scholarly journals Turn-Taking, Children, and the Unpredictability of Fun

AI Magazine ◽  
2017 ◽  
Vol 37 (4) ◽  
pp. 55-62 ◽  
Author(s):  
Jill Fain Lehman ◽  
Iolanda Leite
Keyword(s):  
Young Children ◽  
Small Groups ◽  
Freedom Of Expression ◽  
The Other ◽  
Other Hand ◽  
Turn Taking ◽  
The One

When the goal is entertainment, designing language-based interactions between characters and small groups of young children is a balancing act. On the one hand, an autonomous character should support the freedom of expression and natural behaviors of children having fun. On the other hand, an autonomous character is only capable of supporting the activity it’s designed for and the behavior it anticipates. In the last five years we have watched this tension between freedom and constraint play out in hundreds of small groups in a variety of activities. Using two of the activities as examples, we chart the ups and downs of turn-taking and other language behaviors along the Fun Curve.

Historical Writing in the Balkans

2018 ◽  
Author(s):  
Ulf Brunnbauer
Keyword(s):  
Freedom Of Expression ◽  
The Other ◽  
Former Yugoslavia ◽  
Ethnic Cleansing ◽  
Historical Writing ◽  
The Balkans ◽  
Other Hand ◽  
Balkan Countries ◽  
The One ◽  
The Way

This chapter analyzes historiography in several Balkan countries, paying particular attention to the communist era on the one hand, and the post-1989–91 period on the other. When communists took power in Albania, Bulgaria, Romania, and Yugoslavia in 1944–5, the discipline of history in these countries—with the exception of Albania—had already been institutionalized. The communists initially set about radically changing the way history was written in order to construct a more ideologically suitable past. In 1989–91, communist dictatorships came to an end in Bulgaria, Romania, Yugoslavia, and Albania. Years of war and ethnic cleansing would ensue in the former Yugoslavia. These upheavals impacted on historiography in different ways: on the one hand, the end of communist dictatorship brought freedom of expression; on the other hand, the region faced economic displacement.

Conclusion

2019 ◽  
pp. 249-260
Author(s):  
Oliver Morgan
Keyword(s):  
Early Modern ◽  
The Other ◽  
Detailed Knowledge ◽  
Performance Practices ◽  
Early Modern Theatre ◽  
Other Hand ◽  
Turn Taking ◽  
The One

This chapter examines the implications the turn-taking approach for our understanding of early modern performance practices. On the one hand, Shakespearean dialogue is full of subtle effects of timing and sequence that would seem to call for careful rehearsal and a detailed knowledge of the script. On the other hand, everything we know about early modern theatre suggests it was performed with minimal rehearsal by actors who did not necessarily know when, or from where, their next cue would arrive. This apparent mismatch I call ‘the performability gap’. The question is how it can be bridged. The explanation provided by Simon Palfrey and Tiffany Stern—that Shakespeare’s plays are designed to make artistic capital from their own under-rehearsal—does not entirely solve the problem. The second half of the chapter speculates about how else we might account for the gap.

scholarly journals Offervilje. Om ret og rimelighed blandt venner og fjender og om at komme og dømme levende og døde i Max Kestners film "I am Fiction"

2013 ◽  
Vol 28 (70) ◽  
Author(s):  
Louise Brix Jacobsen ◽  
Henrik Skov Nielsen ◽  
Rikke Andersen Kraglund
Keyword(s):  
Freedom Of Expression ◽  
Publishing House ◽  
The Other ◽  
The Novel ◽  
Main Character ◽  
Artistic Collaboration ◽  
Other Hand ◽  
The Dead ◽  
The One ◽  
Alleged Victim

Louise Brix Jacobsen, Rikke Andersen Kraglund & Henrik Skov Nielsen: “Selfsacrifice. On Right and Reasonableness among Foes and Friends, and on Judging the Living and the Dead in Max Kestner’s film I am Fiction”In 2011, the performance artist Thomas Skade-Rasmussen Strøbech lost a lawsuit against his former friend and collaborator Helge Bille Nielsen and the publishing house of Gyldendal. This led to a debate about copyright, freedom of expression, identity, and the line between fiction and reality. In 2008, Nielsen or Das Beckwerk published the novel The Sovereign where Strøbech – seemingly without his knowledge and apparently against his will – is the main character. About a year after losing the lawsuit Strøbech and film director Max Kestner gives his version of the events before, during, and after the trial in the film I am Fiction (Identitetstyveriet). This article analyzes I am fiction in order to show how the film on the one hand outlines Strøbech’s version of the events as a story about a victim but on the other hand undermines this version with humor and irony and points towards an artistic collaboration between alleged victim and villain.

