scholarly journals A Review on the Concepts of Traditional Architecture by Mulla Sadra’s Al-Hikmat Al-Mota'alie

2017 ◽  
Vol 4 (4) ◽  
pp. 146
Author(s):  
Zeinab Soleimani Sheijani ◽  
Seddighe Soleimani Sheijani ◽  
Mojgan Khakpour
Keyword(s):  
Architectural Design ◽  
Intellectual Structure ◽  
Single Application ◽  
Traditional Architecture ◽  
New Approach ◽  
Mulla Sadra ◽  
Two Phases ◽  
Contemporary Architecture ◽  
Rational Reasoning

Paying little attention to the roots of today's architecture has departed the contemporary architecture from its conceptual origins. However, the single application of traditional architecture principles does not fulfill the demands of today's life. Although by peering into the traditional Iranian architecture, principles and specific ideas implicit in the Islamic wisdom of Iran are revealed. In addition to maintaining the values of traditional architecture, a new approach to architectural design can also be achieved by recognizing and integrating these principles with the necessities of today's life. The article aims to answer whether it is possible to create a link between the traditional Iranian architecture concepts and the principles of contemporary rational architecture, similar to what Mulla Sadra, the great Persian philosopher, created between the Iranian ancient wisdom and al-Hikmat al-Masha which was solely a rational philosophy. To achieve the mentioned aim, first Mulla Sadra's intellectual structure has been studied, after modeling <em>al-</em><em>Hikmat al-Mota'alie</em>. Then the traditional architecture has been analyzed in order to recognize its being (<em>al-</em><em>Wojud</em>) and essence (<em>al-</em><em>Mahiyat</em>). The priority of being has been introduced in the next step, followed by levels of being. The next pace was to discuss the structure of Mulla Sadra's thinking method in architecture. The results of study indicate that the process of communication between ancient wisdom and <em>al-</em><em>Hikmat al-Masha</em>explained by Sadra can be classified in two phases, cognizing and integrating. In the stage of integration Sadra used rational reasoning to prove the issues that have been obtained through intuition and the same trend can be applied in architecture. The intuitive aspects of traditional architecture can also be presented within the framework of today's rationalist architecture in two steps, including cognizing and integrating.<p> </p>

VISUAL SEMIOLOGY IN ARCHITECTURAL DESIGN

2021 ◽  
Author(s):  
Fatma Nazlı Köksal ◽  
Hasan Doğan
Keyword(s):  
Visual Culture ◽  
Architectural Design ◽  
Communicative Action ◽  
The Other ◽  
Value Systems ◽  
Traditional Architecture ◽  
Traditional Structures ◽  
Social Components ◽  
Cultural Structure ◽  
Physical Components

Beyond being a shelter, houses are such structures which obtain meanings shaped by the influence of culture, particularly reflecting the society’s socio-cultural structure. As a time-khronos and space-topos pattern, the houses reflect the characteristics of the culture or ethnic group which they are part of, while on the other hand, they reflect the images of the individual’s essence as a communicative action. The effect of climate and typology, which are physical components of culture, as well as social components of culture, such as value systems, belief, lifestyle and habits, are cardinal factors in the formation of traditional houses. In this respect, traditional structures are visual representation spaces that narrates their own story, like verbal culture, and they convey their unique codes through visuality. This study, which discusses traditional architecture as a cultural text, aims to reveal traditional Urfa houses through analytical readings, within the context of visual semiology.. The samples selected within the scope of the study will be evaluated according to the context of stylistic features they are part of, such as plan and spatial perspective, the location of the houses, and detections regarding the visual culture will be discussed through the cultural and architectural design approach of Umberto Eco.

scholarly journals Conveying Sacred Knowledge through Contemporary Architectural Design: The Garma Cultural Knowledge Centre

2016 ◽  
Vol 1 (1) ◽  
pp. 199
Author(s):  
Elizabeth Grant
Keyword(s):  
Cultural Identity ◽  
Indigenous Peoples ◽  
Architectural Design ◽  
Publishing House ◽  
Cultural Knowledge ◽  
Positive Outcomes ◽  
North East ◽  
Arnhem Land ◽  
International Publishing ◽  
Contemporary Architecture

