The Flight of Pudicitia: Juvenal’s Vision of the Past and the Programmatic Function of the Prologue in the Sixth Satire

Mnemosyne ◽  
2012 ◽  
Vol 65 (1) ◽  
pp. 62-79
Author(s):  
Patricia Watson
Keyword(s):  
Golden Age ◽  
The Past

Abstract In the prologue to Satire 6, Juvenal depicts the primitive woman of the Golden Age as an ideal matrona, only to undercut humorously the paradigmatic value of this picture. The poet’s intentions in so doing have been variously explained; this article views the parodic tone of the passage in terms of its programmatic function. A detailed discussion is offered of Juvenal’s depiction of the cavewife and it is demonstrated how this foreshadows the speaker’s unfavourable treatment of all women, even paradigms such as Cornelia. In short, the prologue establishes the speaker of Satire 6 as a misogynist whose views are so extreme that they cannot be taken seriously.

The Many Pasts of Detective Fiction

2020 ◽  
Vol 1 (2) ◽  
pp. 157-172
Author(s):  
Thomas Leitch
Keyword(s):  
Detective Fiction ◽  
Golden Age ◽  
Public History ◽  
Detective Novel ◽  
Sherlock Holmes ◽  
Detective Story ◽  
The Past ◽  
Wide Range ◽  
Detective Novels ◽  
The Many

Building on Tzvetan Todorov's observation that the detective novel ‘contains not one but two stories: the story of the crime and the story of the investigation’, this essay argues that detective novels display a remarkably wide range of attitudes toward the several pasts they represent: the pasts of the crime, the community, the criminal, the detective, and public history. It traces a series of defining shifts in these attitudes through the evolution of five distinct subgenres of detective fiction: exploits of a Great Detective like Sherlock Holmes, Golden Age whodunits that pose as intellectual puzzles to be solved, hardboiled stories that invoke a distant past that the present both breaks with and echoes, police procedurals that unfold in an indefinitely extended present, and historical mysteries that nostalgically fetishize the past. It concludes with a brief consideration of genre readers’ own ambivalent phenomenological investment in the past, present, and future each detective story projects.

scholarly journals Morality, Coercion and State Building by Campaign in the Early PRC: Regime Consolidation and After, 1949–1956

2006 ◽  
Vol 188 ◽  
pp. 891-912 ◽  
Author(s):  
Julia Strauss
Keyword(s):  
Policy Implementation ◽  
Golden Age ◽  
Land Reform ◽  
State Building ◽  
The Political ◽  
Political Campaign ◽  
The Past

The early to mid-1950s are conventionally viewed as a time when China broke sharply with the past and experienced a “golden age” of successful policy implementation and widespread support from the population. This article shows that the period should be seen as neither “golden age” nor precursor for disaster. Rather it should be seen as a period when the Chinese Communist Party's key mechanisms of state reintegration and instruction of the population – the political campaign and “stirring up” via public accusation sessions – were widely disseminated throughout China, with variable results. The campaigns for land reform and the suppression of counter-revolutionaries show that levels of coercion and violence were extremely high in the early 1950s, and the campaign to clean out revolutionaries in 1955 and after suggests some of the limits of mobilizational campaigns.

Longing, Nostalgia, and Golden Age Politics: The American Jeremiad and the Power of the Past

2009 ◽  
Vol 7 (1) ◽  
pp. 125-141 ◽  
Author(s):  
Andrew R. Murphy
Keyword(s):  
Golden Age ◽  
Political Rhetoric ◽  
The United States ◽  
Abraham Lincoln ◽  
Frederick Douglass ◽  
Political Life ◽  
The Past ◽  
American Tradition ◽  
Political Ideal ◽  
American Society

