scholarly journals Toward Undogmatic Reading. Narratology, Digital Humanities and Beyond

2021 ◽  
Author(s):  
Janina Jacke ◽  
Mareike Schumacher
Keyword(s):  
Digital Humanities ◽  
The Other ◽  
Literary Studies ◽  
Present Volume ◽  
History Of Research ◽  
Research Communities ◽  
Look Back ◽  
History Of ◽  
Bridge Building ◽  
Digital Research

Both Narratology and Digital Humanities look back on a remarkable history of research and progress. One after the other, the narratological and the digital research communities evolved into large international and interdisciplinary networks. While cooperation between the two disciplines would be possible and beneficial in many areas, they often still work in parallel rather than together. A workshop at Hamburg University brought together Literary Studies researchers from Narratology and from Digital Humanities to (a) discuss requirements for and possibilities of a digital operationalisation of analytical categories from Narratology and Literary Studies and (b) theoretically reflect upon possible connections between more traditional and digital approaches. The present volume combines the workshop contributions from both disciplines and thus attempts to further the bridge-building and dialogue.

scholarly journals Digital Humanities: humanities and media culture

2021 ◽  
pp. 21-27
Author(s):  
Anna Yu. Demshina ◽  
Keyword(s):  
Digital Humanities ◽  
Media Culture ◽  
The Other ◽  
Data Selection ◽  
The World ◽  
Neutral Media ◽  
Ethical Norms ◽  
Angle Of View ◽  
The One ◽  
Digital Research

The article examines the achievements and problems that exist in the digital research in the context of the development of media culture, today virtual reality has ceased to be a situational option. Media culture turns out to be a two-way phenomenon: on the one hand, it is a product of our civilization, on the other hand, it transforms our culture. Digital Humanities focus on different ways of processing and presenting information, at the same time, any data selection work presupposes the presence of an angle of view, ethical and ideological grounds for the selection itself and the context for the presentation of research results. Criticism of Digital Humanities can be viewed from the standpoint of the «remove culture» by R. Barth. The removal of culture presupposes the development of the postmodern idea of the need to reveal how much our ideas about the world are predetermined by certain cultural schemes, languages and genres, including how non-neutral media culture in general and digital research is. In the absence of criticism, lack of agreements on ethical norms, social responsibility, the risks are that we allow media culture and digital research tools in a sense to dictate to us the type of society in which we live

scholarly journals Once again: Investigating the identity of the three figures mentioned in Malachi 3:1

2006 ◽  
Vol 27 (3) ◽  
pp. 1031-1044
Author(s):  
S D Snyman
Keyword(s):  
The Other ◽  
History Of Research ◽  
Current State ◽  
History Of ◽  
State Of Research ◽  
The One

The identity of the three figures mentioned in Malachi 3:1 remains an intriguing question for scholars. In this article an overview of the current state of research on this problem is given highlighting the strengths and weaknesses of the different solutions while yet another proposal is made adding some new arguments to existing answers. An overview on the history of research done on this problem can be categorised into three groups: the three figures refer to three different personalities or they all refer to the same person or they refer to two different persons. The conclusion reached is that the three figures mentioned are references to two persons, the one human and the other divine.  The messenger  is identified as the prophet Malachi. 

scholarly journals Das Bamberger Kollegiatstift St. Gangolf im Mittelalter

2021 ◽  
Author(s):  
Lisa Witowski
Keyword(s):  
Middle Ages ◽  
The Other ◽  
Sich Eine ◽  
Present Volume ◽  
Other Hand ◽  
History Of ◽  
The One ◽  
The Middle Ages

