The Transnational Life of Diversión

Diversión ◽  
2017 ◽  
Author(s):  
Albert Sergio Laguna
Keyword(s):  
United States ◽  
Popular Culture ◽  
The United States ◽  
South Florida ◽  
Media Content ◽  
Demographic Changes ◽  
Standup Comedy

This chapter investigates the flows of ludic popular culture between Cuba and the United States in order to elaborate its central contention: the movement of popular culture is indicative of the intensification of transnational contact born out of political and demographic changes on both sides and is a means by which this intensification occurs. The first part focuses on standup comedy by island-based comedians who appeal to Cubans who have arrived in Miami since 1994 and the racialized and gendered underpinnings of their acts. The second half explores how popular culture produced in the United States circulates in Cuba through a phenomenon called el paquete semanal (the weekly package). El paqueterefers to the sale and circulation of media content primarily produced off the island, mainly from the United States. In addition to keeping up with American sitcoms and Hollywood blockbusters, people on the island can now watch artists who have left Cuba permanently perform nightly on South Florida television. Analyzing the movement of popular culture between the island and the diaspora highlights how intensifying transnational contact, continuity, and exchange are affecting and reflecting the lives of Cubans on and off the island culturally and economically.

Applying the Devil's Works in a Holy Cause: Working-Class Popular Culture and the Salvation Army in the United States, 1879-1900

1997 ◽  
Vol 7 (2) ◽  
pp. 195-223
Author(s):  
Lillian Taiz
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
Popular Culture ◽  
York City ◽  
The United States ◽  
Salvation Army ◽  
Public Meeting ◽  
The Many ◽  
Sunday Evening

Forty-eight hours after they landed in New York City in 1880, a small contingent of the Salvation Army held their first public meeting at the infamous Harry Hill's Variety Theater. The enterprising Hill, alerted to the group's arrival from Britain by newspaper reports, contacted their leader, Commissioner George Scott Railton, and offered to pay the group to “do a turn” for “an hour or two on … Sunday evening.” In nineteenth-century New York City, Harry Hill's was one of the best known concert saloons, and reformers considered him “among the disreputable classes” of that city. His saloon, they said, was “nothing more than one of the many gates to hell.”

Capturing the Art of Public Service: The Government’s Perspective

Public Voices ◽  
2017 ◽  
Vol 14 (2) ◽  
pp. 55
Author(s):  
Tony Carrizales
Keyword(s):  
United States ◽  
Content Analysis ◽  
Popular Culture ◽  
Public Service ◽  
Public Art ◽  
The United States ◽  
Virtual Museum ◽  
Film And Television ◽  
Government Institutions ◽  
Art Forms

Public Service, in popular culture, can be viewed through many artistic lenses. Although there has been a consistent negative portrayal of government through art forms such as film and television, this research looks to review how government institutions in the United States have used art to provide a positive portrayal of public service. Eight forms of public service art are outlined through a content analysis of the holdings at the Virtual Museum of Public Service. The findings show that government and public entities have historically and continually engaged in promoting public service through art. Many of these public art examples are accessible year round, without limitations, such as buildings, statues, and public structures.

The Business of Rhyming: Burma-Shave Poetry and Popular Culture

PMLA ◽  
2010 ◽  
Vol 125 (1) ◽  
pp. 29-47
Author(s):  
Mike Chasar
Keyword(s):  
United States ◽  
Popular Culture ◽  
The United States ◽  
Reception History ◽  
Reading Practices ◽  
Advertising Campaign ◽  
Reading And Writing ◽  
The Core ◽  
Nineteenth And Twentieth Centuries ◽  
Creative Forces

This essay uses the example of the long‐lived and popular Burma‐Shave advertising campaign to argue that literary critics should extend their attention to the vast amounts of poetry written for advertising purposes in the nineteenth and twentieth centuries. The Burma‐Shave campaign—which featured sequences of rhyming billboards erected along highways in the United States from 1926 to 1963—not only cultivated characteristics of literary and even avantgarde writing but effectively pressured that literariness into serving the commercial marketplace. At the same time, as the campaign's reception history shows, the spirit of linguistic play and innovation at the core of Burma‐Shave's poetry unintentionally distracted consumers' attention away from the commercial message and toward the creative forces of reading and writing poetry. A striking example of popular reading practices at work, this history shows how poetry created even in the most commercial contexts might resist the commodification that many twentieth‐century poets and critics feared. (MC)

Conclusion: Sincerity Dreams

2017 ◽  
Author(s):  
Ellen Rutten
Keyword(s):  
United States ◽  
Popular Culture ◽  
Western Europe ◽  
The United States ◽  
First Century ◽  
Contemporary Culture ◽  
Cultural Paradigms ◽  
Twenty First Century ◽  
Inclusive Analysis

