A Study on Experts’ Sujective Perception Types on the Digital Media Ecosystem Development Plan

Author(s):  
Eun Jeong Kwon
2021 ◽  
Vol 42 (2) ◽  
pp. 168-184
Author(s):  
Aleksander Torjesen

Abstract YouTube represents an increasingly popular cultural phenomenon in the contemporary Norwegian media landscape. Since the inception of the digital video platform over 15 years ago, personal videoblogging has emerged as one of its dominant types of user-generated content. In this article, I draw from New Rhetoric genre theory and netnographic approaches to explore the beauty and lifestyle sphere on YouTube, in which several emergent genres are situated within a new media ecosystem. Through a qualitative content analysis of seven established Norwegian YouTube channels, a total of 17 individual genres were identified. Furthermore, I elaborate upon how informational, instructional, and confessional communicative functions are utilised in audiovisual publications through conventionalised digital media production practices.


Author(s):  
David Karpf

There is no understanding Donald Trump without reference to the contemporary hybrid media system. His improbable victories in the Republican primary and 2016 general election were premised on radical departures from how electoral campaigns use communications media to engage journalists, supporters, and opponents. Once in office, Trump has continued to employ new approaches to presidential communications. For the Resistance, countering Trump required tactical and strategic innovations in the media realm. This chapter discusses how both Trump and the Resistance are deploying innovative new media strategies. It explores how Resistance groups are leveraging digital media to expand the reach of their protest tactics, using social media to undermine funding of partisan conservative media organizations, and building their own new media institutions to compete against the conservative media ecosystem.


Author(s):  
Melanie B. Richards ◽  
Stephen W. Marshall

The goal of this chapter is to discuss themes and trends, from a marketing practitioner's perspective, regarding the importance of brand fandom and how it is managed in a media-rich environment. With the rise of digital media and the evolving changes in our media ecosystem, fans have the ability to be more engaged with their favorite brands and their respective brand fan communities than ever before. This chapter produces original research with viewpoints from expert practitioners representing multiple “cult” brands, cause brands, and media organizations built to enable and serve fans and their favorite brands.


Information ◽  
2020 ◽  
Vol 11 (4) ◽  
pp. 205 ◽  
Author(s):  
Nikolaos Vryzas ◽  
Nikolaos Tsipas ◽  
Charalampos Dimoulas

Radio is evolving in a changing digital media ecosystem. Audio-on-demand has shaped the landscape of big unstructured audio data available online. In this paper, a framework for knowledge extraction is introduced, to improve discoverability and enrichment of the provided content. A web application for live radio production and streaming is developed. The application offers typical live mixing and broadcasting functionality, while performing real-time annotation as a background process by logging user operation events. For the needs of a typical radio station, a supervised speaker classification model is trained for the recognition of 24 known speakers. The model is based on a convolutional neural network (CNN) architecture. Since not all speakers are known in radio shows, a CNN-based speaker diarization method is also proposed. The trained model is used for the extraction of fixed-size identity d-vectors. Several clustering algorithms are evaluated, having the d-vectors as input. The supervised speaker recognition model for 24 speakers scores an accuracy of 88.34%, while unsupervised speaker diarization scores a maximum accuracy of 87.22%, as tested on an audio file with speech segments from three unknown speakers. The results are considered encouraging regarding the applicability of the proposed methodology.


2021 ◽  
pp. 146144482110003
Author(s):  
Pablo J Boczkowski ◽  
Facundo Suenzo ◽  
Eugenia Mitchelstein ◽  
Neta Kligler-Vilenchik ◽  
Keren Tenenboim-Weinblatt ◽  
...  

How and why do people still get print newspapers in an era dominated by mobile and social media communication? In this article, we answer this question about the permanence of traditional media in a digital media ecosystem by analyzing 488 semi-structured interviews conducted in Argentina, Finland, Israel, Japan, and the United States. We focus on three mechanisms of media reception: access, sociality, and ritualization. Our findings show that these mechanisms are decisively shaped by patterns of everyday life that are not captured by the scholarly foci on either content- or technology-influences on media use. Thus, we argue that a non-media centric approach improves descriptive fit and adds heuristic power by bringing a wider lens into crucial mechanisms of media reception in ways that expand the conceptual toolkit that scholars can utilize to analyze the role of media in everyday life.


