Conclusion

2019 ◽  
pp. 249-260
Author(s):  
Oliver Morgan
Keyword(s):  
Early Modern ◽  
The Other ◽  
Detailed Knowledge ◽  
Performance Practices ◽  
Early Modern Theatre ◽  
Other Hand ◽  
Turn Taking ◽  
The One

This chapter examines the implications the turn-taking approach for our understanding of early modern performance practices. On the one hand, Shakespearean dialogue is full of subtle effects of timing and sequence that would seem to call for careful rehearsal and a detailed knowledge of the script. On the other hand, everything we know about early modern theatre suggests it was performed with minimal rehearsal by actors who did not necessarily know when, or from where, their next cue would arrive. This apparent mismatch I call ‘the performability gap’. The question is how it can be bridged. The explanation provided by Simon Palfrey and Tiffany Stern—that Shakespeare’s plays are designed to make artistic capital from their own under-rehearsal—does not entirely solve the problem. The second half of the chapter speculates about how else we might account for the gap.

scholarly journals Jak możliwa (do pomyślenia) jest dobrowolna niewola? O nowożytnych formach rządzenia, ideologii i spektaklu władzy

2020 ◽  
Vol 26 ◽  
pp. 101-110
Author(s):  
Mateusz Falkowski
Keyword(s):  
Political Philosophy ◽  
Early Modern ◽  
The Other ◽  
The Political ◽  
Historical Evolution ◽  
Other Hand ◽  
Starting Point ◽  
Etienne De La Boetie ◽  
The One ◽  
Voluntary Servitude

The article is devoted to the famous The Discourse of Voluntary Servitude by Étienne de La Boétie. The author considers the theoretical premises underlying the concept of “voluntary servitude”, juxtaposing them with two modern concepts of will developed by Descartes and Pascal. An important feature of La Boétie’s project is the political and therefore intersubjective – as opposed to the individualistic perspective of Descartes and Pascal – starting point. It is therefore situated against the background of, on the one hand, the historical evolution of early modern states (from feudal monarchies, through so-called Renaissance monarchies up to European absolutisms) and, on the other hand – of the political philosophy of Machiavelli and Hobbes.

„Ein Arzneibuch für alle Rezepte“ (Paolo Mattia Doria)

2018 ◽  
Vol 45 (3) ◽  
pp. 465-494
Author(s):  
Gisela Schlüter
Keyword(s):  
Early Modern ◽  
18Th Century ◽  
Political History ◽  
The Other ◽  
General Level ◽  
The Political ◽  
Power Politics ◽  
Other Hand ◽  
History Of ◽  
The One

Summary „A pharmacopoeia for any prescription“ (Paolo Mattia Doria).Machiavelliana after 1700 Recent research has gained many new insights into Machiavelli’s influence on Early Modern European political history. This article focuses on a so far little researched, but decisive stage in the history of Machiavelli’s influence, namely Paolo Mattia Doria’s treatise „La Vita Civile“ (1709/10; further editions in the 18th century), which was written in Naples, a centre of the Early European Enlightenment. In a peculiar mixture of anti-machiavellism that is inspired by Platonic thought and allegiance to Machiavellian ideas, Doria follows the structure and texture of Machiavelli’s „Il Principe“. The political treatise is still coloured by humanist ideas and includes a speculum principis („L’Educazione del Principe“). Despite the similarities, Doria criticizes Machiavelli’s amoral analysis of power politics and postulates, with reference to Machiavelli’s „Discorsi“, an ideal republic or a principality of virtue with a virtuous ruler (principe virtuoso) at the top. In the course of his analysis, Doria re-moralizes Machiavelli’s morally neutral, praxeological concept of virtù. The treatise reflects the fork in the history of Machiavelli’s influence both on a general level and in its details: the ambivalence of „Il Principe“ as political advice for the successful and unscrupulous prince on the one hand but, on the other hand, as an exposure of unscrupulous power politics, written modo obliquo by the passionate Republican whom Rousseau, for example, wanted to see in Machiavelli.

scholarly journals Of Prophecy and Piety: Spinoza’s Tractatus Theologico-Politicus between al-Farabî and Erasmus

Philosophies ◽  
2021 ◽  
Vol 6 (2) ◽  
pp. 51
Author(s):  
Michiel Leezenberg
Keyword(s):  
Early Modern ◽  
Tenth Century ◽  
The Other ◽  
Western Philosophy ◽  
Spiritual Exercises ◽  
Way Of Life ◽  
Low Countries ◽  
Other Hand ◽  
Moses Maimonides ◽  
The One

