Ancient Chinese Bronze Casting Methods: The Dilemma of Choice

MRS Advances ◽  
2017 ◽  
Vol 2 (33-34) ◽  
pp. 1743-1768
Author(s):  
Michael R. Notis ◽  
DongNing Wang

AbstractThe history of the manufacture of the magnificent bronze castings produced in ancient China has been reinterpreted a number of times during the past hundred years or so. These bronzes were first believed to be fabricated by lost wax (cire perdue) casting, but this gave way to a belief that piece mold casting was the dominant, if not the sole method of manufacture from the Shang (1700-1100 BCE) until possibly as late as the Tang dynasty (618-907 CE). This has been reinforced by the finding, a number of years ago, of the Houma piece mold foundry, as well a number of more recent similar finds. However, this stance was challenged by the discovery of openwork bronze objects as early as in the 1920s, and more strongly challenged in the late 1970s by finds of intricately cast interwoven openwork bronze objects at the Tomb of the Marquis of Yi, dated to the Warring States Period (475-221 BCE). Since then many other similar bronze objects have been found. Questions exist concerning the very existence of the lost-wax process as early as the Spring and Autumn Period (771 to 476 BCE), and was it independently developed in China, or was it introduced from the outside.

2020 ◽  
Vol 19 (37) ◽  
pp. 25-78
Author(s):  
Joseph W. Dauben

The history of ancient Chinese mathematics and its applications has been greatly stimulated in the past few decades by remarkable archaeological discoveries of texts from the pre-Qin and later periods that make it possible to study in detail mathematical material from the time at which it was written. By examining the recent Warring States, Qin and Han bamboo mathematical texts currently being conserved and studied at Tsinghua University and Peking University in Beijing, the Yuelu Academy in Changsha, and the Hubei Museum in Wuhan, it is possible to shed new light on the history of early mathematical thought and its applications in ancient China. Also discussed here are developments of new techniques and justifications given for the problems that were a significant part of the growing mathematical corpus, and which eventually culminated in the comprehensive Nine Chapters on the Art of Mathematics. What follows is a revised text of an invited plenary lecture given during the 10th National Seminar on the History of Mathematics at UNICAMP in Campinas, SP, Brazil, on March 27, 2013.


2002 ◽  
Vol 24 (1) ◽  
pp. 6-9
Author(s):  
Hao Shiyuan

When viewed from the perspective of history, China has not had a flourishing anthropology and ethnology. However, China's traditions of ethnographic-like perspectives have flourished for a long time. Since the Spring and Autumn Period (770-476 BC) and Warring States Period (475-221 BC), multiethnic structure and social relations have been recorded in China's history. Ever since Sima Qian's Shi Ji (the Historical Records), the first general history of China compiled around 100 BC, the social history and cultural customs of ethnic minorities had been covered in each dynasty's history. Moreover, some special chapters had been dedicated to keeping the records of ethnic minorities. Of course such records were not completely unbiased.


Author(s):  
Wengcheong Lam

The appearance of the cast iron industry was one of the most technological innovations in ancient China. Nonetheless, how iron technology shaped the historical development during this critical period has not yet been fully investigated. This chapter first reviews evidence dating to the Spring and Autumn period regarding the appearance of bloomery iron and cast iron industry. Archaeological evidence suggests a simultaneous development of cast iron in multiple states during the first half of the first millennium BCE. Regional variations between these two centers were also present. The chapter further explores regional variations in the development of the iron industries during the Warring States period on the basis of frequencies and types of iron objects from burial data in the Jin, Qin, and Chu regions. The regional comparison suggests that the total amount of iron objects in the Qin state was much less than the assemblage in the three Jin states; the latter should belong to the manufacturing core given the frequencies and types of iron objects in tombs. Moreover, the local iron industry of the Chu state distinctively focused on the manufacture of weapons compared to former two states. In sum, the regional variations in iron industry should be the foundation for further addressing the social significance of iron technology in ancient China. In addition, the iron industry in the Qin state during the Warring States period should be more carefully scrutinized in the future because it might have been operated on a relatively smaller scale than presently understood.


