Digital Gatekeeper of the Past: Delpher and the Emergence of the Press in the Dutch Golden Age

2015 ◽  
Vol 0 (38) ◽  
pp. 9
Author(s):  
Michiel Van Groesen
2020 ◽  
Vol 1 (2) ◽  
pp. 157-172
Author(s):  
Thomas Leitch

Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectual puzzles to be solved, hardboiled stories that invoke a distant past that the present both breaks with and echoes, police procedurals that unfold in an indefinitely extended present, and historical mysteries that nostalgically fetishize the past. It concludes with a brief consideration of genre readers’ own ambivalent phenomenological investment in the past, present, and future each detective story projects.


2019 ◽  
Vol 65 ◽  
pp. 1-8
Author(s):  
Yannis Galanakis ◽  
Andrew Shapland
Keyword(s):  
The Past ◽  

This brief introduction presents the structure and contents of the current issue of Archaeology in Greece, linking the various contributions to events or very recent discoveries that were reported in the press in the period immediately before the completion of this issue in September. It also offers an overview (not meant to be exhaustive) of archaeological activity in Greece over the past 12 months, focusing on major exhibitions and important recent publications.


Mnemosyne ◽  
2012 ◽  
Vol 65 (1) ◽  
pp. 62-79
Author(s):  
Patricia Watson
Keyword(s):  

Abstract In the prologue to Satire 6, Juvenal depicts the primitive woman of the Golden Age as an ideal matrona, only to undercut humorously the paradigmatic value of this picture. The poet’s intentions in so doing have been variously explained; this article views the parodic tone of the passage in terms of its programmatic function. A detailed discussion is offered of Juvenal’s depiction of the cavewife and it is demonstrated how this foreshadows the speaker’s unfavourable treatment of all women, even paradigms such as Cornelia. In short, the prologue establishes the speaker of Satire 6 as a misogynist whose views are so extreme that they cannot be taken seriously.


2006 ◽  
Vol 188 ◽  
pp. 891-912 ◽  
Author(s):  
Julia Strauss

The early to mid-1950s are conventionally viewed as a time when China broke sharply with the past and experienced a “golden age” of successful policy implementation and widespread support from the population. This article shows that the period should be seen as neither “golden age” nor precursor for disaster. Rather it should be seen as a period when the Chinese Communist Party's key mechanisms of state reintegration and instruction of the population – the political campaign and “stirring up” via public accusation sessions – were widely disseminated throughout China, with variable results. The campaigns for land reform and the suppression of counter-revolutionaries show that levels of coercion and violence were extremely high in the early 1950s, and the campaign to clean out revolutionaries in 1955 and after suggests some of the limits of mobilizational campaigns.


2009 ◽  
Vol 7 (1) ◽  
pp. 125-141 ◽  
Author(s):  
Andrew R. Murphy

I assess several politically powerful ways of drawing on the past in the search for solutions to problems in the present. To probe these dynamics, I turn to the American jeremiad, a longstanding form of political rhetoric that explicitly invokes the past and laments the nation's falling-away from its virtuous foundations. I begin by focusing on the Christian Right's traditionalist jeremiad, which offers both nostalgic and Golden Age rhetoric in its assessment of the United States' imperiled national promise. I argue that, despite differences in the historical location of their ideals and the significant rhetorical power that they bring to political life, such nostalgic and Golden Age narratives represent a constraining political ideal, one ultimately incapable of doing justice to an increasingly diverse American society. I argue furthermore that there is another strand of the American jeremiad and conclude by sketching a different way of drawing on the past, a progressive jeremiad epitomized by the thought of Abraham Lincoln and Frederick Douglass. Such a jeremiad is also deeply rooted in the American tradition and offers a far more promising contribution to a diverse and pluralistic American future.


2010 ◽  
Vol 7 (1) ◽  
pp. 9-33
Author(s):  
Jennifer Spinks ◽  
Susan Broomhall

2022 ◽  
Author(s):  
Adam Sundberg

By the early eighteenth century, the economic primacy, cultural efflorescence, and geopolitical power of the Dutch Republic appeared to be waning. The end of this Golden Age was also an era of natural disasters. Between the late seventeenth and the mid-eighteenth century, Dutch communities weathered numerous calamities, including river and coastal floods, cattle plagues, and an outbreak of strange mollusks that threatened the literal foundations of the Republic. Adam Sundberg demonstrates that these disasters emerged out of longstanding changes in environment and society. They were also fundamental to the Dutch experience and understanding of eighteenth-century decline. Disasters provoked widespread suffering, but they also opened opportunities to retool management strategies, expand the scale of response, and to reconsider the ultimate meaning of catastrophe. This book reveals a dynamic and often resilient picture of a society coping with calamity at odds with historical assessments of eighteenth-century stagnation.


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