Supporting Learning for Art Museum Visitors with Visual AR Overlays Applied to a Long Scroll Painting

2021 ◽  
Author(s):  
Weicheng Liu
Keyword(s):  
Art Museum ◽  
Museum Visitors

scholarly journals Korok és Kórok kiállítás 2019-2020

2021 ◽  
Vol 11 (22) ◽  
pp. 305-315
Author(s):  
Krisztina Scheffer ◽  
Enikő Szvák ◽  
Hedvig Győry
Keyword(s):  
Natural History ◽  
Educational Program ◽  
Art Museum ◽  
Additional Material ◽  
History Museum ◽  
Museum Visitors ◽  
Know How ◽  
Hungarian Natural History Museum ◽  
Insight Into ◽  
Made In

The HNM Semmelweis Museum of Medical History's exhibition „Diseases for the Ages, What the Deceased Tell Us”, is displaying the anthropological collection of the Museum which never was presented earlier, and the mummy-research made in the framework of the Nephthys Project, with some additional material from the Hungarian Natural History Museum and the Hopp Ferenc Asian Art Museum. Visitors can learn about the appearance of known and little-known diseases visible on archaeological human remains and gain insight into the know-how and the results of the mummy research. The exhibition is accompanied by a museum educational program and a series of lectures.

scholarly journals Exhibiting Inclusion: An Examination of Race, Ethnicity, and Museum Participation

2021 ◽  
Author(s):  
Alexandra Olivares ◽  
Jaclyn Piatak
Keyword(s):  
Cultural Heritage ◽  
Ethnic Diversity ◽  
Race And Ethnicity ◽  
General Social Survey ◽  
Art Museum ◽  
Art Museums ◽  
Social Survey ◽  
Museum Visitors ◽  
The Usa ◽  
Race Ethnicity

AbstractMuseum visitors are not reflective of the diversity present in communities around the nation. In this study, we investigate the racial and ethnic diversity of art museum participants as well as the potential motivations and barriers to visiting a museum. Using the General Social Survey, we examine race and ethnicity and arts participation in the USA. We find Black individuals are less likely to attend an art museum than white individuals. Certain motivations and barriers to participating may explain part of the lack of diversity. We find Black and Latinx individuals are motivated to participate in art museums for cultural heritage reasons more than white individuals, but race and ethnicity are unrelated to perceiving admission fees as a barrier. This research highlights the urgency in the field to make museums more inclusive.

scholarly journals Place and Cultural Capital: Art Museum Visitors Across Space

2017 ◽  
Vol 14 (1) ◽  
pp. 65-81 ◽  
Author(s):  
Laurie Hanquinet
Keyword(s):  
Cultural Capital ◽  
Contemporary Art ◽  
Aesthetic Experience ◽  
Pierre Bourdieu ◽  
Art Museum ◽  
Museum Visitors ◽  
Urban Characteristics ◽  
The Way

In the establishment of people’s lifestyles, places, and especially cities, havebecome central arenas for display and consumption, and have become part ofthe aesthetic experience itself. These changes have affected the composition ofcultural capital, which may have then taken an urban dimension. Art museumvisitors, often associated with highbrow culture, constitute an excellent case studyto explore the links between cultural capital and place. Based on a survey of 1900visitors of the six main museums of modern and contemporary art in Belgium,this article will focus on the distribution of the audience characterized by theircultural tastes and activities across the Belgian territory (through their postcodes).It shows that visitors mainly come from areas with high and moderate densityand that the socio-demographic but also urban characteristics of their place ofresidence can be related to the way visitors’ cultural capital is composed. Yet,it also suggests that places like cities (just like museums) form meeting places,in which co-exist and interact different stories, different trajectories and, as thisarticle shows, a multiplicity of lifestyles.Keywords: Museum visitors; Pierre Bourdieu; cultural capital; audiences; Belgium.

Art museum visitors: interaction strategies for sharing experiences

2014 ◽  
Vol 29 (3) ◽  
pp. 241-259 ◽  
Author(s):  
Jordi López Sintas ◽  
Ercilia García Álvarez ◽  
Elena Pérez Rubiales
Keyword(s):  
Art Museum ◽  
Museum Visitors

scholarly journals Integration of Handheld Guides in Museums: The Case of Lithuania’s Art Museums

2019 ◽  
Vol 15 (1) ◽  
pp. 71-82
Author(s):  
Milda Rutkauskaitė
Keyword(s):  
Cultural Heritage ◽  
Observational Data ◽  
Scientific Literature ◽  
Art Museum ◽  
Art Museums ◽  
Integration Process ◽  
Museum Visitors ◽  
Works Of Art ◽  
Successful Integration

Summary The most common technological device found in organisations of cultural heritage is a handheld guide. This device can simultaneously perform several functions, and its integration in permanent expositions has significance both for the operation of organisations of cultural heritage and experience of visitors when they visit a museum or a gallery. It should be noted that art museums and galleries encounter a task to present often static and difficult to understand at first sight works of art in an interesting fashion. Therefore, in this study, the main functions of a handheld guide as a technological device as well as its benefits, problems, and application in art museums are analysed. In the first part of the study, various functions of handheld guides, their importance, the meaning produced for the organisation of cultural heritage, and experience of a visitor are analysed based on scientific literature. Problems of integration of handheld guides and strategic steps that should be taken to ensure a successful integration process are reviewed. In the second part, four cases of Lithuanian art museums are presented. All museums that participated in the survey were analysed by collecting observational data, communicating with the managers of the organisations, and analysing the experience of museum visitors using the handheld guide. Scientific literature presented in the article substantiates the importance of handheld guides in museums and possible problems of integration of such devices. The study conducted in Lithuanian art museums reveals the fact that handheld guides are significant devices that help improve the experience of a museum visitor, but it is also observed that handheld guides have not yet become an integral part of a visit to a Lithuanian art museum.

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