The Many Faces of Resistance Media

2018 ◽  
Author(s):  
David Karpf
Keyword(s):  
New Media ◽  
Digital Media ◽  
Donald Trump ◽  
Electoral Campaigns ◽  
Media System ◽  
Media Institutions ◽  
Media Ecosystem ◽  
The Media ◽  
Conservative Media ◽  
The Many

There is no understanding Donald Trump without reference to the contemporary hybrid media system. His improbable victories in the Republican primary and 2016 general election were premised on radical departures from how electoral campaigns use communications media to engage journalists, supporters, and opponents. Once in office, Trump has continued to employ new approaches to presidential communications. For the Resistance, countering Trump required tactical and strategic innovations in the media realm. This chapter discusses how both Trump and the Resistance are deploying innovative new media strategies. It explores how Resistance groups are leveraging digital media to expand the reach of their protest tactics, using social media to undermine funding of partisan conservative media organizations, and building their own new media institutions to compete against the conservative media ecosystem.

scholarly journals Disinformation in the New Media System – Characteristics, Forms, Reasons for its Dissemination and Potential Means of Tackling the Issue

2021 ◽  
Vol 26 (2) ◽  
pp. 29-58
Author(s):  
Tomislav Levak
Keyword(s):  
New Media ◽  
Digital Media ◽  
Modern Society ◽  
Theoretical Background ◽  
The European Union ◽  
Inaccurate Information ◽  
Media System ◽  
Written Form ◽  
The Media ◽  
The Public Sphere

This paper aims to explain the phenomenon of disinformation and its impact. Furthermore, it aims to point out the magnitude and seriousness of the problem, as well as the importance of joint action of all social structures in solving it. The design, production, and dissemination (mainly orally) of untrue and inaccurate information and news for various purposes have been recorded since ancient times. After the invention of the printing machine, their continuous reproduction and distribution began in written form, which also enabled them to have a stronger impact, longer duration, and greater reach. Thanks to the development of the media, especially the mass media such as newspapers, radio, and television, information and news spread faster, more easily and farther, but at the same time, disinformation began to appear in the public sphere more often. Due to the strong development of technology and the emergence of new digital media, primarily the Internet, social networks, and communication platforms, as global communication phenomena, this problem has reached worrying, and often dangerous, levels in the current digital age and the new media system. According to recent indicators and research, the situation is deteriorating. Although the number of papers and the amount of research on this topic has significantly increased in Europe and the world in recent years, it is a complex issue which is still not sufficiently addressed in the scientific discourse. Therefore, this paper attempts to provide a clear insight into the definitions and characteristics of disinformation, as a concept that was officially adopted at the European Union level, for the purpose of denoting the phenomenon, along with related and similar terms such as fake news, misinformation, malinformation, information disorder, information pollution, alternative facts and others. This is done by including the appropriate theoretical background and the results of a series of relevant previous research studies in order to briefly present the historical development and known cases of disinformation, as well as the causes, reasons, consequences, and the most sensitive spheres of their production and dissemination in modern society. The methods for recognizing, preventing, and combating disinformation established thus far are also presented. In addition, new measures for their suppression are also proposed.

scholarly journals Who Keeps the Gate? Digital Gatekeeping in New Media

2021 ◽  
Vol 64 (2 (246)) ◽  
pp. 91-99
Author(s):  
Karolina Pałka-Suchojad
Keyword(s):  
Social Media ◽  
New Media ◽  
Technological Progress ◽  
Media Ecosystem ◽  
The Media ◽  
Echo Chamber ◽  
New Perspective ◽  
Network Diffusion

This article is the result of noticing the need to transpose the gatekeeping theory. Technological progress has left its mark on the media ecosystem, generating and then strengthening the convergence processes, and has also changed the understanding of gatekeeping. The architecture of new media, especially social media, places gatekeeping in the context of the network. This allows one to look at the classically understood process from a new perspective, in which the key is to base the concept on network diffusion. Contemporary gatekeeping should be analyzed in the context of such mechanisms as: information bubble, echo chamber, filtering information by users and algorithms. Basic conceptual categories, the gate and the keeper, are also modified. There is a noticeable trend towards the transformation of gatekeeping towards gatewatching, in which social media users do not create their own gates, but observe and use already existing gates. Gatekeeping in the era of social media makes the audience an important element of it, moving towards secondary gatekeeping.

