scholarly journals Festa ao Divino Pai Eterno: representações patriarcalismo em Panamá (GO)

2018 ◽  
Vol 11 (1) ◽  
pp. 56
Author(s):  
Eloane Aparecida Rodrigues Carvalho

O presente artigo visa abordar a festa ao Divino Pai Eterno a partir de representação simbólica em prol a Deus-Pai e ritualísticas que se entrelaçaram entre os preceitos católicos e os hábitos cotidianos daqueles que vivenciaram e vivenciam esse momento de encontro. Em Panamá, desde o início, a crença religiosa na divindade adquiriu características específicas da Região Sul de Goiás, sobretudo a imagem do padroeiro, já que corresponde segundo os dogmas cristãos a Santíssima Trindade. Vale considerar que essa devoção popular aos poucos foi sendo evangelizada, principalmente durante a festa, na medida em que os sermões inseridos nas liturgias eram e são voltados para as doutrinas católicas, a saber: missas, batismos, novenas, confissões, procissões, dentre outras. Para tanto, essa pesquisa está assente nas perspectivas de autores da história cultural, da sociologia e da antropologia a fim de compreender os resquícios do patriarcalismo inserido no contexto da manifestação religiosa panamaense. Party to the Divine Father Eternal: representations of patriarchalism in Panama (GO) The present article aims to approach the feast to the Divine Father Eternal from symbolic representation in favor of God-Father and rituals that were intertwined between the Catholic precepts and the daily habits of those who lived and experienced this moment of encounter. In Panama, from the beginning, religious belief in the deity acquired specific characteristics of the Southern Region of Goiás, above all the image of the patron saint, since according to Christian dogmas the Holy Trinity corresponds. It is worth to consider that this popular devotion was gradually being evangelized, especially during the feast, inasmuch as the sermons inserted in the liturgies were and are directed to Catholic doctrines, namely: masses, baptisms, novenas, confessions, processions, among others. To do so, this research is based on the perspectives of authors of cultural history, sociology and anthropology in order to understand the remnants of patriarchalism inserted in the context of the manifestation religious Panamanian.

Author(s):  
Robert J. Fogelin
Keyword(s):  
Do So ◽  

Philo presses arguments as if drawn from a Pyrrhonist handbook: attempts to put religious belief on a rational footing fail to do so, and even more, they undercut the very commitments they are intended to establish.


At least four writing systems—in addition to the Phoenician, Greek, and Latin ones—were used between the fifth century BCE and the first century CE to write the indigenous languages of the Iberian peninsula (the so-called Palaeohispanic languages): Tartessian, Iberian, Celtiberian, and Lusitanian. In total over three thousand inscriptions are preserved in what is certainly the largest corpus of epigraphic expression in the western Mediterranean world with the exception of the Italian peninsula. The aim of this book is to present a state of the question that includes the latest cutting-edge scholarship on these epigraphies and the languages that they transmit. To do so, the editors have put together a volume that from a multidisciplinary perspective brings together linguistic, philological, epigraphic, numismatic, historical, and archaeological aspects of the surviving inscriptions. The study of these languages is essential to achieve a better understanding of the social, economic, and cultural history of Hispania and the ancient western Mediterranean. They are also the key to our understanding of colonial Phoenician and Greek literacy, which lies at the root of the spread of these languages and also of the diffusion of Roman literacy, which played an important role in the final expansion of the so-called Palaeohispanic languages.


Interiority ◽  
2020 ◽  
Vol 3 (1) ◽  
pp. 21-40
Author(s):  
Maria Vidali

This article is created out of the architectural space and narratives of village life. The narratives concern the interiority of life in Kampos, a farming village on the Greek Cycladic island of Tinos, on the day when the village celebrates the Holy Trinity, its patron saint. The village area on this festive day is depicted in the movement of the families from their houses to the church, the procession from the patron saint’s church to a smaller church through the main village street, and, finally, in the movement of the villagers back to speci!c houses. Through a series of spatial and social layers, the meaning of the communal table on the day of the festival, where food is shared, is reached. A series of negotiations create a different space, where the public, private and communal blend and reveal different layers of “interiority” through which this community is bounded and connected. In this article, I follow the revelation and discovery of truth through fiction, story or myth, as argued by the French philosopher Paul Ricoeur.


Rhetorik ◽  
2019 ◽  
Vol 38 (1) ◽  
pp. 72-93
Author(s):  
Julia Enzinger

Abstract The present article investigates the literary representation of biographical and geological coherence in Max Frisch’s narrative Der Mensch erscheint im Holozän (1979), a story about a pensioner suffering from dementia, who has to cope with both the erosion of his memory as well as the geological erosion in the Swiss Alps. On the basis of Hayden White’s tropics of discourse and Stephen Jay Gould’s study on Myth and Metaphor in the Discovery of Geological Time, the rhetorical strategies being used by Frisch are examined in order to articulate the tension between human history and the history of nature and earth. Focusing on the two main tropes in the text, synecdoche and irony, the analysis will show how the text tries to escape forms of anthropomorphism – especially by generating a ›transhuman‹ perspective – but ultimately confesses its failure to do so. Holozän thus can be seen as an ironical (self-)reflection on the limits of rhetoric and language in terms of depicting non-human history.


