scholarly journals Beyond the Maker Movement: A Preliminary Partial Literature Review on the Role of Makerspaces in Engineering Education

2020 ◽  
Author(s):  
Tylesha Drayton
Author(s):  
Tandra Lea Tyler-Wood

Digital fabrication and the “maker movement” can play a major role in bringing computational technology into the 21st century classroom. Digital fabrication is defined as the process of translating a digital design developed on a computer into a physical object or any process for producing/printing a three-dimensional (3D) object. The maker movement is a platform for today's futuristic artisans, craftsmen, designers and developers to create, craft, and develop leading ideas and products. Digital fabrication and “making” could provide a new platform for bringing powerful ideas and meaningful tools to students. Digital fabrication has the potential to be “the ultimate construction kit.” Digital fabrication has strong ties to the maker movement. Maker spaces provide students with safe areas that allow students to safely use digital fabrication to make, build, and share their creations. This chapter will look at the role that digital fabrication can play in incorporating computational technology into the K-12 classroom.


2014 ◽  
Vol 84 (4) ◽  
pp. 495-504 ◽  
Author(s):  
Erica Rosenfeld Halverson ◽  
Kimberly Sheridan

In this essay, Erica Halverson and Kimberly Sheridan provide the context for research on the maker movement as they consider the emerging role of making in education. The authors describe the theoretical roots of the movement and draw connections to related research on formal and informal education. They present points of tension between making and formal education practices as they come into contact with one another, exploring whether the newness attributed to the maker movement is really all that new and reflecting on its potential pedagogical impacts on teaching and learning.


2021 ◽  
Vol 14 (1) ◽  
pp. 1-30
Author(s):  
Katya Borgos-Rodriguez ◽  
Maitraye Das ◽  
Anne Marie Piper

Despite the promise of the maker movement as empowering individuals and democratizing design, people with disabilities still face many barriers to participation. Recent work has highlighted the inaccessible nature of making and introduced more accessible maker technologies, practices, and workspaces. One less explored area of accessible making involves supporting more traditional forms of craftwork, such as weaving and fiber arts. The present study reports an analysis of existing practices at a weaving studio within a residential community for people with vision impairments and explores the creation of an audio-enhanced loom to support this practice. Our iterative design process began with 60 hours of field observations at the weaving studio, complemented by 15 interviews with residents and instructors at the community. These insights informed the design of Melodie, an interactive floor loom that senses and provides audio feedback during weaving. Our design exploration of Melodie revealed four scenarios of use among this community: promoting learning among novice weavers, raising awareness of system state, enhancing the aesthetics of weaving, and supporting artistic performance. We identify recommendations for designing audio-enhanced technologies that promote accessible crafting and reflect on the role of technology in predominantly manual craftwork.


2021 ◽  
Vol 13 (24) ◽  
pp. 13559
Author(s):  
Hanna Saari ◽  
Maria Åkerman ◽  
Barbara Kieslinger ◽  
Jouko Myllyoja ◽  
Regina Sipos

This article explores the multiple meanings of the concept of openness in the global maker movement. Openness is viewed as one of the key principles of the maker movement. As the global maker movement is a bricolage of diverse and situated practices and traditions, there are also many different interpretations and ways of practicing openness. We have explored this diversity with an integrative literature review, relying on the Web of Science™ database. We identified three interrelated but also, in part, mutually contested approaches to openness. Firstly, openness often refers to applying open hardware. Secondly, it is in many cases related to the inclusion and empowerment of various groups in making. Thirdly, openness appears to be seen as a means to pursue economic growth through increasing innovation activity and entrepreneurship. Our results also highlight the substantial barriers encountered by makers while aiming to open up their practices. These barriers include: value conflicts in which openness is overridden by other important values; exclusion of lower income groups from making due to a lack of resources; and difficulties in maintaining long-term activities. The different meanings of openness together with the barriers create tensions within the maker movement while implementing openness. We propose that engaging in a reflexive futures dialogue on the consequences of these tensions can enhance the maker movement to become more open, inclusive and resilient.


Author(s):  
Vincent Wilczynski ◽  
Ronald Adrezin

While originating in non-academic settings, the “Maker Movement” has quickly made inroads within academia. More significant than the facility that may be referred to as a makerspace is the makerspace culture, including the community that forms around the physical facility and the activities (programs) of that community. This paper reviews the history of the maker-phenomenon, details the development of higher education makerspace cultures over the last five years, and explores the impact of makerspace cultures on mechanical engineering education. The makerspace culture at two higher education institutions is used to illustrate the effect on engineering education within each institution. The paper concludes with a review of common practices within the higher education makerspace ecosystem.


2019 ◽  
pp. 121-143
Author(s):  
Riccardo Resciniti ◽  
Federica De Vanna

The rise of e-commerce has brought considerable changes to the relationship between firms and consumers, especially within international business. Hence, understanding the use of such means for entering foreign markets has become critical for companies. However, the research on this issue is new and so it is important to evaluate what has been studied in the past. In this study, we conduct a systematic review of e-commerce and internationalisation studies to explicate how firms use e-commerce to enter new markets and to export. The studies are classified by theories and methods used in the literature. Moreover, we draw upon the internationalisation decision process (antecedents-modalities-consequences) to propose an integrative framework for understanding the role of e-commerce in internationalisation


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