scholarly journals The importance of media education in rationalizing youth use of digital media An educational vision according to the work of the gatekeeper theory

2021 ◽  
Author(s):  
محسن عبود كشكول
Keyword(s):  
New Media ◽  
Digital Media ◽  
Negative Impact ◽  
Media Education ◽  
Fourth Power ◽  
Entertainment Education ◽  
Educational Vision ◽  
The Family ◽  
The Media ◽  
Use Of The Internet

The importance of media education in our present time lies in its supposed role in rationalizing the youth’s use of digital media, as the school is no longer able to continue its knowledge and educational pioneering role in light of the excessive and absurd use of the Internet, just as the teacher is no longer a main source of science and knowledge. Considering the study curricula, addressing the negative impact of the excessive use of digital media on the school, as well as addressing the decline in the role of the family and its withdrawal from educational competition with the school, and thus education has lost the mandate of the school and the family to educate the new generation in favor of the hegemony of the new media authority, which is called metaphorically. Fifth, which overtook all authorities, including the authority of traditional media (the fourth power), so that control over the child went beyond control of his family and parents, and the challenge became before those concerned with education, how can the new media be a source of education, entertainment, education, guidance and direction, and in various methods of influence, By using multiple and amazing techniques that are characterized by transcending the limits of time and space, and according to that the great impact of the new media, we see a decline in public education. Illiteracy and its limited means, as well as retreating and losing its control over the social environment, which calls on researchers to study ways to rationalize media education, enhance human awareness of the media, and give it the largest share in influence and direction, and in social upbringing and raising young and old together.

scholarly journals Screening Affect: Rape Culture and the Digital Interface in The Fall and Top of the Lake

2018 ◽  
Vol 19 (6) ◽  
pp. 569-587 ◽  
Author(s):  
Tanya Horeck
Keyword(s):  
United Kingdom ◽  
New Media ◽  
Digital Media ◽  
Rape Culture ◽  
Crime Drama ◽  
Digital Interface ◽  
Media Technologies ◽  
Feminist Politics ◽  
Crime Dramas ◽  
The Many

Although it often goes unremarked, digital screens are a key point of commonality across the many different transnational renditions of the story of violence against girls and women found in contemporary TV crime drama. The Fall (United Kingdom, 2013–) and Top of the Lake (United Kingdom/Australia/New Zealand/United States, 2013–) are two striking examples of TV crime dramas that frame their self-conscious interrogation of rape culture through digital media. Considering the mutual imbrication of feminist politics and the deployment of new media technologies on these shows, this essay considers how the digital interface functions as a way of mediating viewer response to violence against women. Resisting a reading of digital technologies as either inherently oppressive or inherently liberatory, the essay explores how these TV series navigate the tension between the simultaneous violence of new media and its investigative/feminist/affective potential.

Digital Watermarking Using Advanced Encryption Standard (AES) And Steganography Methods to Increase The Level Of Security Of User Data In The Image Files On Internet Network

2020 ◽  
Vol 2 (2) ◽  
Author(s):  
Khoerul Umam
Keyword(s):  
New Media ◽  
Digital Media ◽  
Digital Watermarking ◽  
Personal Data ◽  
Advanced Encryption Standard ◽  
The Internet ◽  
User Data ◽  
Original Owner ◽  
The Media ◽  
Internet Network

The spread of digital media on the internet was very broad, fast, and cannot be monitored in a structured manner about what media has been uploaded and distributed on the internet network. The spread of digital media like this was very difficult to detect whether the media that shared was privately owned or that of others that is re-shared by media theft or digital media piracy. One step to overcome the theft of digital works is to give them a watermark, which is an identity that is placed on top of the work. However, this is still considered unsafe because the identity attached can be cut and manipulated again until it is not visible. In addition, the use of Steganography method to hide messages in an image can still be manipulated by adding messages continuously so that it accumulates and damages the original owner of the image. In this article, the author provides a solution called Digital Watermarking, a step of encrypting the data of the original owner of the work and putting it into the image of his work. This watermark cannot be seen clearly, but actually in the media there is encrypted data with a strong Advanced Encryption Standard (AES) method. As a result, a tool that can improve the security of media owner data by combining the AES and Steganogaphy methods in the formation of new media that cannot be changed anymore. So, when the media is stolen and used by others and has been edited, the owner's personal data can never be changed.