2020 ◽  
Vol 11 (1) ◽  
pp. 29-46 ◽  
Author(s):  
Kenneth Murphy

This article offers an overview and evaluation of Ireland’s changing media landscape through the prism of the recent policy contestation surrounding the future use of the UHF spectrum and its implications for the medium of television broadcasting. The article brings into focus current policy and governance developments and their interplay with market and technological change and how they are shaping a small open European state’s adaptation to the increasingly complex national/global hybrid media ecosystem. It examines the contexts surrounding the competition for spectrum resources and its implications for the role of free-to-air broadcasting and mobile broadband technologies in the future delivery of media and communication services. It takes a political economy and institutionalist perspective to evaluate the extent to which the evolution of the Irish institutional framework regarding broadcasting and broadband development and the allocation of spectrum frequencies is shaped by broader political economic and political/institutional dynamics and what this means for the remediation of broadcasting within the evolving digital media ecology.


2019 ◽  
Vol 5 (4) ◽  
pp. 335-358
Author(s):  
André Luiz Lucas da Luz ◽  
Ivan Bomfim

O artigo revisa os métodos científicos utilizados em dissertações e teses disponíveis no banco de publicações da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (Capes), que possuam a ótica da convergência jornalística. O levantamento demonstra predominâncias de técnicas, perspectivas teóricas e temáticas em um resultado de pesquisas que corresponde aos anos de 2012 a 2017. A observação contribui como base para estudos similares que verificam as transformações do jornalismo no contexto convergente, que acarreta complexidades e desafios. Parte dos trabalhos mantém aproximações com fenômenos dos meios de referência e adaptações ao ecossistema midiático que abrange mídias digitais e os dispositivos móveis.   PALAVRAS-CHAVE: Jornalismo; convergência; métodos.     ABSTRACT This article reviews the scientific methods used in dissertations and theses available in the publications bank of the Coordination for the Improvement of Higher Education Personnel (Capes), which have the perspective of journalistic convergence. The survey demonstrates the predominance of techniques, theoretical and thematic perspectives in a research result that corresponds to the years 2012 to 2017. The observation contributes as a basis for similar studies that verify the transformations of journalism in the convergent context, which entails complexities and challenges. Part of the work maintains approximations with media phenomena and adaptations to the media ecosystem that encompasses digital media and mobile devices.   KEYWORDS: Journalism; convergence; methods.     RESUMEN El artículo revisa los métodos científicos utilizados en disertaciones y tesis disponibles en el banco de publicaciones de la Coordinación de Perfeccionamiento de Personal de Nivel Superior (Capes), que posean la óptica de la convergencia periodística. El análisis demuestra predominancias de técnicas, perspectivas teóricas y temáticas en un resultado de investigaciones que corresponde a los años de 2012 a 2017. La observación contribuye como base para estudios similares que comprueban las transformaciones del periodismo en el contexto convergente, que acarrea complejidades y desafíos. Parte de los trabajos mantiene aproximaciones con fenómenos de los medios de referencia y adaptaciones al ecosistema mediático que abarca medios digitales y los dispositivos móviles.   PALABRAS CLAVE: Periodismo; convergencia; métodos.


Author(s):  
Laura García-Favaro

Women’s online magazines have been constantly proliferating and increasingly supplanting print publications. Contributing to their success, these sites offer similar content free of change and significantly greater opportunities for interaction – often in the form of discussion forums. However, these interactive spaces are currently disappearing, being replaced by an ever-escalating emphasis upon social network sites (SNSs). This article critically examines this changing model of reader interaction in women’s online magazines, drawing on a study of 68 interviews with industry insiders, forum user-generated content, and a variety of trade material. The analysis demonstrates how the decision to close the forums and embrace SNSs responds to multiple determinants, including a corporate doctrine of control over users’ discourse and outsourcing new modalities of free consumer labour, constituting a new ideal worker-commodity online: “the shareaholic”. This exercise of power has varying levels of success, and potentialities remain for users to exercise some transformative subversion, for example through what the article theorises as “labour of disruption”. Nonetheless, the emergent SNS-based magazine model of reader interaction poses a serious challenge to ongoing celebrations both in the industry and in some scholarly work about an increasingly democratic and user-led digital media ecosystem.


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