Im Mittelpunkt dieser Arbeit stehen die Aufarbeitung, Einordnung und Interpretation der zum überwiegenden Teil unedierten Quellen zur Geschichte des Bamberger Kollegiatstifts St. Gangolf. Die daraus resultierende Institutionengeschichte stellt die Organisationsstruktur und die Eigenarten des Stifts heraus und ordnete es in die Stadt- und Kirchenlandschaft Bambergs ein. Dabei zeigt sich eine kirchliche Einrichtung, die zwischen starker Orientierung am Vorbild des Bamberger Domstifts auf der einen Seite und der Identifizierung als Theuerstädter Stift rechts der Regnitz auf der anderen Seite schwankte. Während die anderen Bamberger Kirchen, wie das Domstift, das Kloster Michelsberg oder das Kollegiatstift St. Stephan, bereits eine Bearbeitung nach modernen Gesichtspunkten erfuhren, stand dies für das Kollegiatstift St. Gangolf bisher noch aus. The present volume provides the results of the reappraisal, classification and interpretation of commonly unedited sources about the history of the collegiate church Sanct Gangolf in Bamberg in the Middle Ages. They demonstrate the structure and peculiarities of the community and place it into context of city and church in Bamberg. So it manifests itself as an institution between a strong alignment towards the bishop‘s church of Bamberg on the one hand and an identification as collegiate community in the suburbian Theuerstadt on the other hand.

scholarly journals Nikolai Gogol's text in the works of Vladimir Nabokov: the history of foundation of the issue in criticism and literary studies

2019 ◽  
pp. 148-153
Author(s):  
Oksana S. Rudova
Keyword(s):  
20Th Century ◽  
Vladimir Nabokov ◽  
The Other ◽  
Literary Studies ◽  
Late 20Th Century ◽  
The World ◽  
Different Types ◽  
History Of ◽  
Relationship Of ◽  
The Relationship

The author of the article tried to trace the formation of the idea about the connection of the works of Vladimir Nabokov with Nikolai Gogol's tradition based on the material of the Russian émigréecritics’ works of and literary critics of the 20th—21st centuries. This process is considered as a progressive one, largely specified by the development of researching idea. The émigréecriticism saw the reason for the similarity these writers’ works in their similar aesthetics based on the relationship of the perception of the world and the human. In turn, literary studies of the late 20th century presented a new way of comparison, where Nabokov's prose is considered to be a complicated fiction on the whole, in which there is not only Nikolai Gogol's subtext, but also allusions to the other writers’ works, called "polygenetics". The author of the article offers a generalisation of methodological nature, indicating different types of literary links.

Narcissus Revisited

2020 ◽  
pp. 199-218
Author(s):  
Louise Vinge ◽  
Niclas Johansson
Keyword(s):  
The Other ◽  
Literary Studies ◽  
History Of ◽  
Entire History ◽  
The 1960S

Chapter 10 brings the transforming force of reading Ovid’s epic up to the present, by offering a view of the differences in the scholarly situation encountered by two researchers investigating the Narcissus theme at the distance of half-a-century—one in the 1960s, the other in the 2010s. The first part of the chapter gives a view of the scholarly conditions under which Vinge prepared her celebrated work on the Narcissus theme in the mid-1960s. In the second part, Johansson presents an overview of scholarly investigations of the Narcissus theme over the fifty years since the publication of Vinge’s study. The theoretical advances in literary studies as well as the growth of research on the Narcissus tradition has made it difficult to grasp the entire history of the theme. In the resulting divergence of perspectives, there arises an implicit disagreement not only about the meaning of Narcissus, but also about how Narcissus is conceptualized in the first place.

scholarly journals How much is the glitch? Das digitale Paradigma als Herausforderung und Chance für die historische Musikwissenschaft

2020 ◽  
Author(s):  
Matthias Pasdzierny
Keyword(s):  
Digital Humanities ◽  
Critical Discussion ◽  
Literary Studies ◽  
Contemporary History ◽  
Music Culture ◽  
Historical View ◽  
History Of ◽  
Central Paradigm ◽  
Cultural Developments

Musicology has long since been established as central part of the so-called Digital Humanities. For many areas of music culture as a whole, digitization is considered the central paradigm of our time. But what exactly does this mean, and is it not unusual for technical and cultural developments to be thrown through and into each other? In literary studies as well as in cultural and contemporary history, a critical discussion has already begun on the multiple narratives and projections about „(post)digitality“, which are particularly common in science itself. Against this background, the article pleads for taking digitality seriously as an object of investigation in historical musicology (and possibly also in the history of musicology) and for initiating a corresponding field of research. For example, what promises and debates about loss associated with digitality can be observed within music culture at different times and in different contexts, but also what sources could provide information about this. The introduction of the CD in the 1980s and the emergence of the EDM sub-genre Glitch in the mid-1990s serve as starting examples for such a critical-historical view of and on digitality.

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