2009 ◽  
Vol 54 (2) ◽  
pp. 201-217 ◽  
Author(s):  
Rachel Lung

Abstract This article argues that interpreters are crucial figures in the recording of history. Evidence taken from historical texts in ancient China is used to verify the claim that interpreters’ notes might have been used as a reference in composing historical records. By documenting the Tang dynasty (AD 618-907) policy to have interpreters interview foreign envoys and submit the relevant accounts to the Bureau of Historiography, this article provides background for the link between interpreters’ interview notes and history compilation in China. Evidence is further drawn from the history of the Sui dynasty (AD 581-618), whereby an interpreter’s mediated account of the emperor’s conversation with a Japanese envoy was directly adapted. Most interestingly, pictorial and written documents of foreign peoples made in the mid-6th century during the Liang dynasty (AD 502-557) were found to be very similar to the written accounts about these foreign peoples in Liangshu, the history of the Liang dynasty, completed in the early 7th century. Apparently, there is a solid link between the interview accounts and historical accounts about foreign peoples in China. Thus, there is a strong possibility that interpreters’ notes, in the form of reports, provide important, if not primary, sources for history compilation in China.


2013 ◽  
Vol 19 (2) ◽  
pp. 335-343 ◽  
Author(s):  
Yimin Yang ◽  
Lihua Wang ◽  
Shuya Wei ◽  
Guoding Song ◽  
Jonathan Mark Kenoyer ◽  
...  

AbstractDragonfly eye beads are considered to be the earliest types of glass objects in China, and in the past have been considered as evidence of culture interaction or trade between West and East Asia. In this article, synchrotron radiation microcomputed tomography and μ-probe energy dispersive X-ray fluorescence were used to determine the chemical composition, microstructure, and manufacturing technology of four dragonfly eye beads, excavated from a Chu tomb at the Shenmingpu site, Henan Province, China, dated stylistically to the Middle and Late Warring State Period (475 bc–221 bc). First, a nondestructive method was used to differentiate the material types including faience (glazed quartz), frit, glazed pottery (clay ceramic), and glass. Three beads were identified as faience and one bead as glazed pottery. The glaze recipe includes quartz, saltpeter, plant ash, and various copper, and is classified as belonging to the K2O-CaO-SiO2 glass system, which indicates that these beads were not imported from the West. Based on computed tomography slices, the manufacturing technology of the faience eye beads appears to include the use of an inner core, molding technology, and the direct application glazing method. These manufacturing features are consistent with the techniques used in China during this same time period for bronze mold-casting, proto-porcelain, and glass.


2019 ◽  
Vol 33 (33) ◽  
pp. 029-060
Author(s):  
林保全 林保全

<p>本篇論文旨在藉由《經典釋文.序錄》,考察陸德明如何對秦漢以來的經學流衍提出梳理原則,從而析釐出〈序錄〉中的經學觀念。</p> <p>首先,陸德明針對了經典的範圍重新定義,以「經典」一詞命名,回應經典範圍逐漸擴大的經學議題。其次,提出自己判斷經典次第的標準,回應經學史上經典次第的安排議題。第三,提出具體的選擇標準,用以選擇今、古文的底本。第四,利用音注與義注選取的偏重,回應先秦以來掌握經典旨意的入手次第。</p> <p>&nbsp;</p><p>This paper seeks to investigate the way Lu De-Ming compiled Jingdian Shiwen (Textual Explanations of Classics and Canons) in the Tang Dynasty. On a more specific basis, how did he systematically collate various issues concerning the history of the study of Confucian classics since the Qin, Han and Six Dynasties in Jingdian Shiwen, and thereby presented integrated and unified research findings? </p> <p>The general principles and methods that Lu applied to accomplishing this monumental task include: (1) redefine the scope of classics; (2) establish the criteria for ordering the classics; (3) transcend the dichotomy between archaic scripts and new-text Confucianism; and (4) grasp the connotation and significance of classics by correcting the pronunciation of the keywords in annotated classics.</p> <p>&nbsp;</p>