I assess several politically powerful ways of drawing on the past in the search for solutions to problems in the present. To probe these dynamics, I turn to the American jeremiad, a longstanding form of political rhetoric that explicitly invokes the past and laments the nation's falling-away from its virtuous foundations. I begin by focusing on the Christian Right's traditionalist jeremiad, which offers both nostalgic and Golden Age rhetoric in its assessment of the United States' imperiled national promise. I argue that, despite differences in the historical location of their ideals and the significant rhetorical power that they bring to political life, such nostalgic and Golden Age narratives represent a constraining political ideal, one ultimately incapable of doing justice to an increasingly diverse American society. I argue furthermore that there is another strand of the American jeremiad and conclude by sketching a different way of drawing on the past, a progressive jeremiad epitomized by the thought of Abraham Lincoln and Frederick Douglass. Such a jeremiad is also deeply rooted in the American tradition and offers a far more promising contribution to a diverse and pluralistic American future.

scholarly journals «”The Golden Age” of the Crimean Karaites»: publication of the new academic series

2020 ◽  
pp. 260-269
Author(s):  
Grigorii N. Kondratjuk ◽  
◽  
Keyword(s):  
Golden Age ◽  
Russian Empire ◽  
Social Structures ◽  
Crimean Peninsula ◽  
The Past ◽  
The Crimea ◽  
Chronological Period ◽  
History Of ◽  
The Russian Empire ◽  
The Crimean Peninsula

The review examines new publications on the history of Karaites – the monographs “Karaites in the Russian Empire in the late 18th – early 20th centuries” and the “Karaite communities: biographies, facts and documents (late 18th – early 20th centuries”. They studied a significant chronological period – from the time of the Karaites appearing in the Crimea and up to the beginning of the 20th century. A reasoned conclusion is made that the so-called “ The Golden Age” is the most tense in the history of the Karaite people – the time from the annexation of the Crimean Peninsula to the Russian Empire in 1783 and until 1917. It was during these 100 years when the significant transformations took place in the old-timers communities of the peninsula, when the ideas of Russian culture and education spread among the Crimean Karaites, and they themselves were actively integrated into Russian social structures. The monographs are equipped with a detailed historical excursion, which reveals many relevant and little-known facts from the past of the Karaites.

Houses as Lieux de Mémoire in Margery Allingham’s Crime Fiction

2021 ◽  
Vol 2 (2) ◽  
pp. 218-233
Author(s):  
Renáta Zsámba
Keyword(s):  
Golden Age ◽  
Crime Fiction ◽  
Great War ◽  
Country House ◽  
Family Secrets ◽  
The Past ◽  
Country Houses ◽  
A Site ◽  
The Great War

This article discusses the house as a site of memory in the novels of Margery Allingham, where it embodies a tension between the past and the present that turns the domestic milieu into a place of horror. Stemming from Susan Rowland’s claim that Golden Age authors did not write ‘unproblematically conservative country house mysteries’ (43), this paper uses Svetlana Boym’s theory of restorative and reflective nostalgia and Pierre Nora’s concept of lieux de mémoire (sites of memory) to read Allingham’s novels, which critically observe the sustainment of a vision of the past after the Great War. In her work, country houses like the eponymous one in The Crime at Black Dudley (1929), are, despite their aristocratic grandeur, perfect scenes for murder. While the countryside is associated with a nostalgic innocence, it is also contaminated by the intrusion of the present, as in Sweet Danger (1933). Family secrets are also reasons for crime, as we see in Police at the Funeral (1931). Hide My Eyes (1958) relocates the nostalgic atmosphere to a suburban house converted into a museum of ‘curios’, which operates as an ironic allegory of a nation wrapped up in its own history.