In this contribution, I discuss some less well-known premodern and early modern antecedents of Spinoza’s concepts and claims in the Tractatus Theologico-Politicus. On the one hand, I will argue, Spinoza’s notion of prophecy owes more to Moses Maimonides than to any Christian author; and through Maimonides, Spinoza may be linked to the discussion of prophecy in The Virtuous City by the tenth-century Islamic philosopher al-Farabî. Spinoza’s concern with prophecy as a popular formulation of the Divine Law may be fruitfully seen in the light of these two authors. On the other hand, Spinoza’s notion of pietas has arguably been shaped by a number of early modern authors from the Low Countries, including Thomas a Kempis and Erasmus: it does not consist in merely obeying the law, but also has a clear devotional and theist dimension of love for God and for one’s neighbors. As such, it may be associated with recent ideas on philosophy and spiritual exercises. These findings have a number of non-trivial implications for Spinoza’s place in the rise of modern, academic Western philosophy. I will discuss these implications in the context of Pierre Hadot’s influential views on philosophy as a way of life and Michel Foucault’s notion of spirituality.

Between systematization and rationalization

2020 ◽  
pp. 204-216
Author(s):  
Raf Van Rooy
Keyword(s):  
Early Modern ◽  
Regional Variation ◽  
Early Modern Period ◽  
The Other ◽  
The Enlightenment ◽  
Modern Period ◽  
Other Hand ◽  
New Concepts ◽  
The One ◽  
First Time

Chapter 16 discusses further evidence for the systematization and rationalization of the language / dialect distinction in the period 1650–1800, the age of rationalism and the Enlightenment. On the one hand, a kind of dialectological tradition emerged. The study of regional variation became a subfield of philology, albeit never an autonomous one; occasionally, it even now received the label of dialectologia, apparently introduced in 1650. For the first time, philologists presented dissertations on dialectal diversity that were no longer exclusively focused on the Greek dialects. On the other hand, scholars adopted more rational attitudes towards the conceptual pair. Some chose to supplement the binary contrast with new concepts. Others advocated distinguishing more clearly between different interpretations of the language / dialect distinction. Confusion persisted, however, throughout the early modern period. The first vocal sceptic of the conceptual pair was Friedrich Carl Fulda, who made it painfully clear how arbitrary and imprecise the distinction actually was.

The Terminal Comma

2019 ◽  
pp. 189-220
Author(s):  
Oliver Morgan
Keyword(s):  
King Lear ◽  
The Other ◽  
Midsummer Night's Dream ◽  
Other Hand ◽  
A Midsummer Night's Dream ◽  
Turn Taking ◽  
The One ◽  
The Relationship

This chapter investigates the relationship between turn-taking and punctuation. On the one hand, punctuation seems to offer a way of resolving precisely those ambiguities over timing with which the second half of this book is concerned. On the other hand, the punctuation of Shakespeare’s texts is notoriously unreliable. No firm set of typographical conventions had yet evolved for the presentation of plays in print, and the punctuation they contain is more likely to be compositorial than authorial. In spite of these problems, the chapter argues for greater attention to punctuation at the ends of speeches and, in particular, to what it calls the ‘terminal comma’ in the early quartos of A Midsummer Night’s Dream and King Lear. Although largely ignored by editors and critics, these commas are often employed with a purpose and subtlety that is hard—but not impossible—to attribute to a compositor.

scholarly journals Winiety metropolii pentarchii na mapach średniowiecznych i wczesnonowożytnych

Vox Patrum ◽  
2014 ◽  
Vol 62 ◽  
pp. 213-296
Author(s):  
Piotr Kochanek
Keyword(s):  
Early Modern ◽  
The Other ◽  
Modern World ◽  
Religious Buildings ◽  
Other Hand ◽  
Close Relationship ◽  
History Of ◽  
The One

The idea of the pentarchy directly expressed by Justinian I (527-565) – Novella 131 – is also perceptible in cartography. This paper examines the 41 medieval and early modern world maps in the context of the vignettes of the pentarchy. From the above analysis shows that almost every map from this period had a vignette of Jerusalem and 37 maps have a vignette of Rome. But only 28 maps have a vi­gnette of Alexandria, 24 maps have a vignette of Constantinople, and 20 maps have a vignette of Antiochia. In the case of Jerusalem, a huge majority of vignettes is a sacred buildings (most often it is the Tomb of Christ). Only in three cases is a Holy Cross. In contrast, Rome’s vignettes represent both religious buildings and fortifications. As for the drawings on the vignettes of Antiochia, Alexandria, and Constantinople, the vast majority of them are character of fortifications. These vignettes are, on the one hand, a close relationship with the history of these cit­ies, on the other hand, they are associated with the medieval and early modern politic ideology and theology. This paper is trying to capture and analyze these complicated, religious, political, and theological relationships, and explaining the meaning of these vignettes.