The Pitfalls and Perils of Being a Digital Journalist in Venezuela

2020 ◽  
pp. 319-337
Author(s):  
Mariateresa Garrido
Keyword(s):  
Digital Media ◽  
Freedom Of Expression ◽  
Secondary Data ◽  
The Other ◽  
Freedom Of The Press ◽  
The Past ◽  
Other Hand ◽  
The Press ◽  
The One ◽  
The Right

To be a journalist in Venezuela is very dangerous. In the past decade, there has been an increase of attacks against media and their personnel. On the one hand, attacks against journalists include harassment (physical, digital, legal), illegal detentions, kidnapping, and assassination. On the other hand, digital media have experienced blockages (DNS), internet shutdowns and slow-downs, failures in the connection, and restrictions to access internet-based platforms and content. Since 2014, the situation is deteriorating and limitations to exercise the right to freedom of expression have increased. However, this issue remains understudied; hence, this chapter considers primary and secondary data to analyze the types of limitations experienced by Venezuelan digital journalists from 2014 to 2018, explains the effects of ambiguous regulations and the use of problematic interpretations, and describes the inadequacies of national policies to promote freedom of the press.

Aporias of courage and the freedom of expression

2017 ◽  
Vol 44 (1) ◽  
pp. 100-117 ◽  
Author(s):  
Ejvind Hansen
Keyword(s):  
Freedom Of Expression ◽  
Two Dimensions ◽  
The Other ◽  
Truth Telling ◽  
Public Spheres ◽  
Traditional Account ◽  
Other Hand ◽  
Internet Media ◽  
Public Setting ◽  
The One

In this article we will suggest that the traditional account of the freedom of expression needs revision. The emergence of Internet media has shown that the traditional ideal of a plurality of voices does not in itself lead to fruitful public spheres. Inspired by Foucault’s interpretation of the Greek concept parrhesia we suggest that the plurality of voices should be supplemented with an ideal of courageous truth-telling. We will furthermore argue that the notion of courage has two dimensions that should be taken into account. On the one hand a Derridean reading of courage brings out a disruptive and aporetic feature of courage. On the other hand, courage also needs to be articulated through some kind of goal, which in a public setting calls for a deliberative dimension. We conclude by suggesting that public spheres with courageous truth-telling will facilitate societies in which strong voices and opinions are continuously challenged by less strong voices.

Once We’re No More

2020 ◽  
pp. 219-239
Author(s):  
Iris Berent
Keyword(s):  
Young Children ◽  
The Other ◽  
Woody Allen ◽  
Other Hand ◽  
Adults And Children ◽  
The Dead ◽  
The One ◽  
Afterlife Beliefs

Woody Allen has famously said he is not afraid of dying; he just doesn’t want to be there when it happens. It’s no wonder his words struck a chord—“not being” is a scary proposition. Yet many Americans believe that their psyches will persist after the demise of their bodies. And it’s not only religious devotees who believe in the afterlife; young children say the same, and so do adults and children in other societies, including even those who are self-described “extinctivists.” Our afterlife beliefs, however, are remarkably inconsistent. On the one hand, we state that some aspects of our minds are immaterial, inasmuch as they survive our bodies. But on the other hand, we believe that some of these seemingly immaterial properties of the dead act like matter; for example, they are contagious, much like germs or excrement. Chapter 14 considers our views of what happens once we are no more. We will see that the collision between Dualism and Essentialism—the twin forces that stir up our misconceptions about our origins—are also responsible for these mistaken beliefs about our demise.

