scholarly journals THE ROLE OF CARTOON IN THE FORMATION OF ASIAN COMMUNITY: ART HISTORY ANALYSIS

2017 ◽  
Vol 13 (1) ◽  
pp. 27
Author(s):  
Muliyadi Mahamood
Keyword(s):  
Art History ◽  
Visual Communication ◽  
Social Criticism ◽  
Contextual Analysis ◽  
Media Ownership ◽  
Community Art ◽  
Asian Community ◽  
History Analysis ◽  
Editorial Cartoons

Cartoon art is a form of visual communication that can effectively convey a message and social criticism. In the Malaysian context, the editorial cartoons have been proven as effective since the beginning of independence until now. Even so, the form and style of criticism have always been changing through the time and are influenced by environmental, socio-political, legal and media ownership factors. Through formalistic and contextual analysis of selected works from Malaysia, particularly in Lat cartoons, this paper seeks survey and examines the existence of Asian cartoon style role towards the formation of the Asian community.

scholarly journals Studying the Place of Intertextuality in Iranian Painting (Case Samples: Qajar Era)

2016 ◽  
Vol 10 (12) ◽  
pp. 156 ◽  
Author(s):  
Panahi Siamak ◽  
Farazjou Forough ◽  
Majdi Shima
Keyword(s):  
Art History ◽  
Julia Kristeva ◽  
Roland Barthes ◽  
Community Art ◽  
First Time ◽  
Gerard Genette

Intertextuality studies are as one of the significant approaches in literature and art. This term for the first time was proposed by Julia Kristeva 60s and later it was expanded by persons such as Roland Barthes, Gerard Genette & et al. Nowadays we are living in a world which is full of texts and these texts are born in it, grow and finally give their place to other texts but they aren’t disappeared. These texts are knotted to each other with intertextuality rules and they have interaction with each other. They sometimes deny or confirm each other but any way they influence on each other. In fact existence of sign world and existing texts and their effects in creation of each artistic effect are inevitable.This paper intends to consider the applicable studies of intertextuality in Iranian community art by concentrating on Qajar era painting. And it refers to the role of intertextuality in producing and reading the works by studying the case samples.The methodology in this research with review of art history and due to the analyses done on the works (sample to sample) will be analytic-descriptive according to the allegorical method.

scholarly journals Philosophical reception in modern art history

2021 ◽  
pp. 46-56
Author(s):  
Evgeniy Aleksandrovich Popov
Keyword(s):  
Art History ◽  
Modern Art ◽  
Philosophy Of Art ◽  
Collective Consciousness ◽  
Close Attention ◽  
History Analysis ◽  
The Social ◽  
Leading Position ◽  
The Subject

This article explores the applicability of philosophical reception in terms of analysis of the phenomenon and the essence of art and artworks. The goal of this research lies in substantiation of the need for proliferation of the philosophical reception in art history for the holistic study of art in the aspect of its “ontologization”. Emphasis is placed on the fact that modern art history sets the tone in examination of the formal and substantive sides of art, its types and genres. Methodological and theoretical framework for art history is the philosophy of art, which recently however does not hold the leading position in the analysis of art, and even yields to aesthetics. The problem of comprehending the essence of art and the value role of artwork in life of a person and society remains open. It is rather not the subject of close attention of the art historians, but may become such. Thus, the art history analysis should be complemented with the philosophical reception. Namely this aspect is given special attention in this research. Philosophical reception is a peculiar algorithm for understanding the meanings and ideas of the artwork, as well as realization of the essence of this phenomenon. Art is often viewed as one of the forms of collective consciousness (along with science, mythology, etc.); however, the philosophical reception helps to establish the value-semantic nature of art that prevails over the social and aesthetic. Comprehension of any genre or type of art through the prism of art history is essentially refracted in the philosophical reception. In this case, the researcher is able not only assess the style and genre nature of the artwork, but also to trace its position in the turn of eras, personality concepts, ideologies, and worldviews. It is undoubtedly gives an apparent advantage to any modern researcher who aims to perceive the essence of art.

scholarly journals Российские академики XIX – начала XX века в собрании В.П. Сукачёва

2020 ◽  
pp. 186-215
Author(s):  
L.N. Snytko
Keyword(s):  
Art Education ◽  
National Culture ◽  
Art History ◽  
Art Criticism ◽  
Art Museum ◽  
Russian Society ◽  
History Analysis ◽  
History Of ◽  
Imperial Academy

The article is devoted to the history of the collection of the Irkutsk Regional Art Museum named after V.P. Sukachev, which includes a unique collection of leading Russian artists of the 18th – 20th centuries. The formation of this collection became possible thanks to the founder of the museum V.P. Sukachev. A detailed analytical overview of the history of the collection is given; the factors contributing to its formation are highlighted, an art history analysis of the main works is carried out; the role of the St. Petersburg Imperial Academy of Arts in the formation and development of national culture, in art education and the upbringing of Russian society is noted. The research uses methods: historical-genetic, comparative, as well as a set of art criticism methods. Статья посвящена истории собрания Иркутского художественного музея имени В.П. Сукачёва, которое включает в себя уникальную коллекцию ведущих отечественных художников XVIII–XX веков. Началом ее формирования Иркутск обязан основателю музея В.П. Сукачёву. Дается подробный очерк истории собрания; выделяются факторы, способствующие его формированию, проводится искусствоведческий анализ основных произведений; отмечается роль Императорской Академии художеств в формировании и развитии отечественной культуры, в художественном образовании и воспитании российского общества. В исследовании применяются методы: историко-генетический, компаративный, а также комплекс искусствоведческих методов.

scholarly journals The formation of the art of socialistic realism in Mongolia: the main stages, the role of the Russian art school