scholarly journals Resting with Pines in Nida – attempts at performing with plants

2019 ◽  
Vol 4 (2) ◽  
pp. 452-475 ◽  
Author(s):  
Annette Arlander
Keyword(s):  
Feminist Theory ◽  
The Other ◽  
Current Interest ◽  
Curonian Spit ◽  
Research Project ◽  
Performance Practices ◽  
Other Hand ◽  
Art Colony ◽  
The One ◽  
Materialist Feminist

Is it possible to respond to the challenge of a philosopher with artistic means, rather than on the one hand by attempting to philosophize, or on the other hand by resorting to illustration or application? Perhaps it is not. This text is nevertheless an attempt at responding to the challenge posed to artists by Michael Marder who, in volume 1 of this journal, challenged philosophers and artists ‘to include the spatiality, movement, and perspective of the vegetal in their work’ (Marder 2015, 192). The artistic research project ‘Performing with plants’ could be understood as a response to this challenge. In this text I will briefly outline the plan for the project, relate it to the current interest in plant thinking, plant theory and new materialist feminist theory and then focus on some works loosely related to the project, which seem to resonate with Marder’s challenge in some sense. The variations of Resting with Pines performed in September 2017 in Nida Art Colony on the Curonian spit in Lithuania will serve as attempts to include and even emulate the vegetal, and as an example of a characteristic common to many performance practices, namely the tendency to go on, to ‘keep growing’.

scholarly journals Turn-Taking, Children, and the Unpredictability of Fun

AI Magazine ◽  
2017 ◽  
Vol 37 (4) ◽  
pp. 55-62 ◽  
Author(s):  
Jill Fain Lehman ◽  
Iolanda Leite
Keyword(s):  
Young Children ◽  
Small Groups ◽  
Freedom Of Expression ◽  
The Other ◽  
Other Hand ◽  
Turn Taking ◽  
The One

When the goal is entertainment, designing language-based interactions between characters and small groups of young children is a balancing act. On the one hand, an autonomous character should support the freedom of expression and natural behaviors of children having fun. On the other hand, an autonomous character is only capable of supporting the activity it’s designed for and the behavior it anticipates. In the last five years we have watched this tension between freedom and constraint play out in hundreds of small groups in a variety of activities. Using two of the activities as examples, we chart the ups and downs of turn-taking and other language behaviors along the Fun Curve.

Die Historische Syntax des Deutschen braucht die Sprachtypologie – und umgekehrt

2015 ◽  
Vol 43 (3) ◽  
Author(s):  
Horst J. Simon
Keyword(s):  
The Other ◽  
Detailed Knowledge ◽  
Linguistic Typology ◽  
Vast Amount ◽  
Other Hand ◽  
Historical Syntax ◽  
General Linguistics ◽  
The One

AbstractIn this paper I try to demonstrate the benefits of interaction between the fields of historical syntax of German on the one hand and linguistic typology on the other hand. Using four examples for each direction, I argue that both fields need each other’s input: German historical syntax can learn to avoid various forms of parochialism, and at the same time it can feed its vast amount of detailed knowledge into discussions of general linguistics.

A Powerful Antidote, a Strange Camel and Turkish Pepper: Iberian Science, the Discovery of the New World and the Early Modern Czech Lands

2016 ◽  
Vol 21 (2-3) ◽  
pp. 214-231 ◽  
Author(s):  
Jana Černá
Keyword(s):  
Early Modern ◽  
Scientific Knowledge ◽  
New World ◽  
The Other ◽  
Information Network ◽  
Central European ◽  
Other Hand ◽  
European Science ◽  
The One ◽  
Czech Lands

This article analyses the reception of knowledge about new world nature, and, more specifically, the reception of Iberian scientific knowledge of nature in the Americas, in the early modern Czech lands. It shows how the process of the reception of information about nature in the new world differed among the urban classes, intellectuals and the nobility; particular attention is paid to herbals, cosmographical works and travel reports. On the one hand, the study reveals that the efforts of Central European intellectuals to interpret new world nature were limited by the lack of necessary data and experience, which led to some misinterpretations and simplifications. On the other hand, it shows these Central European scholars to be fully-fledged members of an information network, whose works share many of the same characteristics as Iberian and, in general, early modern European science.


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