The Indigenous peoples of north east Arnhem Land in Australia (Yolngu) overlay their culture with the customs and social behaviour of other societies to achieve positive outcomes and autonomy. Passing down cultural knowledge is intrinsic to the cultural identity of Yolngu. The paper discusses the recently completed Garma Cultural Knowledge Centre and examines the cultural knowledge conveyed through the medium of contemporary architecture design. The paper finds that the Garma Cultural Knowledge Centre combined aspects of non-Aboriginal and Aboriginal cultures to form a coherent whole with multi-facetted meanings. © 2016. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK. Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies, Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.Keywords: People and environments; cultural knowledge; architecture; indigenous architecture

The Influence of Architectural Culture on Architectural Design

2013 ◽  
Vol 357-360 ◽  
pp. 278-281 ◽  
Author(s):  
Jia Sheng Liu
Keyword(s):  
Architectural Design ◽  
Modern Architecture ◽  
Traditional Architecture ◽  
The Relationship

The paper focuses on the relationship between the architectural culture and architectural design, puts forward the concept of architectural culture, expounds architectural cultures influence on Chinese traditional architecture and the western traditional architectures, and summarizes the importance and influence of architectural culture in the modern architectural design. This paper provides reference and experience for architects to design the modern architecture that can embody the design and spirit more vividly.

Visual Semiology in Architectural Design

2021 ◽  
Author(s):  
Fatma Nazlı Köksal ◽  
Hasan Doğan
Keyword(s):  
Visual Culture ◽  
Architectural Design ◽  
Communicative Action ◽  
The Other ◽  
Value Systems ◽  
Traditional Architecture ◽  
Traditional Structures ◽  
Social Components ◽  
Cultural Structure ◽  
Physical Components

Beyond being a shelter, houses are such structures which obtain meanings shaped by the influence of culture, particularly reflecting the society’s socio-cultural structure. As a time-khronos and space-topos pattern, the houses reflect the characteristics of the culture or ethnic group which they are part of, while on the other hand, they reflect the images of the individual's essence as a communicative action. The effect of climate and typology, which are physical components of culture, as well as social components of culture, such as value systems, belief, lifestyle and habits, are cardinal factors in the formation of traditional houses. In this respect, traditional structures are visual representation spaces that narrates their own story, like verbal culture, and they convey their unique codes through visuality. This study, which discusses traditional architecture as a cultural text, aims to reveal traditional Urfa houses through analytical readings, within the context of visual semiology. The samples selected within the scope of the study will be evaluated according to the context of stylistic features they are part of, such as plan and spatial perspective, the location of the houses, and detections regarding the visual culture will be discussed through the cultural and architectural design approach of Umberto Eco.

Cross Method and Design Process for DSF Elements

2017 ◽  
Vol 42 (4) ◽  
pp. 36-43 ◽  
Author(s):  
Sertaç Ilter ◽  
S.Müjdem Vural
Keyword(s):  
Architectural Design ◽  
Natural Ventilation ◽  
Evaluation Method ◽  
Building Envelope ◽  
Design Stage ◽  
Design System ◽  
Human Comfort ◽  
Early Design Stage ◽  
Preliminary Design Stage ◽  
Contemporary Architecture

The double-skin façade (DSF) is one of the most crucial paradigms of building envelope design in last decades. DSF prospects a unified architectural phenomenon based on comfort rank of building driven by the dogmas of aesthetic-glass façade and practical-natural ventilation aspirations. Therefore, the utilization of DSF has been the most prevalent catalyst for architectural design. The study discusses to structure a valid evaluation method focusing on DSF elements in order to fragment human comfort standards within asserting an accurate system in the preliminary design stage. The study significantly examines the tools/ways of integrating DSFs' human comfort parameters in contemporary architecture though a convincing design system. Apparently, the study aims to provide a proposed guideline within a established analyzing system for architects in order to better formation of DSF elements; which refers and promote the human comfort standards. The results demonstrate a modest insight on understanding the potentials of DSF elements in the early design stage significantly following defined architectural conceptions; cooling, lighting, thermal, acoustic and visual comfort intensity. Based on obtained data; study aims to enclose a diminutive knowledge or demonstration of how the concept might work for future development of contemporary architecture within DSF area.