2021 ◽  
pp. 170-187
Author(s):  
Д. Уранчимэг ◽  
Ян Гоу Чин
Keyword(s):  
Contemporary Art ◽  
Art History ◽  
Fine Arts ◽  
Socialist Realism ◽  
Buddhist Art ◽  
Russian School ◽  
Russian Art ◽  
History Analysis ◽  
Art School

Статья посвящена стилю социалистического реализма в изобразительном искусстве Монголии. Выделены основные этапы становления и факторы его формирования: революционные события и утверждение идеологии социализма; поддержка нового направления правительством Монголии, а также влияние российской художественной школы. Показана роль Российской академии художеств, Института им. И.Е. Репина, Института им. В.И. Сурикова в обучении и передаче художественных традиций и навыков монгольским художникам. Отмечено своеобразие монгольского варианта стиля соцреализма, синтезировавшего приемы и методы российской школы живописи с народными формами художественного творчества и буддийским искусством; показана непреходящая значимость и востребованность данного стиля в современном искусстве Монголии. Охарактеризовано творчество ведущих монгольских художников, и проведен искусствоведческий анализ ряда произведений. The article is devoted to the style of socialistic realism in the fine arts of Mongolia. The main stages of formation and factors of its formation are highlighted: revolutionary events and the establishment of the ideology of socialism; support of the new authorities of Mongolia, as well as the influence of the Russian art school. The role of the Russian Academy of Arts, the I.E. Repin St. Petersburg State Academic Institute of Painting, Sculpture and Architecture, the Moscow State Academic Art Institute named after V.I. Surikov in teaching and transferring artistic traditions and skills to Mongolian artists is shown. The peculiarity of the Mongolian version of the style of socialist realism, which synthesized the techniques and methods of the Russian school of painting with folk forms of art and Buddhist art, is noted; the enduring importance and relevance of this style in the contemporary art of Mongolia is shown. The work of leading Mongolian artists is characterized and an art history analysis of a number of works is carried out.

scholarly journals И.С. Глазунов — меценат, коллекционер, основатель музея Российской академии живописи, ваяния и зодчества

2021 ◽  
pp. 206-219
Author(s):  
E.A. Skorobogacheva
Keyword(s):  
National Culture ◽  
Art History ◽  
Educational Process ◽  
Museum Collections ◽  
Artistic Value ◽  
History Analysis ◽  
History Of ◽  
The Russian Federation ◽  
First Time

The article is devoted to the Museum of the Ilya Glazunov Russian Academy of Painting, Sculpture and Architecture. With the help of a comprehensive analysis, the history of the foundation of the museum by Ilya S. Glazunov in the 1980s and 1990s, the stages of enriching the Museum's collections in the 2000s and 2010s are studied. The purpose of the study is to characterize the activities of the Academy's museum, to justify the importance, the value of Museum collections, primarily in the educational process in mastering the skills of the realist school. The combination of historical, problem-logical, typological-systemic methods made it possible to evaluate the samples of professional art, to give their interpretation against the background of the general historical situation and the processes that determine the development of the national culture of the present time. For the first time among the rarities of the Academy's museum, more than 20 works of painting and graphics of the 19th — first half of the 20th century, included in the state part of the Museum Fund of the Russian Federation, are marked, their art history analysis is given, and their artistic value is revealed. The study revealed the role of I.S. Glazunov as an outstanding public figure, philanthropist, collector. В статье посредством применения комплексного анализа изучена история основания И.С. Глазуновым музея Российской академии живописи, ваяния и зодчества в 1980–1990-х годах, этапы пополнения музейных коллекций в 2000–2010-е годы. Цель исследования — охарактеризовать деятельность музея академии, обосновать актуальность, значение музейного собрания, прежде всего, в учебном процессе — в овладении навыками реалистической школы. При сочетании исторического, проблемно-логического, типологически-системного методов оценены образцы профессионального искусства, дана их интерпретация на фоне общей исторической ситуации и процессов, определяющих развитие отечественной культуры настоящего времени. Впервые среди раритетов академического музея обозначено более 20 произведений живописи и графики XIX – первой половины ХХ века, включенных в государственную часть Музейного фонда Российской Федерации, дан их искусствоведческий анализ, раскрыта художественная ценность. В результате исследования выявлена роль И.С. Глазунова как выдающегося общественного деятеля, мецената, коллекционера.

GENRE OF LANDSCAPE IN THE WORK OF M. M. SHABANOV

2021 ◽  
pp. 94-100
Author(s):  
Zaripat Abdullaevna Akhmedova
Keyword(s):  
Art History ◽  
History Analysis

The article deals with the genre of landscape in the work of the People's Artist Magomed Magomedovich Sha-banov. The author gives a brief art history analysis of many works of the landscape genre. Comes to the con-clusion that the artist's landscapes changed depending on the era, time of creation.

Divine and Demonic Imagery at Tor de'Specchi, 1400-1500

2018 ◽  
Author(s):  
Suzanne Scanlan
Keyword(s):  
Fifteenth Century ◽  
Gender Studies ◽  
Art History ◽  
Religious Women ◽  
And Gender ◽  
Corporeal Nature

In the fifteenth century, the Oblates of Santa Francesca Romana, a fledgling community of religious women in Rome, commissioned an impressive array of artwork for their newly acquired living quarters, the Tor de'Specchi. The imagery focused overwhelmingly on the sensual, corporeal nature of contemporary spirituality, populating the walls of the monastery with a highly naturalistic assortment of earthly, divine, and demonic figures. This book draws on art history, anthropology, and gender studies to explore the disciplinary and didactic role of the images, as well as their relationship to important papal projects at the Vatican.

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