Gilding American History through Song Culture in O Brother, Where Art Thou? (2000)

2018 ◽  
pp. 65-82
Author(s):  
Ryan Platte
Keyword(s):  
Technological Change ◽  
American History ◽  
Golden Age ◽  
American South ◽  
Folk Song ◽  
Ancient Greek ◽  
The Past ◽  
Epochal Change ◽  
Depression Era

In the first of two chapters investigating the role of Homeric epic in fabricating golden ages, Platte reveals how Joel and Ethan Coen’s O Brother, Where Art Thou?, which proclaims its debt to Homer’s Odyssey in the opening credits, also re-enacts Homeric epic’s creation of a golden age. Platte focuses on the role of song in generating ancient and modern societies’ gilded memories of the past, including the nostalgia-laden misremembering of the Depression-era American South in which the film is set. Platte emphasizes how technological change affected the American folk-song tradition through recording – a phenomenon similar to that which changed Greek song culture into “Homeric” epic. By focusing on a moment of epochal change, the filmmakers undercut the notion that folk music is a simple and genuine artefact of the past. Instead, invoking nostalgia through song exposes the artificiality of the traffic in nostalgia, which has shaped attitudes toward the ancient Greek and modern American pasts. Through the protagonist’s encounter with two Homer avatars, the Coens dramatize both the process of nostalgia-creation for such a golden age and the rejection of attempts to politically weaponize it: in this case, by obscuring racism in romantic depictions of the “Old South.”

Who Invented the Golden Age?

1952 ◽  
Vol 2 (1-2) ◽  
pp. 83-92 ◽  
Author(s):  
H. C. Baldry
Keyword(s):  
Golden Age ◽  
Real Life ◽  
Human Experience ◽  
Imaginary Time ◽  
The Past ◽  
The World ◽  
Ancient Literature ◽  
The Future ◽  
Normal Human

There are many passages in ancient literature which depict an imaginary existence different from the hardships of real life-an existence blessed with Nature's bounty, untroubled by strife or want. Naturally this happy state is always placed somewhere or sometime outside normal human experience, whether ‘off the map’ in some remote quarter of the world, or in Elysium after death, or in the dim future or the distant past. Such an imaginary time of bliss in the past or the future has become known as the ‘golden age’. This is the name which modern scholars generally give to the ancient belief. The phrase is often echoed by modern poets. The same language has been transferred from the unknown to the known, and it has become a commonplace to describe an outstanding period of history or literature as a ‘golden age’.

From biography to history: writing the modern British monarchy

2004 ◽  
Vol 77 (197) ◽  
pp. 289-312 ◽  
Author(s):  
David Cannadine
Keyword(s):  
Golden Age ◽  
Elizabeth I ◽  
Historical Writing ◽  
Royal Family ◽  
History Writing ◽  
The Past ◽  
Victorian Period ◽  
History Of

Abstract This article traces the development of biographical and historical writing about the British monarchy from the ‘golden age’ of Elizabeth I to the House of Windsor. It examines the differences in approach over the past two centuries, in particular, from the uncritical biographies of the Victorian period to the current unregulated flood of material, authorized and unauthorized. Such an analysis goes beyond the history of dynasties and individuals and becomes a history of society as reflected in the changing experiences of the British royal family.

scholarly journals IMPROVISATION: Sygeplejersker på arbejde i Uganda

2005 ◽  
Author(s):  
Helle Max Martin
Keyword(s):  
Professional Identity ◽  
Golden Age ◽  
Current Practice ◽  
Nursing Practice ◽  
Nursing Profession ◽  
Work Situation ◽  
The Past ◽  
The Future ◽  
Eastern Uganda

This article is about improvisation, which is a term that nurses in Uganda employ to describe how they overcome the practical difficulties of working in an institutional setting, which lacks the necessary equipment, drugs and staff. On the basis of data from Tororo Hospital in Eastern Uganda, the article explores the meanings of the term improvisation, how it relates to a general discourse about the nursing profession, and how the nurses handle and make sense of a complex and contradictory work situation. Improvisation is a term that both makes customary nursing practice legitimate and supports a professional identity under pressure. It also articulates a nostalgic longing for better times – located both in the past, the golden age of nursing, and in the future since the term improvisation constructs current practice as an interim phenomenon. Thus, “improvisation” offers a way for the nurses to domesticate the contradictory forces, which play a prominent part in nursing in Uganda today.  

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