Authentic Emergence of Flexibility in Contemporary Architecture

2015 ◽  
Vol 40 (4) ◽  
pp. 44-49
Author(s):  
Ghazal Farjami
Keyword(s):  
Spatial Configuration ◽  
Environmental Issues ◽  
Modern Architecture ◽  
Structural Systems ◽  
Traditional Architecture ◽  
Modern Period ◽  
Contemporary Architecture ◽  
Modern Era ◽  
Residential Projects

Flexibility is known as an important term in the field of open buildings especially during modern era. Idea of flexibility has been one of the prominent implications in traditional Iranian architecture emerged in spatial organizations. Although, during modern period this quality of spaces has been mostly ignored some of the contemporary architects attempted to reconsider this characteristic in their projects. However, providing an interview with 7 pioneering contemporary Iranian architects and visiting their 25 residential projects it seems that flexibility has been reinterpreted in some of their projects. This research is an attempt for examining the idea of flexibility in 6 projects of 3 of these architects who were obsessed with this spatial term in their architectural works. Based on the architect’s words and analysis of their projects, and also looking for the roots of flexibility in traditional architecture, it can be asserted that there is an authentic emergence of flexibility in these projects. Examining these projects according to three main indicators of flexibility in modern architecture as structural systems, service organization and architectural layout, it is also tried to find their relation with traditional architecture. Being adapted with new lifestyles while ingrained in cultural and environmental issues of its context, idea of flexibility employed as an authentic characteristic of spatial configuration in some of the contemporary buildings in Iran.

AGED MATERIALS IN PROJECTS OF MODERN ARCHITECTS

2012 ◽  
Vol 2 (2) ◽  
pp. 19-23
Author(s):  
O. V MATVEEVA
Keyword(s):  
Architectural Design ◽  
Aged Material ◽  
Aesthetic Aspect ◽  
Contemporary Architecture

The article presents the projects of contemporary architects who use in their works aged materials in the context of reconstruction, and as an independent aesthetic aspect of modern architectural design. Also considered the relevance of the aged-material trends in contemporary architecture.

scholarly journals Digital Tectonic Design as a New Approach to Architectural Design Methodology

2016 ◽  
Vol 161 ◽  
pp. 1504-1508
Author(s):  
Grzegorz Baliński ◽  
Krystyna Januszkiewicz
Keyword(s):  
Architectural Design ◽  
Design Methodology ◽  
New Approach

Architectural Concept of Dynamic is the Origin, still is the Carrier

2011 ◽  
Vol 368-373 ◽  
pp. 3598-3601
Author(s):  
Zhang Rui ◽  
Qiao Zheng
Keyword(s):  
System Theory ◽  
Dynamic Process ◽  
Architectural Design ◽  
Design Practice ◽  
New Approach ◽  
Dynamic Factors

This article analyzes the causes of "longevity building" and "ephemeral building" in architectural design practice. From the perspective of system theory proposed that the essence of architectural design is dynamic and dynamic process. Static factors only as a carrier of the existence of dynamic factors, establish framework for wisdom architectural design, provide new approach for architectural design.

scholarly journals Revizitand arhitectura contemporana ca tribut: un ghid al Bucureștiului de secol 21

2018 ◽  
pp. 187-206
Author(s):  
Marina MIHĂILĂ ◽  
Mihaela CIOLACHE ◽  
Raluca PEȘTIȘANU ◽  
Andra GIUGLEA ◽  
Mara VASILE ◽  
...  
Keyword(s):  
21St Century ◽  
Architectural Design ◽  
Young Generation ◽  
Peer Production ◽  
Project Proposal ◽  
Team Members ◽  
Avant Garde ◽  
New Ideas ◽  
Main Ideas ◽  
Contemporary Architecture

Main ideas on which the project proposal is based are : 1. producing a peer production collaborative open access data base for contemporary architecture; 2. proposing a structural visualization method and several modes of mapping and linking information and relevant images; 3. founding and defining a young generation of architectural projects-buildings; 4. gathering an advanced discussion for future architectural design; 5. fabricating new ideas, finding meaning and tendencies through short writings and discussions. Proposed method is to structure the ideas in a singular concept together with revisiting, reediting and rewriting the team’s manifesto Restarting Avant-garde for specific declaration of ideas, making from the specific proposed project an active instrument for a future cultural Bucharest. In few words, the team members declaration is to connect and reconnect with the School of Architecture / Faculty of Architecture UAUIM Bucharest, to contribute together and on common principles, militate for, activate and enrolling 21st century architecture to European new setups. The project proposal includes also the architects enrolling and contributing through their own projects to mapping a guide of 21st century Bucharest. keywords: contemporary architecture, Bucharest, cultural capital, 21st century architecture guide.

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