scholarly journals National language and post-colonial literature in Brazil

2006 ◽  
Vol 1 (20) ◽  
Author(s):  
Bethania Mariani ◽  
José Luís Jobim
2020 ◽  
pp. 105-113
Author(s):  
Ami Upadhyay ◽  
Dushyant Nimavat

The devotional literature we find in India's regional languages is sometimes referred to as Bhakti's literature. Since the poets from Bhakti Panth are more social and cultural, they are more thinkers and more social than literary figures. The translation of classics is particularly meaningful when a native language is translated into English. The classics are introduced to the world. In contemporary Shri Aurobindo and Dilp Chitre did, what Hsuan-tsang did for Sanskrit scripts. A. K. Ramanujan has also made a strong flow of translation in the post-colonial literature and Bhakti has been one of these literatures. This article explores the devotional poems of Narsinh Mehta that are important even in the 21st century.


2020 ◽  
Vol 25 (2) ◽  
pp. 379-393
Author(s):  
Shivani Ekkanath

The postcolonial narratives we see today are a study in contrast and tell a different tale from their colonial predecessors as minorities and individuals finally have found the voice and position to tell their stories. Histories written about our culture and societies have now found a new purpose and voice. The stories we have passed down from generation to generation through both oral and written histories, continue to morph and change with the tide of time as they re-centre our cultural narratives and shared experiences. As a result, the study of diaspora and transnationalism have altered the way in which we view identity in different forms of multimedia and literature. In this paper, the primary question which will be examined is, how and to what extent does Indian post-colonial literature figure in the formation of identity in contemporary art and literature in the context of ongoing postcolonial ideas and currents? by means of famous and notable postcolonial literary works and theories of Indian authors and theoreticians, with a special focus on the question and notion of identity. This paper works on drawing parallels between themes in Indian and African postcolonial literary works, especially themes such as power, hegemony, east meets west, among others. In this paper, European transnationalism will also be analysed as a case study to better understand postcolonialism in different contexts. The paper will seek to explore some of the gaps in the study of diasporic identity and postcolonial studies and explore some of the changes and key milestones in the evolution of the discourse over the decades.


Hawliyat ◽  
2018 ◽  
Vol 18 ◽  
pp. 61-76
Author(s):  
Ryan J Davidson

This article proposes an approach to evaluating the relationship between William Blake and Walt Whitman. I begin by grounding my proposal in a critical framework. It is framed by a book history approach, but also an approach to 19th century American literature as a post-colonial literature. In regards to the book history element I trace an outline of Blake’s publication history and the poems of Blake’s that Whitman might have encountered. I then provide examples of the similarities between Blake and Whitman. This paper concludes with a discussion of the implications it may have on ideas of literary influence. This is the beginning of a much larger project wherein I trace the actual influences which created the similarities that I outline here.


2020 ◽  
Vol 91 (5) ◽  
pp. 535-552
Author(s):  
Astrid Wood

In the post-colonial context, the global South has become the approved nomenclature for the non-European, non-Western parts of the world. The term promises a departure from post-colonial development geographies and from the material and discursive legacies of colonialism by ostensibly blurring the bifurcations between developed and developing, rich and poor, centre and periphery. In concept, the post-colonial literature mitigates the disparity between cities of the North and South by highlighting the achievements of elsewhere. But what happens when we try to teach this approach in the classroom? How do we locate the South without relying on concepts of otherness? And how do we communicate the importance of the South without re-creating the regional hierarchies that have dominated for far too long? This article outlines the academic arguments before turning to the opportunities and constraints associated with delivering an undergraduate module that teaches post-colonial concepts without relying on colonial constructs.


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