on the combined use of appropriate IT tools for environmental control and on the interoperability of these systems with the traditional modeling tools for outdoor and indoor spaces. According to data-design-oriented logic, the core of the research methodology is applied to three case studies concerning public “complex” open spaces within the Neapolitan urban context (Italy).

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