Author(s):  
David Damrosch

This chapter explains how the history of comparative literature is a history of archives, such as of libraries and collections that are either preserved or lost and studied or forgotten. It mentions the first library that was established by the Tang Dynasty monk Xuanzang when he returned from his epochal journey to the western regions in order to collect Buddhist manuscripts. It also talks about the foundations of comparative literature that were established by the comparative philology that began in Renaissance Italy and spread to many parts of Enlightenment Europe. The chapter looks at Max Koch who wrote about comparative literary history and how it gained a sure footing with the inclusion of Oriental material. It also analyzes non-Eurocentric comparatism that draws on philological traditions from China and Japan to the Arab world.


2019 ◽  
Vol 19 (1) ◽  
pp. 28-51

Abstract In the years 2015 through 2017, archaeological excavations were conducted to the Gujun Site in Xingtang County, which recovered burials, chariot-and-horse pits and sacrificial pits, house foundations, water wells, ash pits, kilns, ash ditches and other features, from which artifacts made of gold, bronze, jade, stone, bone, horn and antler, shell and cowry, pottery, etc. were unearthed. The date of this site was from the late Spring-and-Autumn Period to the mid and late Warring-States Period, in which the city site, burials and residential areas were existing together; their dates, locations and cultural connotations are all closely related to the Xianyu tribe and Zhongshan State, especially the chariot-and-horse and animal victim pits with unique form were the first archaeologically discovered remains of this type. The discovery of the Gujun Site reflected the convergence and evolutions of the cultures of the ethnic groups in the Northern Frontier Zone and the Huaxia System, and provided important materials for the researches on the processes of the Sinicization of the northern ethnic groups such as Rong and Di and the configuration of the Chinese nation as a pluralistic integration.


2018 ◽  
Vol 14 (8) ◽  
pp. 145
Author(s):  
Xiang Yang Bian ◽  
Aijuan Cao

Most of the existing studies on Gui-Yi, which is a kind of ancient women’s dress of China, are barely about the interpretation of Xian (ie. a long ribbon made of silk) and Shao (ie. a hanging fabric of cloth, shaped like a swallow tail, tied to the waist) of Gui-Yi, on whose origin, development and evolution of the shape and structure there are few discussions. Based upon summarizing the literature, this paper points out that Gui-Yi in Han Dynasty was originated from a relic of San-di (ie. three kinds of ceremonial dress worn by queens in The Rites of Zhou Dynasty-a classical book in ancient China on the bureaucratic establishment system of Zhou Dynasty and the system of states in Warring States Period). In the paper, Gui-Yi is divided into two kinds according to images in archaeological studies, namely, the ‘Gui-Yi in one-piece system’ (‘one-piece system’ is Chinese robe) and ‘Gui-Yi in separate system’ (‘separate system’ is a kind of suit that consists of blouses and skirts). The former was popular in Han Dynasty, and the latter was popular in Wei &amp;Jin Southern and Northern Dynasties. The change of the shape and structure of Gui-Yi conforms to the historical trend that the ‘Gui-Yi in one-piece system’ entered a recession in the late Eastern Han Dynasty and the ‘Gui-Yi in separate system’ became a popular mainstream in Wei &amp;Jin Southern and Northern Dynasties. In addition, the paper points out female images wearing Gui-Yi in Gu Kaizhi's paintings influenced the expression of Gui-Yi image of Wei &amp; Jin Southern and Northern Dynasties, and Gui-Yi were gradually brought into immortal statues during painters’ artistic processing of that time.


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