From Humanities in the Digital Age to the Age of Digital Humanities : History of Adopting DH in Korean Literary Studies

2018 ◽  
Vol 240 ◽  
pp. 157-190
Author(s):  
Jae-Yon Lee
Keyword(s):  
Digital Humanities ◽  
Digital Age ◽  
Literary Studies ◽  
History Of

scholarly journals Toward Undogmatic Reading. Narratology, Digital Humanities and Beyond

2021 ◽  
Author(s):  
Janina Jacke ◽  
Mareike Schumacher
Keyword(s):  
Digital Humanities ◽  
The Other ◽  
Literary Studies ◽  
Present Volume ◽  
History Of Research ◽  
Research Communities ◽  
Look Back ◽  
History Of ◽  
Bridge Building ◽  
Digital Research

Both Narratology and Digital Humanities look back on a remarkable history of research and progress. One after the other, the narratological and the digital research communities evolved into large international and interdisciplinary networks. While cooperation between the two disciplines would be possible and beneficial in many areas, they often still work in parallel rather than together. A workshop at Hamburg University brought together Literary Studies researchers from Narratology and from Digital Humanities to (a) discuss requirements for and possibilities of a digital operationalisation of analytical categories from Narratology and Literary Studies and (b) theoretically reflect upon possible connections between more traditional and digital approaches. The present volume combines the workshop contributions from both disciplines and thus attempts to further the bridge-building and dialogue.

scholarly journals How much is the glitch? Das digitale Paradigma als Herausforderung und Chance für die historische Musikwissenschaft

2020 ◽  
Author(s):  
Matthias Pasdzierny
Keyword(s):  
Digital Humanities ◽  
Critical Discussion ◽  
Literary Studies ◽  
Contemporary History ◽  
Music Culture ◽  
Historical View ◽  
History Of ◽  
Central Paradigm ◽  
Cultural Developments

Musicology has long since been established as central part of the so-called Digital Humanities. For many areas of music culture as a whole, digitization is considered the central paradigm of our time. But what exactly does this mean, and is it not unusual for technical and cultural developments to be thrown through and into each other? In literary studies as well as in cultural and contemporary history, a critical discussion has already begun on the multiple narratives and projections about „(post)digitality“, which are particularly common in science itself. Against this background, the article pleads for taking digitality seriously as an object of investigation in historical musicology (and possibly also in the history of musicology) and for initiating a corresponding field of research. For example, what promises and debates about loss associated with digitality can be observed within music culture at different times and in different contexts, but also what sources could provide information about this. The introduction of the CD in the 1980s and the emergence of the EDM sub-genre Glitch in the mid-1990s serve as starting examples for such a critical-historical view of and on digitality.

Introduction

2018 ◽  
pp. 1-29
Author(s):  
Tarek El-Ariss
Keyword(s):  
Digital Media ◽  
Media Studies ◽  
Digital Humanities ◽  
Arab World ◽  
Technological Development ◽  
Digital Age ◽  
Literary Studies ◽  
Arab Culture ◽  
Political Upheaval ◽  
The Way

This chapter provides an overview of the book's main themes. The book draws on literary studies, media studies, and digital humanities, and focuses on the Arab world in a transnational context in order to examine the radical transformations affecting the way stories are told, dissent is expressed, and canons are produced in the new millennium. Focusing on new writing from Egypt and the Gulf, it explores these writings' fascination with and appropriation of digital media. These writings chart a particular redefinition of what Arab culture means in the digital age, pointing to the changing meaning of Arab culture (novels, authors, education, etc.) and of traditional codes of civility (adab) as a model of subjectivity in a context shaped by technological development and political upheaval.

Ciência da Informação e Humanidades Digitais

2019 ◽  
Author(s):  
FRANCISCO CARLOS PALETTA
Keyword(s):  
Labor Market ◽  
Information Literacy ◽  
Digital Library ◽  
Exploratory Study ◽  
Digital Humanities ◽  
Information Science ◽  
Digital Age ◽  
Web Of Data ◽  
The University ◽  
The Web

This work aims to presents partial results on the research project conducted at the Observatory of the Labor Market in Information and Documentation, School of Communications and Arts of the University of São Paulo on Information Science and Digital Humanities. Discusses Digital Humanities and informational literacy. Highlights the evolution of the Web, the digital library and its connections with Digital Humanities. Reflects on the challenges of the Digital Humanities transdisciplinarity and its connections with the Information Science. This is an exploratory study, mainly due to the current and emergence of the theme and the incipient bibliography existing both in Brazil and abroad.Keywords: Digital Humanities; Information Science; Transcisciplinrity; Information Literacy; Web of Data; Digital Age.

Presentation

2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH
Keyword(s):  
Cultural History ◽  
Social Reality ◽  
Point Of View ◽  
The Body ◽  
Literary Studies ◽  
The Third ◽  
The Social ◽  
Feminist Theories ◽  
History Of

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>

Loving Ebola-chan: Internet memes in an epidemic

2016 ◽  
Vol 39 (3) ◽  
pp. 341-356 ◽  
Author(s):  
Olivia Rose Marcus ◽  
Merrill Singer
Keyword(s):  
Infectious Disease ◽  
Digital Age ◽  
Structural Approach ◽  
The Internet ◽  
Social Response ◽  
Coping Mechanism ◽  
Two Dimensional ◽  
Fear Response ◽  
Cultural Artifact ◽  
History Of

In this article, the authors provide a layered analysis of Ebola-chan, a visual cultural artifact of the 2014–2015 Ebola outbreak. Rather than considering her as a two-dimensional anime character (i.e. as a simple iconic coping mechanism and/or a fear response), this recent Internet meme is analyzed using an integrated semiotic and structural approach that involves discussion of the genesis of disaster humor in light of the changing world of the Internet, the history of anthropomorphism of disease, and the biosocial nature of an infectious disease epidemic. Our analysis is designed to advance both the anthropology of the Internet and the anthropology of infectious disease. As a multi-vocal symbol with different meanings for different audiences, Ebola-chan represents a social response to a lethal epidemic in the digital age.

COMPARATIVE LITERATURE: EAST AND WEST STUDIES

2021 ◽  
Vol 02 (09) ◽  
pp. 8-14
Author(s):  
Aziza Komilovna Akhmedova ◽  
Keyword(s):  
Comparative Literature ◽  
Professional Ethics ◽  
Research Work ◽  
Literary Studies ◽  
The Novel ◽  
World Science ◽  
History Of ◽  
The Aesthetic ◽  
Aesthetic Ideal ◽  
The Ideal

The article analyzes the results of the research on the representation of the aesthetic ideal through the image of the ideal hero in two national literatures. For research purposes, attention was paid to highlighting the category of the ideal hero as an expression of the author's aesthetic views. In Sinclair Lewis’s “Arrowsmith” and Pirimkul Kodirov's “The Three Roots”, the protagonists artistically reflect the authors' views on truth, virtue, and beauty. In these novels, professional ethics is described as a high noble value. The scientific novelty of the research work includes the following: in the evolution of western and eastern poetic thought, in the context of the novel genre, the skill, common and distinctive aspects of the creation of an ideal hero were revealed by synthesis of effective methods in world science with literary criteria in the history of eastern and western literary studies, in the example of Sinclair Lewis and Pirimkul Kodirov.

Sign in / Sign up

Export Citation Format

Share Document