This conclusion reflects on today's dreams of renewing or revitalizing sincerity and rejects the notion that they are outdated or do not deserve any of our attention. It cites the work of several scholars to show that sincerity is anything but obsolete in twenty-first-century popular culture. Indeed, today's strivings to renew sincerity have not been neglected by scholars such as R. Jay Magill Jr., Epstein, and Yurchak. The rhetoric on new sincerity has been addressed in thoughtful analyses of contemporary culture that have helped the author in crafting a comprehensive and geographically inclusive analysis of present-day sincerity rhetoric. In post-Communist Russia, debates on a shift to late or post-postmodern cultural paradigms are thriving with at least as much fervor as—and possibly more than—in Western Europe or the United States. This conclusion discusses the newly gained insights which the author's sincerity study offers.

scholarly journals Rating Determinants Factored in E-Commerce Decision-Making

2015 ◽  
Vol 14 (1) ◽  
Author(s):  
Juheng Zhang ◽  
M. Riaz Khan ◽  
Dachuan Shih
Keyword(s):  
United States ◽  
Open Source Software ◽  
Web Sites ◽  
The United States ◽  
User Generated Content ◽  
Media Content ◽  
Price Levels ◽  
Wide Range ◽  
Hotel Booking ◽  
The Relationship

The user-generated content (UGC) Web sites are gaining popularity for a wide range of media content, such as news, blogs, forums, and open-source software. Instead of relying on information on company Web sites, users benefit by reading reviews written on UGC Web sites by consumers. Online evaluations are usually informative and reduce the information asymmetry. This study examines the problem where UGC can be expedient for online hotel booking. It investigates the relationship between the ratings obtained from the TripAdvisor.com reviewers and the hotel price levels in the United States, outside the United States, and top 20 hotels and others, respectively. Findings suggest that medium-priced hotels provide a comparable value with their high-priced counterparts. Further, the ratings for U.S. hotels are lower than others across all price levels.

BLACK AMERICANS AND LATINO IMMIGRANTS IN A SOUTHERN CITY

2007 ◽  
Vol 4 (1) ◽  
pp. 97-117 ◽  
Author(s):  
Paula D. McClain ◽  
Monique L. Lyle ◽  
Niambi M. Carter ◽  
Victoria M. DeFrancesco Soto ◽  
Gerald F. Lackey ◽  
...  
Keyword(s):  
United States ◽  
Survey Data ◽  
Black Americans ◽  
The United States ◽  
Latino Immigrants ◽  
Demographic Changes ◽  
The South ◽  
Economic Threat ◽  
Latino Immigration ◽  
Southern City

AbstractDramatic demographic changes are occurring in the United States, and some of the most dramatic changes are occurring in the South from Latino immigration. Latinos, by and large, are an entirely new population in the region. How are Black southerners reacting to this new population? Using survey data gathered from a southern location, this article explores several questions related to whether Blacks see these new residents as friendly neighbors or economic competitors. Results suggest that Blacks and non-Blacks perceive a potential economic threat from continued Latino immigration, but Blacks are more concerned about the effects of Latino immigration than are Whites.

Anti-Americanism in Retreat: Jack Lang, Cultural Imperialism, and the Anti-Anti-Americans

2011 ◽  
Author(s):  
Richard F. Kuisel
Keyword(s):  
United States ◽  
Popular Culture ◽  
Mexico City ◽  
The United States ◽  
Cultural Imperialism ◽  
American Film ◽  
Film Festival ◽  
American Popular Culture ◽  
Movie Star

This chapter details the rise of anti-Americanism in France, in particular French socialist minister of culture Jack Lang's attack against American popular culture. Lang began by refusing to attend the American film festival at Deauville in September 1981; several months later he gave a notorious address denouncing American cultural imperialism at a UNESCO conference in Mexico City; and then he tried to organize a global “crusade” to combat cultural imports from the United States. Lang was a flamboyant young politician whose movie-star good looks, iconic pink jacket, dramatic initiatives, and hyperactive ways won him both admiration and ridicule. He presided over the Ministry of Culture from 1981 to 1986 and again from 1988 to 1993.

Afterword

Heart Beats ◽  
2012 ◽  
Author(s):  
Catherine Robson
Keyword(s):  
United States ◽  
Popular Culture ◽  
Great Britain ◽  
The United States

This concluding chapter focuses upon two works that were written during recitation's heyday and that currently hold preeminent status both as, and among, memorized poems in popular culture on both sides of the Atlantic. Positioning W. E. Henley's “Invictus” (1888) as an American national favorite and Rudyard Kipling's “If –” (1910) as a British poem of poems, the chapter conducts a consciously allegorical reading to orchestrate a return to the topic raised in the introduction. The memory of mass juvenile recitation arouses very different feelings in the United States and Great Britain. To close the book, the chapter considers in what ways this might be connected to how individuals in these two countries regard not only their nation's educational past, but also their relationships with poetry, with society, and with themselves.

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