Soundproof Silences? Towards a Sound History of Silence
This article calls for a sound history of silence. Widely neglected within sound-historical research, exploring the manifold sounds of silence not only fills a lacuna in scholarship, but also poses critical challenges to current discussions in the flourishing field of sound history. This theoretical claim is based on empirical case studies from another still unwritten history: the political and cultural history of the minute’s silence, a political commemoration ceremony established in the aftermath of World War I. A practice theory approach makes it possible to understand how silence was produced in specific historical contexts through a complex set of cognitive, emotional, logistical, media, physiological, sensorial and kinesthetic practices that engage (or not) with the official call for silence and make it into success or failure. Conceiving of silence as a complex acoustical practice, the article aims to establish silence as a full-fledged topic of research at the centre of sound history and to inspire research on the historical and contemporary interplay between political structures and sensory or bodily practices.