scholarly journals Simultaneous Events, Parallel Themes, Spatial Oppositions: A Comparative Content Analysis of Traditional Dance

2020 ◽  
Vol 60 (1-4) ◽  
pp. 281-311
Author(s):  
János Fügedi

This paper focuses on the smallest units and micro-structures of traditional dance. I propose a new approach that ventures beyond the identification of simple syntagmatic relations derived from the temporal succession of movements: a former practice of dance analyses that relied on theories borrowed from linguistics and music. The following discussion, based on the analysis of movement content as spatial change, demonstrates the existence of independent but simultaneous movement events in dance: each event possesses an expressive potential and the capacity for performance as a single rhythmical unit. Identifying events creates the possibility of separating parallel running, autonomous movement themes. Amongst the examined structures, an exceptional one, here termed contrakinesis, emerges, which represents spatial opposition as a recurring, characteristic phenomenon in East Central European traditional dance. The theory of simultaneous events and parallel themes reveals that concepts of expression in traditional dance can be comprehensively recognized only through a content-oriented exploration relying on movement analysis: an approach derived from investigating the dance itself.

2016 ◽  
pp. 84-106
Author(s):  
Šárka Waisová ◽  
Ladislav Cabada

The article develops the traditional theoretical framework of public diplomacy, used in international relations since decades, into the new approach – the nation branding. The nation branding became very popular practice within the public diplomacy and more general “applied foreign cultural policy” in the last two decades. The development of new communication tools such as the Internet and social networks challenged the public diplomacy approaches and brought search for new communication tools the state can use towards the public of other states. Our analysis focus on the Czech example that is incorporated into more general East-Central European frame.


Author(s):  
Jacek Wieclawski

This article discusses the problems of the sub-regional cooperation in East-Central Europe. It formulates the general conclusions and examines the specific case of the Visegrad Group as the most advanced example of this cooperation. The article identifies the integrating and disintegrating tendencies that have so far accompanied the sub-regional dialogue in East-Central Europe. Yet it claims that the disintegrating impulses prevail over the integrating impulses. EastCentral Europe remains diversified and it has not developed a single platform of the sub-regional dialogue. The common experience of the communist period gives way to the growing difference of the sub-regional interests and the ability of the East-Central European members to coordinate their positions in the European Union is limited. The Visegrad Group is no exception in this regard despite its rich agenda of social and cultural contacts. The Russian-Ukrainian conflict confirms a deep divergence of interests among the Visegrad states that seems more important for the future of the Visegrad cooperation than the recent attempts to mark the Visegrad unity in the European refugee crisis. Finally, the Ukrainian crisis and the strengthening of the NATO’s “Eastern flank” may contribute to some new ideas of the sub-regional cooperation in East-Central Europe, to include the Polish-Baltic rapprochement or the closer dialogue between Poland and Romania. Full text available at: https://doi.org/10.22215/rera.v10i1.251  


2020 ◽  
Vol 16 (2) ◽  
pp. 353-365
Author(s):  
Jerzy J. Wiatr

AbstractPost-communist states of East Central Europe face the authoritarian challenge to their young democracies, the sources of which are both historical and contemporary. Economic underdevelopment, the retarded process of nation-building and several decades of communist rul made countries of the region less well prepared for democratic transformation than their Western neighbors, but better than former Soviet Union. Combination of economic and social tensions, nationalism and religious fundamentalism creates conditions conducive tom the crises of democracy, but such crises can be overcome if liberal and socialist forces join hands.


Nordlit ◽  
2007 ◽  
Vol 11 (1) ◽  
pp. 293
Author(s):  
Piotr Bernatowicz

Mieczysław Porębski, a distinguished Polish art historian of the 20th century, once expressed the demand for Polish art history to be researched simultaneously with foreign studies - as parallel fields. "We entered the research field of the old masters' art as partners in, so to say, a ‘furnished household', whereas in the field of contemporary art we are co-explorers, exploring a ‘virgin land'", as Porębski put it. The book by professor Piotr Piotrowski Awangarda w cieniu Jałty. Sztuka w Europie środkowo-wschodniej w latach 1945-89 (The Avant-Garde in the Shadow of Yalta. The Art in East-Central Europe, 1945-1989) fully accomplishes this demanding postulate which nowadays seems to be rather rarely remembered by Polish art historians. The explored area, the East-Central European countries, which emerged, as a result of the Yalta Conference, between the iron curtain and the border of The Soviet Union (including former Yugoslavia) appears at least as an ‘old maiden' land, where scientific penetration still seems to be necessary.


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