Mediatization of journalism: Influence of the media system and media organization on journalistic practices in European digital mediascapes

Journalism ◽  
2017 ◽  
Vol 21 (11) ◽  
pp. 1630-1654
Author(s):  
Zrinjka Peruško ◽  
Antonija Čuvalo ◽  
Dina Vozab
Keyword(s):  
Digital Media ◽  
Macro Level ◽  
Organizational Level ◽  
Four Dimensions ◽  
Structural Framework ◽  
Media System ◽  
The Media ◽  
Media Systems ◽  
Eastern European Countries ◽  
Structural Levels

Journalism is known to be culturally specific in historical terms, while cross-country studies have demonstrated differences in journalistic milieus in different political regimes. This article applies a multilevel, cross-national comparative research design to explore the patterns and sources of influence that act on the professional practices of European journalists as well as the ways they differ across different media systems. The research is more broadly framed within the mediatization approach, and it aims to explore the relationship between increased media logic and journalistic practices within specific digital mediascapes. This study also identifies the ways in which journalistic practices are influenced by both the macro level of the structural framework of the media system and the mezzo level of media organization. The institutional framework defines the digital media system/mediascape in terms of four dimensions: contemporary multimedia markets, globalization processes, cultural industry, and institutional inclusiveness. The data concerning the influences on journalism are drawn from surveys conducted in 28 Western, Central, and Eastern European countries as part of the 2012–2015 Worlds of Journalism Study. A cluster analysis produced four digital media systems. Furthermore, hierarchical multiple regression confirmed the predominant influence of structural levels on the perceptions of the influences on journalism – the mezzo organizational level and macro level of the digital media system additionally explained the variance of the contextual influences on journalistic practices beyond individual differences. Variations in the different influences are shown between media system clusters. Moreover, the study introduces new questions regarding the mediatization of journalism and the mediatized condition.

Political Economy of the Media

2018 ◽  
Author(s):  
Dal Yong Jin
Keyword(s):  
Political Economy ◽  
New Media ◽  
Digital Media ◽  
Intellectual History ◽  
Information And Communication Technologies ◽  
Culture Industry ◽  
Digital Platforms ◽  
Modern Capitalism ◽  
Information And Communication ◽  
The Media

Political economy of the media includes several domains including journalism, broadcasting, advertising, and information and communication technology. A political economy approach analyzes the power relationships between politics, mediation, and economics. First, there is a need to identify the intellectual history of the field, focusing on the establishment and growth of the political economy of media as an academic field. Second is the discussion of the epistemology of the field by emphasizing several major characteristics that differentiate it from other approaches within media and communication research. Third, there needs an understanding of the regulations affecting information and communication technologies (ICTs) and/or the digital media-driven communication environment, especially charting the beginnings of political economy studies of media within the culture industry. In particular, what are the ways political economists develop and use political economy in digital media and the new media milieu driven by platform technologies in the three new areas of digital platforms, big data, and digital labor. These areas are crucial for analysis not only because they are intricately connected, but also because they have become massive, major parts of modern capitalism.