The Terminal Comma

2019 ◽  
pp. 189-220
Author(s):  
Oliver Morgan
Keyword(s):  
King Lear ◽  
The Other ◽  
Midsummer Night's Dream ◽  
Other Hand ◽  
A Midsummer Night's Dream ◽  
Turn Taking ◽  
The One ◽  
The Relationship

This chapter investigates the relationship between turn-taking and punctuation. On the one hand, punctuation seems to offer a way of resolving precisely those ambiguities over timing with which the second half of this book is concerned. On the other hand, the punctuation of Shakespeare’s texts is notoriously unreliable. No firm set of typographical conventions had yet evolved for the presentation of plays in print, and the punctuation they contain is more likely to be compositorial than authorial. In spite of these problems, the chapter argues for greater attention to punctuation at the ends of speeches and, in particular, to what it calls the ‘terminal comma’ in the early quartos of A Midsummer Night’s Dream and King Lear. Although largely ignored by editors and critics, these commas are often employed with a purpose and subtlety that is hard—but not impossible—to attribute to a compositor.

From textual orality to oral textuality: The case of voice queries

2019 ◽  
Vol 26 (4) ◽  
pp. 927-941
Author(s):  
Oren Soffer
Keyword(s):  
Young Children ◽  
Digital Media ◽  
Print Culture ◽  
The Other ◽  
The Internet ◽  
Cognitive Demands ◽  
Search Queries ◽  
Other Hand ◽  
Written Form ◽  
The One

This study analyzes the phenomenon of digital voice search queries against the background of the fluid and changing balance in the orality–literacy osmosis of different historical eras. In attempting to theoretically conceptualize the unique oral characteristics of this new digital feature, this article argues that as the result of technological considerations, voice querying manifests an attempt to discipline oral words – to pronounce them while thinking of their written form. The article also considers the oxymoron of ‘looking up’ information through spoken words; the effect of an interface that stresses the use of the oral words as an event; the devocalization of queries, as they transform into a written form; and the implications of browsing the Internet through oral word searches, especially for young children. It concludes that the integration of these oral features can be explained by the affordances of digital media on the one hand and the ‘revival’ of intuitive preprint features attempting to ease the cognitive demands of print culture on the other hand.

STUDENTS’ WORK IN SMALL DYNAMIC GROUPS AS A MEANS OF FORMATION OF SOME GENERAL COMPETENCES

2019 ◽  
pp. 261-264
Author(s):  
E.A. Komissarova ◽  
T.A. Revyakina
Keyword(s):  
Small Groups ◽  
Group Work ◽  
Information Society ◽  
The Other ◽  
Special Importance ◽  
Other Hand ◽  
Cognitive Motivation ◽  
The One

During an epoch of information society the technology of work in small groups is of special importance. On the one hand, competently organized group work promotes development of the person trained, disclosure of his natural abilities, activization of his cognitive motivation, and on the other hand, it forms general competences aimed at work in a group or a team, effective interac-tion with the colleagues, management and clients.

scholarly journals Die toerustingstaak van die Gereformeerde predikant: ’n praktiese bedieningsmodel

1998 ◽  
Vol 32 (1) ◽  
Author(s):  
J. M. Vorster
Keyword(s):  
South Africa ◽  
Small Groups ◽  
The Other ◽  
Worship Service ◽  
Other Hand ◽  
Ministry Of The Word ◽  
The Gift ◽  
Reformed Churches ◽  
The One ◽  
The Church

The mininstry of the minister in the Reformed churches in South Africa is strongly influenced by the insitutional model of the Church. The result of this pattern of ministry is that ministry in general is solely dependent on the work of the particular offices of minister. elder and deacon. The community of the saints and the general priesthood of the believers are thus neglected. This article explores ways in which the equipping task of the minister can be effectively rearranged in order to enhance the upbuilding of the church. In conclusion, it is stated that the Reformed minister can equip the believers by simultaneously using two patterns of ministry. On the one hand, the believers can he equipped by way of the ministry of the Word and Sacraments in the worship service and by the ministry of the Word in catechetical instruction and parish visiting. On the other hand, the Reformed minister can equip believers by enabling people with the gift of leadership to lead small groups in the congregation, with the ultimate aim of building up the community of the saints and the general priesthood of the believers.

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