2020 ◽  
pp. 227-280
Author(s):  
David M. Carballo

Histories of the conquest often end with the fall of Tenochtitlan, but the forging of New Spain required decades of continued military invasions in which central Mexicans, in particular, played leading roles. This chapter examines how the Tlaxcalteca and other Native allies petitioned the Spanish Crown for certain rights and privileges, as a form of negotiation within a system of domination and oppression, even sailing across the Atlantic to Spain multiple times to do so in person. Imperial rule and religious conversion could occasionally be challenged or proactively shaped by Mesoamericans, generating hybrid forms of religious belief, public spectacles, art, architecture, diet, and personal adornment, all inscribed on Mexico’s natural and cultural landscape. Such exchanges also crossed the Atlantic, and eventually the Pacific, to begin a truly global world history.


2007 ◽  
Vol 15 (1) ◽  
pp. 85-108
Author(s):  
Ze'ev Levy

AbstractThe story of the Aquedah represents one of the most moving stories of the Bible. Most modern discussions on it take their point of departure from Soren Kierkegaard's Fear and Trembling. I shall do so too in this essay, which focuses on the relations between ethics and religious belief and tries to show that Kierkegaard misinterpreted the story. The inquiry analyzes philosophical responses to the Aquedah from Philo and Jewish and non-Jewish philosophers until the present. It underscores its paradoxical implications, including a structuralist analysis and comparison of the Aquedah with the biblical story of Yephta's daughter. The final conclusion asserts that what Kierkegaard extolled, Judaism condemns as sacrilege.


Author(s):  
Jane F. Fulcher

This article introduces the convergence of two different fields: cultural history and music. It begins by discussing the revival of the cultural history of music and the theoretical synthesis that occurred within these two converging disciplines. It notes that both musicologists and historians are trying to not only return to the goal of capturing the complexity and texture of experience, communication, and understanding in the past, but also to do so by using a theoretically sophisticated approach. This article notes that cultural history and music are identifying the latter as a privileged point of entry into questions about past cultures.


Textus ◽  
2019 ◽  
Vol 28 (1) ◽  
pp. 125-144
Author(s):  
Michael Shepherd

Abstract The multiplication of psalm superscriptions in the Greek Psalter vis-à-vis the MT raises a question about whether such additions were prompted by the Hebrew or by the Greek text. The present article attempts to answer this question specifically regarding the addition of the names of the prophets Haggai and Zechariah in LXX-Pss 110; 111; 137; 138; 145–150 (= MT 111; 112; 138; 139; 146–150). The thesis is that these names were added secondarily and exclusively within Greek tradition, but the basis for the decision to do so in each case can be traced back to the main body of the Hebrew psalm behind the Greek translation in one of three ways. Thus, the superscriptions are not only part of the history of interpretation of the Greek Psalter but also part of the history of interpretation of the Hebrew text behind it.


Rhetorik ◽  
2019 ◽  
Vol 38 (1) ◽  
pp. 72-93
Author(s):  
Julia Enzinger

Abstract The present article investigates the literary representation of biographical and geological coherence in Max Frisch’s narrative Der Mensch erscheint im Holozän (1979), a story about a pensioner suffering from dementia, who has to cope with both the erosion of his memory as well as the geological erosion in the Swiss Alps. On the basis of Hayden White’s tropics of discourse and Stephen Jay Gould’s study on Myth and Metaphor in the Discovery of Geological Time, the rhetorical strategies being used by Frisch are examined in order to articulate the tension between human history and the history of nature and earth. Focusing on the two main tropes in the text, synecdoche and irony, the analysis will show how the text tries to escape forms of anthropomorphism – especially by generating a ›transhuman‹ perspective – but ultimately confesses its failure to do so. Holozän thus can be seen as an ironical (self-)reflection on the limits of rhetoric and language in terms of depicting non-human history.


2011 ◽  
Vol 34 (1) ◽  
pp. 55-70 ◽  
Author(s):  
Ann Fienup-Riordan

Abstract The Nelson Island Natural and Cultural History Project originated in the desire of community members in the Yup’ik villages of Chefornak, Nightmute, Toksook Bay, Tununak, and Newtok to document and share their history with their younger generation. To do so, they invited non-Native scientists to join them in village gatherings as well as on a three-week circumnavigation of Nelson Island (Alaska), during which elders reflected on changes in weather patterns, animal migrations, sea-ice conditions, and related harvesting activities. To date, a defining feature of our conversations has been the integrated way in which information is shared and elders’ reticence to distinguish between human impacts on the environment and the “natural” effects of climate change.


Sign in / Sign up

Export Citation Format

Share Document