Beyond the Phantom Public

2017 ◽  
Author(s):  
Anthony M. Nadler
Keyword(s):  
New Media ◽  
Media Studies ◽  
News Media ◽  
Interactive Media ◽  
Media Technologies ◽  
Media System ◽  
Critical Media ◽  
The Media ◽  
To Come ◽  
Point To Point

This concluding chapter discusses the intellectual resources of critical media studies and applies them to debates about the future of news. The changes taking place in news media concern not only content but the very modes through which people engage the media in everyday life, as well as the ways media connect individuals to larger communities. Although interactive media is not inherently destined to level hierarchies of power, it is certainly possible that societal appropriations of new media technologies could mean a reworking of the infrastructure that regulates which ideas and visions circulate from point to point in the media system. The issue lies in how crucial decisions at this critical juncture will be made and what course they will set for the years to come.

Iraqi media entrepreneurs across social media: Factors and challenges

2020 ◽  
Author(s):  
Ahmed Omar Bali ◽  
Sherko Jabar ◽  
Hazhar Jalal ◽  
Mahdi Sofi-Karim
Keyword(s):  
Social Media ◽  
New Media ◽  
Digital Media ◽  
Low Cost ◽  
Communication Technologies ◽  
International Media ◽  
New Era ◽  
The Media ◽  
Media Firms ◽  
Media Market

Influenced by digital technologies, the cost of media production has considerably decreased, and the traditional media is faced with new agile, flexible and low-cost media entrepreneurs. This article examines the dynamics of the Iraqi media market transformation with an emphasis on factors that help to merge media entrepreneurs and digital media firms that target an audience on social media. A qualitative method was adopted in this study using open, in-depth interviews with nineteen media entrepreneurs and three managers of media firms. The study revealed that relative freedom and advanced communication technologies have encouraged media entrepreneurs to drive the new media on producing short videos and broadcast them on social media, which has become popular among media consumers. This new era in Iraqi media entrepreneurship has created an abstract space in which media entrepreneurs get involved in the media market, collaborate with international media and deliver values through the use of user-generated content and flexible journalism. This opportunity is shaped by three key interrelated factors: first, the relative freedom of journalism that resulted from the political environment, current regulations and advanced communication technologies that provide more space of freedom; second, the development of communication technologies that allow journalists and media entrepreneurs to employ the media market effectively; third, the emergence of media entrepreneurs themselves who are convinced to seize the opportunities presented by the two previous factors.

scholarly journals Telling Our Stories / Animating Our Past: A Status Report on Oral History and Digital Media

2012 ◽  
Vol 37 (3) ◽  
Author(s):  
Steven High ◽  
Jessica Mills ◽  
Stacey Zembrzycki
Keyword(s):  
New Media ◽  
Oral History ◽  
Digital Media ◽  
Truth And Reconciliation Commission ◽  
Status Report ◽  
Reconciliation Commission ◽  
Hard Drives ◽  
Truth And Reconciliation ◽  
The Many ◽  
Oral History Interviews

Tens of thousands of oral history interviews sitting in archival drawers, on computer hard drives, or on library bookshelves have never been listened to. Thousands of new interviews are being added each year by the many large testimony projects now underway, including Canada’s Truth and Reconciliation Commission and the Historica–Dominion Institute’s Memory Project. Although the existence of these immense collections is widely known, the interviews are difficult to access. How can we combine oral history and new media to ensure that the potential of such important projects is fully realized? Emergent and digital technologies are opening up new possibilities for accessing Canadian memories and transmitting them to various audiences. New forms of media are changing the ways we think about and do oral and public history.Des milliers d’entrevues d’histoire orale oubliées dans des tiroirs d’archives, sur des disques durs et sur des étagères de bibliothèque n’ont jamais été écoutées. En même temps, chaque année, de nouvelles entrevues viennent s’ajouter par milliers dans le cadre de grands projets de témoignage, y compris la Commission de vérité et réconciliation du Canada et le Projet Mémoire de l’Institut Historica Dominion. Bien que l’existence de ces collections immenses ne soit guère un secret, les entretiens sont difficiles d’accès. Comment peut-on combiner l’histoire orale et les nouveaux médias afin de réaliser pleinement le potentiel de projets si importants? Des technologies numériques récentes présentent de nouvelles possibilités pour accéder aux souvenirs canadiens et les transmettre à divers publics. En effet, de nouvelles formes de média sont en train de changer les manières de penser et de pratiquer l’histoire orale et publique.

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